120691 PS Proseminar Cultural and Media Studies (2024W)
Performing Identity, Performing Poetry: Spoken Word in the UK
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 09.09.2024 12:00 to Mo 23.09.2024 12:00
- Deregistration possible until Th 31.10.2024 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
NB: *The class on 08.01.2025 will be moved to Raum 1 Anglistik UniCampus Hof 8 3E-EG-05*
- Wednesday 09.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 16.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 23.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 30.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 06.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 13.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 20.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 27.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 04.12. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 11.12. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- N Wednesday 08.01. 14:15 - 15:45 Raum 1 Anglistik UniCampus Hof 8 3E-EG-05
- Wednesday 15.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 22.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Wednesday 29.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Aims, contents and method of the course
Assessment and permitted materials
Regular attendance (a maximum of 2 unexcused absences allowed); active participation throughout the course; close reading essay; “Thesis in three” oral presentation; paper proposal; final paper.
Minimum requirements and assessment criteria
1. Class participation – 10%
2. Close reading essay – 10%
3. Thesis in three/Oral presentation – 10%
4. Research Proposal – 20%
5. Final paper – 50%Students must fulfil and pass each of the course requirements and obtain a 60% overall grade to pass the course. The plagiarism detection software Turnitin will be used on the written assignments. The use of generative AI is not allowed in this course.Class participation: Students should engage with primary and secondary materials provided on Moodle and are expected to come prepared for class.Close reading: A short close reading essay (approx.500 words) analysing a poetry performance discussed in class is due early in the semester.Thesis in Three (Oral presentation or Video essay): The “Thesis in Three” comprises of an oral presentation, presenting one’s argument in three minutes with three slides. Students can either deliver the presentation “live” in class or submit a pre-recorded presentation/video essay which will then be played out in class. The presentation will be followed by a peer feedback exercise and discussion.Research proposal: A 2-page research proposal with bibliography providing the basis of the final paper is required. The proposal should contain the research question, thesis statement, and a literature review consisting of engagement with at least two critical texts that students will use in their final paper.Final paper: Students are required to submit a 3500-word (+/-10%) proseminar paper as the final task of the course. The paper should reflect student’s engagement with course material as well as their own independent research.The research proposal and the final paper must adhere to the department’s style sheet.Grade scale in %:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59
2. Close reading essay – 10%
3. Thesis in three/Oral presentation – 10%
4. Research Proposal – 20%
5. Final paper – 50%Students must fulfil and pass each of the course requirements and obtain a 60% overall grade to pass the course. The plagiarism detection software Turnitin will be used on the written assignments. The use of generative AI is not allowed in this course.Class participation: Students should engage with primary and secondary materials provided on Moodle and are expected to come prepared for class.Close reading: A short close reading essay (approx.500 words) analysing a poetry performance discussed in class is due early in the semester.Thesis in Three (Oral presentation or Video essay): The “Thesis in Three” comprises of an oral presentation, presenting one’s argument in three minutes with three slides. Students can either deliver the presentation “live” in class or submit a pre-recorded presentation/video essay which will then be played out in class. The presentation will be followed by a peer feedback exercise and discussion.Research proposal: A 2-page research proposal with bibliography providing the basis of the final paper is required. The proposal should contain the research question, thesis statement, and a literature review consisting of engagement with at least two critical texts that students will use in their final paper.Final paper: Students are required to submit a 3500-word (+/-10%) proseminar paper as the final task of the course. The paper should reflect student’s engagement with course material as well as their own independent research.The research proposal and the final paper must adhere to the department’s style sheet.Grade scale in %:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59
Examination topics
There will be no written exam. The assessment will be ongoing and comprises of the elements mentioned above, namely active participation; close reading essay; “Thesis in three” oral presentation; research proposal; final paper.
Reading list
The following is a tentative list and is subject to change. All course material will be made available on Moodle.We will discuss poems by Kevin P Gilday, Joelle Taylor, Malaika Kegode, Hanan Issa, Jasmine Gardosi, Roger Robinson, Suhaiymah Mansoor-Khan, Repeat Beat Poet, Abby Oliveira, Jay Mitra, and others.We will be reading extracts or chapters from –1. English, Lucy, and Jack McGowan. Spoken Word in the UK. Taylor & Francis Group, 2021.
2. Johnson, Javon. Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities. Rutgers University Press, 2017.
3. Korecka, Magdalena Elisabeth, and Wiebke Vorrath, editors. Poetry and contemporary visual culture. De Gruyter, 2023.
4. Morra, Joanne. Visual Culture: Critical Concepts in Media and Cultural Studies. 3, Spaces of Visual Culture. 1. publ., Routledge, 2006.
5. ---. Visual Culture: Critical Concepts in Media and Cultural Studies. 4, Experiences in Visual Culture. 1. publ., Routledge, 2006.
6. Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. 1st ed.., BRILL, 2011.
7. Somers-Willett, Susan B. A. The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. University of Michigan Press, 2009.
2. Johnson, Javon. Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities. Rutgers University Press, 2017.
3. Korecka, Magdalena Elisabeth, and Wiebke Vorrath, editors. Poetry and contemporary visual culture. De Gruyter, 2023.
4. Morra, Joanne. Visual Culture: Critical Concepts in Media and Cultural Studies. 3, Spaces of Visual Culture. 1. publ., Routledge, 2006.
5. ---. Visual Culture: Critical Concepts in Media and Cultural Studies. 4, Experiences in Visual Culture. 1. publ., Routledge, 2006.
6. Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. 1st ed.., BRILL, 2011.
7. Somers-Willett, Susan B. A. The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. University of Michigan Press, 2009.
Association in the course directory
Studium: BA 612;
Code/Modul: BA09.1;
Lehrinhalt: 12-4040
Code/Modul: BA09.1;
Lehrinhalt: 12-4040
Last modified: Mo 02.12.2024 14:06
• Learn the historical context of spoken word in the UK
• Critically engage with and analyse poetry performance in different media
• Reflect upon the role and manifestation of identity in terms of race, gender, sexuality, class, disability, and other social identity markers in the performance of poetry, and apply relevant theoretical lenses
• Write both short and long analytical texts and develop their academic writing skills