124080 VK BEd 08a.3: VK Literature and Language Education (2025W)
Poetry off the Page
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 08.09.2025 00:00 bis Mo 22.09.2025 12:00
- Abmeldung bis Fr 31.10.2025 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Termin 03.11.2025:
Österreichische Akademie der Wissenschaften, Sitzungssaal, Dr. Ignaz-Seipel Platz 2, 1010 Wien
- Dienstag 14.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 21.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 03.11. 17:00 - 18:30 Ort in u:find Details
- Dienstag 04.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- N Dienstag 11.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 18.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 25.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 02.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 09.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 16.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 13.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 20.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Dienstag 27.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Active participation (regular attendance; participation in class discussions of set readings); written tasks (bibliography, abstract, lesson plans, reflection task), oral presentation of term paper; BEd thesis or term paper.
Mindestanforderungen und Beurteilungsmaßstab
You may miss no more than two sessions without certified medical reason. If you miss a third session and can produce a viable doctor’s note, you will be assigned an extra tasks and can still pass the course. If you miss more than three lessons, you will fail the course.Active participation = 13%
Oral presentation = 12%
Lesson plans & reflection task = 20%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59You must hand in an anti-plagiarism statement with your term paper and upload the paper onto Moodle. Your paper will be marked once it has been cleared by the University’s anti-plagiarism software.
Oral presentation = 12%
Lesson plans & reflection task = 20%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59You must hand in an anti-plagiarism statement with your term paper and upload the paper onto Moodle. Your paper will be marked once it has been cleared by the University’s anti-plagiarism software.
Prüfungsstoff
There will be no written exam. Participants are expected to study set materials and additional secondary/theory sources, take active part in class discussions, produce a ppt presentation of their work in progress, and hand in assignments on time.
Literatur
Poetry by
- David Antin, Adrian Mitchell, John Hegley, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Bernstein, Charles. Close Listening: Poetry and the Performed Word. Oxford University Press, 1998.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Fiore, Mia. “Pedagogy for Liberation: Spoken Word Poetry in Urban Schools.” Education and Urban Society, vol. 47, no. 7, Nov. 2015, pp. 813–29.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Lazar, Gillian. Literature and Language Teaching: A Guide for Teachers and Trainers. Cambridge University Press, 1993.
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Thaler, Engelbert. Teaching English Literature. Ferdinand Schöningh, 2008.
- David Antin, Adrian Mitchell, John Hegley, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Bernstein, Charles. Close Listening: Poetry and the Performed Word. Oxford University Press, 1998.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Fiore, Mia. “Pedagogy for Liberation: Spoken Word Poetry in Urban Schools.” Education and Urban Society, vol. 47, no. 7, Nov. 2015, pp. 813–29.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Lazar, Gillian. Literature and Language Teaching: A Guide for Teachers and Trainers. Cambridge University Press, 1993.
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Thaler, Engelbert. Teaching English Literature. Ferdinand Schöningh, 2008.
Zuordnung im Vorlesungsverzeichnis
Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Letzte Änderung: Fr 12.09.2025 15:46
Paying close attention to the medial specificities of oral poetry performance, we will critically interrogate ideas around the ‘authenticity’ of the performing voice in relation to the generic conventions of lyric poetry and the dramatic monologue. We will further examine the identity politics enacted by poetry performances, which can often be understood as forms of socio-political activism, resonating, for instance, with #MeToo and the Black Lives Matter movement.
The course will include an excursion to the Austrian Academy of Sciences for a lecture by Prof. Claudia Benthien (Mon 3 Nov, 5:00pm), which is integral to the course, as well as guest appearances by Prof. Deirdre Osborne and by Mag. Claire Palzer, who will guide students’ didactic work on poetry performance in two sessions.
AIMS:
Students will become familiar with a range of spoken word texts (partly of their own choosing). They will learn to apply various critical perspectives to these texts, such as media studies, performance analysis, genre theory, gender studies, life writing studies, and postcolonial criticism. Students will also become familiar with a range of methods for incorporating spoken word poetry in the EFL classroom and will have the opportunity to implement, and reflect on, some of these methods.
METHODS:
Short lectures, classroom discussions, group work, presentations, individual research/writing/teaching assignments.
-- The course further includes one observed session and one teaching session at a school of your choice (contacts can be provided, if required), between early November and Christmas. These sessions must be arranged by the students, and you are advised to schedule your session as soon as possible. You must have set the date, school and age group by 24 October!