160053 VO The Operas of Gioachino Rossini (2018S)
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Details
Sprache: Englisch
Prüfungstermine
Freitag
15.06.2018
12:00 - 13:30
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Freitag
28.09.2018
10:00 - 11:30
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Dienstag
20.11.2018
16:00 - 17:30
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Freitag
25.01.2019
10:30 - 12:00
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
WARNING!
This is a Lecture (Vorlesung). Enrollment for lesson is not compulsory, just enrollment for the final exams is needed.
Freitag
04.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Samstag
05.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Freitag
11.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Samstag
12.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Freitag
25.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Samstag
26.05.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Freitag
08.06.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Samstag
09.06.
10:45 - 13:45
Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
The assessment will be done by multiple-choice written test.
Mindestanforderungen und Beurteilungsmaßstab
WARNING!This is a Lecture (Vorlesung). Enrollment for lesson is not compulsory, just enrollment for the final exams is needed.
Prüfungsstoff
Literatur
ALL LESSONS (POWER POINT) AREA AVAILABLE ON MOODLE SERVICE.
To access Moodle without signing up for this lecture by
self enrollment (students can register by themselves via u:find).The Cambridge companion to Rossini, edited by Emanuele Senici. Cambridge University press, 2004.Philip Gossett, Divas and scholars: performing Italian opera. University of Chicago Press, 2006.Richard Osborne, Rossini: His Life and Works. Oxford University Press, 2007.To help your preparation for the case study "Il barbiere di Siviglia", please watch these links:
- WIKIPEDIA PAGE AND SYNOPSYS: https://en.wikipedia.org/wiki/The_Barber_of_Seville
- LIBRETTO (ITALIAN, WITH ENGLISH TRANSLATION) http://www.murashev.com/opera/Il_barbiere_di_Siviglia_libretto_Italian_English
- PONNELLE MOVIES 1972 https://www.youtube.com/watch?v=oSjyDH4MJCc
To access Moodle without signing up for this lecture by
self enrollment (students can register by themselves via u:find).The Cambridge companion to Rossini, edited by Emanuele Senici. Cambridge University press, 2004.Philip Gossett, Divas and scholars: performing Italian opera. University of Chicago Press, 2006.Richard Osborne, Rossini: His Life and Works. Oxford University Press, 2007.To help your preparation for the case study "Il barbiere di Siviglia", please watch these links:
- WIKIPEDIA PAGE AND SYNOPSYS: https://en.wikipedia.org/wiki/The_Barber_of_Seville
- LIBRETTO (ITALIAN, WITH ENGLISH TRANSLATION) http://www.murashev.com/opera/Il_barbiere_di_Siviglia_libretto_Italian_English
- PONNELLE MOVIES 1972 https://www.youtube.com/watch?v=oSjyDH4MJCc
Zuordnung im Vorlesungsverzeichnis
BA 2011: B10, B17
BA 2016: HIS-V2, FRE
EC EMG: EMG2
MA: M01, M02, M03, M04, M05. M07, M14
BA 2016: HIS-V2, FRE
EC EMG: EMG2
MA: M01, M02, M03, M04, M05. M07, M14
Letzte Änderung: Mo 07.09.2020 15:35
Main goals of this course are the general knowledge and the analysis of the main features that characterize Rossini’s operas related to the musical context of his time: its roots (Italian opera between 1800-1810 and Wiener Klassik), the operatic world and his organization (impresarios, composers, librettists, singers, printers), voices and characters. More attention will be paid to specific topics, like dramaturgy and form of Rossini’s operas (ouvertures, recitativos, airs, duets, ensebles) and philological, critical and storiographic issues emerged after the phenomenon of the so called “Rossini Renaissance” starting from the second half of the 20th Century. This course includes the use of the well-known Barbiere di Siviglia as emblematic case study, and furthermore the meeting with two musicians (Beatrice Venezi, conductor, and Diana Mian, soprano) who can offer their insights on what it means performing Rossini's operas today.