080005 VU B620 Gesellschaft: Einführung in Dokumentarfilm: Theorie und Praxis (2019W)
Prüfungsimmanente Lehrveranstaltung
Labels
Hauptsprache Englisch
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Do 29.08.2019 08:00 bis Mi 25.09.2019 23:00
- Abmeldung bis Di 08.10.2019 23:00
Details
max. 50 Teilnehmer*innen
Sprache: Deutsch, Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Montag
14.10.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
21.10.
14:30 - 16:00
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
21.10.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
28.10.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
04.11.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
11.11.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
18.11.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
25.11.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
09.12.
14:30 - 16:00
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
09.12.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
20.01.
14:30 - 16:00
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
20.01.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
27.01.
14:30 - 16:00
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Montag
27.01.
16:15 - 17:45
Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
This course aims to introduce the modes of representations in documentary filmmaking and to concentrate on the audio-visual examination of different socio-cultural structures such as gender and immigration-related issues, economic and political conflicts, post-colonialist and racial interrogations through selected films. However, it is not an introductory course to documentary filmmaking in a traditional and chronological sense but it is an introduction to the subjective documentary. The autobiographical documentary will be the focus of this class as a quest of new representation techniques to examine the relationship between the personal and the cultural, and as the transformation of the dominant ideologies. The subcategories of first-person filmmaking such as diary film, essay film, experimental ethnography will be exemplified and discussed with a selected film. Furthermore, auto-ethnography as a self-reflexive method will be analysed not only theoretically but also will be performed by the students. The practical side of the course focuses on teaching how to produce a short digital documentary film from pre-production to post-production. Students are expected to read the given texts and watch the provided films beforehand and to actively discuss them in the classroom. At the end, groups of students will conduct short documentary films that question the culturally constructed realities in our given Western society.Wichtig: Die Lehrveranstaltung wird Exkursionen beinhalten und deshalb nicht ausschließlich am angegebenen Termin stattfinden.There will be a brainstorming session held by the tutor Sarah Anna Bergbauer on 05.11.2019 at 12.45-14.15 to discuss the proposals for documentary films.
Art der Leistungskontrolle und erlaubte Hilfsmittel
Prüfungsimmanente Lehrveranstaltung mit Anwesenheitspflicht (zweimaliges Fehlen erlaubt).Groups of students will create short documentary films as an end
product of this course.* 10 points for presentation of a text+film
* 10 points for developing a written documentary project
* 15 points for active participation in discussions
* 15 points for exercises
* 50 points for the short documentary film production
product of this course.* 10 points for presentation of a text+film
* 10 points for developing a written documentary project
* 15 points for active participation in discussions
* 15 points for exercises
* 50 points for the short documentary film production
Mindestanforderungen und Beurteilungsmaßstab
Für den erfolgreichen Abschluss der LV sind zumindest 50 von 100 möglichen Punkten zu erreichen.
Notenskala:
>= 87,5 sehr gut (1)
>= 75 gut (2)
>= 62,5 befriedigend (3)
>= 50 genügend (4)
< 50 nicht genügend (5)
Notenskala:
>= 87,5 sehr gut (1)
>= 75 gut (2)
>= 62,5 befriedigend (3)
>= 50 genügend (4)
< 50 nicht genügend (5)
Prüfungsstoff
A short documentary film production.
Literatur
Nichols, Bill. Representing Reality: Issues and Concepts in Documentary. Indiana University Press, 1991.Minh-Ha, Trinh T. “Documentary Is/Not a Name.” October 52 (1990): 77–98. https://doi.org/10.2307/778886.Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. Wallflower Press Book, 2009.Russell, Catherine. Experimental Ethnography: The Work of Film in the Age of Video. Duke University Press, 1999.Wagner-Egelhaaf, Martina. Handbook of Autobiography / Autofiction. Walter de Gruyter GmbH & Co KG, 2019.
Zuordnung im Vorlesungsverzeichnis
EC Kulturanalysen des Alltags
Letzte Änderung: Mo 07.09.2020 15:20