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124184 VK BEd 08b.3: VK Cultural Studies and Language Education (2025W)
Unmarried Sisters: Celibate Politics, Sexualities, and Cultures in the History of the Women's Movement
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 08.09.2025 00:00 bis Mo 22.09.2025 12:00
- Abmeldung bis Fr 31.10.2025 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
N.B. Please note that there will be no sessions on the 28 October, 18 November, or 25 November. These missing sessions will be replaced by a supplementary block presentation session from 10:00-16:00 on Saturday 24.01.2026.
- Dienstag 14.10. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 21.10. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 04.11. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 11.11. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 02.12. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 09.12. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 16.12. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 13.01. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Dienstag 20.01. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Samstag 24.01. 10:00 - 16:00 Seminarraum 9, Kolingasse 14-16, OG01
- Dienstag 27.01. 09:30 - 11:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Students must fulfill and pass each of the 4 course requirements (term/B-Ed paper, presentation, portfolio, active participation) and score at least 60 points altogether in order to pass this course.Grading scale:
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points
Mindestanforderungen und Beurteilungsmaßstab
• Active participation in class discussions: 20 points
• Presentation (teaching activity): 20 points
• Portfolio (3 tasks relating to the course sessions): 15 points
• Term paper/B-Ed paper: 45 pointsAttendance:
You may miss two lessons of this course. If a viable doctor's note is produced, you may miss a third but then need to compensate it at the teacher's discretion. If you miss more than three lessons, this will result in your failing the course, due to excessive absence.
This is an interactive course. It relies in large parts on flipped-class room methodologies and therefore requires students' regular attendance.
• Presentation (teaching activity): 20 points
• Portfolio (3 tasks relating to the course sessions): 15 points
• Term paper/B-Ed paper: 45 pointsAttendance:
You may miss two lessons of this course. If a viable doctor's note is produced, you may miss a third but then need to compensate it at the teacher's discretion. If you miss more than three lessons, this will result in your failing the course, due to excessive absence.
This is an interactive course. It relies in large parts on flipped-class room methodologies and therefore requires students' regular attendance.
Prüfungsstoff
This is an interactive course with continuous assessment ("prüfungsimmanente Lehrveranstaltung"). In addition to handing in the portfolio and term/B-Ed paper, participants are expected to read all set texts and actively participate in class throughout the semester as well as hand in tasks and assignments on time.There will be no written exam.
Literatur
Secondary Literature
Tyler Bradway and Elizabeth Freeman, "Kincoherence Kinaesthetics Kinematics" in "Queer Kinship: Race, Sex, Belonging, Form" (2022)
Benjamin Kahan, "Celibacies: American Modernism and Sexual Life" (2013)Primary Literature:
Elizabeth Burgoyne Corbett, "New Amazonia: A Foretaste of the Future" (1889)
Marie Edwards, "The Singles Manifesto" (1974)
Charlotte Perkins Gilman, "Herland" (1915)
Radclyffe Hall, "Ode to Sappho" (1908)
Amy Lowell, "The Sisters" (1925)
Lisa Orlando, "The Asexual Manifesto" (1972)
Virginia Woolf, "A Room of One's Own" (1929)Films:
Elizabeth (dir, Shekhar Kapur, 1998)
Brave (Pixar, 2012)
Barbie (dir., Greta Gerwig, 2023)
Tyler Bradway and Elizabeth Freeman, "Kincoherence Kinaesthetics Kinematics" in "Queer Kinship: Race, Sex, Belonging, Form" (2022)
Benjamin Kahan, "Celibacies: American Modernism and Sexual Life" (2013)Primary Literature:
Elizabeth Burgoyne Corbett, "New Amazonia: A Foretaste of the Future" (1889)
Marie Edwards, "The Singles Manifesto" (1974)
Charlotte Perkins Gilman, "Herland" (1915)
Radclyffe Hall, "Ode to Sappho" (1908)
Amy Lowell, "The Sisters" (1925)
Lisa Orlando, "The Asexual Manifesto" (1972)
Virginia Woolf, "A Room of One's Own" (1929)Films:
Elizabeth (dir, Shekhar Kapur, 1998)
Brave (Pixar, 2012)
Barbie (dir., Greta Gerwig, 2023)
Zuordnung im Vorlesungsverzeichnis
Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Letzte Änderung: Mo 27.10.2025 10:26
By historicising the changing meanings of unmarried, nonsexual and queer life, students will develop analytical and critical tools to read literary genres and images such as the women-only ‘celibate utopia’ of first-wave feminist science fiction, and the ‘celibate plot’, which charts a character’s development not towards integration into patriarchal social structures through marriage (as in the ‘marriage plot’) but rather towards a meaningful rejection of the limits that such structures place upon women.
By coming to understand the cultural logic in which the category of ‘the female celibate’ emerged in the 19th century as a coherent expression of feminist and queer identities, we will also be able to engage in conversations about how these ideas are re-emerging in the present day, from representations of asexuality and Ace and Aromantic characters in contemporary fiction, to social media aesthetic movements, campaigns and manifestoes which advocate anew for expressions of women’s of agency through celibacy.