Universität Wien FIND
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080005 VU B620 Gesellschaft: Einführung in Dokumentarfilm: Theorie und Praxis (2019W)

Prüfungsimmanente Lehrveranstaltung

Hauptsprache Englisch

An/Abmeldung

Details

max. 50 Teilnehmer*innen
Sprache: Deutsch, Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Montag 14.10. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 21.10. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 21.10. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 28.10. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 04.11. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 11.11. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 18.11. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 25.11. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 09.12. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 09.12. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 20.01. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 20.01. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 27.01. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag 27.01. 16:15 - 17:45 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This course aims to introduce the modes of representations in documentary filmmaking and to concentrate on the audio-visual examination of different socio-cultural structures such as gender and immigration-related issues, economic and political conflicts, post-colonialist and racial interrogations through selected films. However, it is not an introductory course to documentary filmmaking in a traditional and chronological sense but it is an introduction to the subjective documentary. The autobiographical documentary will be the focus of this class as a quest of new representation techniques to examine the relationship between the personal and the cultural, and as the transformation of the dominant ideologies. The subcategories of first-person filmmaking such as diary film, essay film, experimental ethnography will be exemplified and discussed with a selected film. Furthermore, auto-ethnography as a self-reflexive method will be analysed not only theoretically but also will be performed by the students. The practical side of the course focuses on teaching how to produce a short digital documentary film from pre-production to post-production. Students are expected to read the given texts and watch the provided films beforehand and to actively discuss them in the classroom. At the end, groups of students will conduct short documentary films that question the culturally constructed realities in our given Western society.

Wichtig: Die Lehrveranstaltung wird Exkursionen beinhalten und deshalb nicht ausschließlich am angegebenen Termin stattfinden.

There will be a brainstorming session held by the tutor Sarah Anna Bergbauer on 05.11.2019 at 12.45-14.15 to discuss the proposals for documentary films.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Prüfungsimmanente Lehrveranstaltung mit Anwesenheitspflicht (zweimaliges Fehlen erlaubt).

Groups of students will create short documentary films as an end
product of this course.

* 10 points for presentation of a text+film
* 10 points for developing a written documentary project
* 15 points for active participation in discussions
* 15 points for exercises
* 50 points for the short documentary film production

Mindestanforderungen und Beurteilungsmaßstab

Für den erfolgreichen Abschluss der LV sind zumindest 50 von 100 möglichen Punkten zu erreichen.
Notenskala:
>= 87,5 sehr gut (1)
>= 75 gut (2)
>= 62,5 befriedigend (3)
>= 50 genügend (4)
< 50 nicht genügend (5)

Prüfungsstoff

A short documentary film production.

Literatur

Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Indiana University Press, 1991.

Minh-Ha, Trinh T. “Documentary Is/Not a Name.” October 52 (1990): 77–98. https://doi.org/10.2307/778886.

Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. Wallflower Press Book, 2009.

Russell, Catherine. Experimental Ethnography: The Work of Film in the Age of Video. Duke University Press, 1999.

Wagner-Egelhaaf, Martina. Handbook of Autobiography / Autofiction. Walter de Gruyter GmbH & Co KG, 2019.

Zuordnung im Vorlesungsverzeichnis

EC Kulturanalysen des Alltags

Letzte Änderung: Do 03.10.2019 07:47