Universität Wien

080105 SE High Medieval Sculpture in Austria and the Neighboring Cultural Regions (2024W)

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: German

Lecturers

Classes (iCal) - next class is marked with N

  • Monday 07.10. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 14.10. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 21.10. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 28.10. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 04.11. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 11.11. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 18.11. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 25.11. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 02.12. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 09.12. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 13.01. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 20.01. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
  • Monday 27.01. 17:45 - 19:15 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27

Information

Aims, contents and method of the course

Large-format figurative sculptures made of stone and wood have been preserved in Austria since around the middle of the 12th century. The former are generally integrated into the tectonic structure of architecture, usually sacred buildings, where they can be found both on the exterior (portals, wall structures, etc.) and on the interior (capitals, friezes, barriers, tombs, etc.). The latter, wooden sculptures, form a group of decorative objects that are often centrally positioned in the church interior in terms of both form and content.
In joint discussions, design principles of late antique as well as early and high medieval sculpture are initially developed across countries and epochs. A refined stylistic analysis will then be applied to selected ‘Austrian’ sculptures, which will make it possible to narrow down the period of their creation and their artistic origin.
Due to their (‘immovable’) position in the architectural structure, art-historical investigations of stone sculptures (or individual workpieces) sometimes play a decisive role in the context of archaeological and building research - namely in questions concerning the building history of Romanesque architecture as well as its processes and workshop operations. This will be illustrated using a prominent building in Vienna as an example (as part of an excursion).
Finally, technical aspects will also be taken into account, above all knowledge gained from the practical preservation of monuments and scientific investigations - such as on materials and surfaces (traces of work), on (former) polychrome colouring of pictorial works and their (fashionable) overpainting as well as on natural losses or deliberate manipulations of original substance due to the respective taste of the time.
The aim of the course is firstly an independent observation and precise description as well as a form and structural analysis of a sculptural object. The theses put forward in the relevant specialist literature should then be critically scrutinised and, if necessary, verified or falsified. New research questions can also be posed and hypotheses formed. The results of your observations and reflections should be presented in oral and written form.

Assessment and permitted materials

- aktive Beteiligung an Diskussionen
- Referat
- Vertiefung in Form einer schriftlichen Hausarbeit (etwa 40.000 Zeichen Fließtext)
- Mit der Anmeldung zu dieser LV stimmen Sie zu, dass die automatisierte Plagiatsprüfungs-Software Turnitin alle von Ihnen in Moodle eingereichten schriftlichen Teilleistungen prüft.

Minimum requirements and assessment criteria

Mindestanforderung:
- Anwesenheitspflicht. Bei Absenz wegen Krankheit oder familiärer Ausnahmesituation ist ein schriftlicher Nachweis vorzulegen.
- Für einen positiven Abschluss der Lehrveranstaltung müssen alle Teilleistungen erbracht werden.
- Seminararbeit: Zur Sicherung der guten wissenschaftlichen Praxis kann der/die Lehrveranstaltungsleiter/in Studierende zu einem notenrelevanten Gespräch nach Abgabe der Arbeit einladen, welches positiv zu absolvieren ist.

Beurteilungsmaßstab:
- aktive Beteiligung an Diskussionen 15%
- Referat und Präsentation 30 %
- Vertiefung in Form einer schriftlichen Hausarbeit 55%

Examination topics

Prüfungsstoff ist der Inhalt der Lehrveranstaltung

Reading list

Wird über einen Seminarapparat und über moodle zur Verfügung gestellt.

Association in the course directory

Last modified: We 09.10.2024 14:05