124080 VK BEd 08a.3: VK Literature and Language Education (2025W)
Poetry off the Page
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 08.09.2025 00:00 to Mo 22.09.2025 12:00
- Deregistration possible until Fr 31.10.2025 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
Termin 03.11.2025:
Österreichische Akademie der Wissenschaften, Sitzungssaal, Dr. Ignaz-Seipel Platz 2, 1010 Wien
- Tuesday 14.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 21.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Monday 03.11. 17:00 - 18:30 Ort in u:find Details
- Tuesday 04.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 11.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 18.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 25.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 02.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 09.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 16.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 13.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 20.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Tuesday 27.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Information
Aims, contents and method of the course
Assessment and permitted materials
Active participation (regular attendance; participation in class discussions of set readings); written tasks (bibliography, abstract, lesson plans, reflection task), oral presentation of term paper; BEd thesis or term paper.
Minimum requirements and assessment criteria
You may miss no more than two sessions without certified medical reason. If you miss a third session and can produce a viable doctor’s note, you will be assigned an extra tasks and can still pass the course. If you miss more than three lessons, you will fail the course.Active participation = 13%
Oral presentation = 12%
Lesson plans & reflection task = 20%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59You must hand in an anti-plagiarism statement with your term paper and upload the paper onto Moodle. Your paper will be marked once it has been cleared by the University’s anti-plagiarism software.
Oral presentation = 12%
Lesson plans & reflection task = 20%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59You must hand in an anti-plagiarism statement with your term paper and upload the paper onto Moodle. Your paper will be marked once it has been cleared by the University’s anti-plagiarism software.
Examination topics
There will be no written exam. Participants are expected to study set materials and additional secondary/theory sources, take active part in class discussions, produce a ppt presentation of their work in progress, and hand in assignments on time.
Reading list
Poetry by
- David Antin, Adrian Mitchell, John Hegley, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Bernstein, Charles. Close Listening: Poetry and the Performed Word. Oxford University Press, 1998.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Fiore, Mia. “Pedagogy for Liberation: Spoken Word Poetry in Urban Schools.” Education and Urban Society, vol. 47, no. 7, Nov. 2015, pp. 813–29.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Lazar, Gillian. Literature and Language Teaching: A Guide for Teachers and Trainers. Cambridge University Press, 1993.
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Thaler, Engelbert. Teaching English Literature. Ferdinand Schöningh, 2008.
- David Antin, Adrian Mitchell, John Hegley, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Bernstein, Charles. Close Listening: Poetry and the Performed Word. Oxford University Press, 1998.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Fiore, Mia. “Pedagogy for Liberation: Spoken Word Poetry in Urban Schools.” Education and Urban Society, vol. 47, no. 7, Nov. 2015, pp. 813–29.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Lazar, Gillian. Literature and Language Teaching: A Guide for Teachers and Trainers. Cambridge University Press, 1993.
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Thaler, Engelbert. Teaching English Literature. Ferdinand Schöningh, 2008.
Association in the course directory
Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Last modified: Fr 12.09.2025 15:46
Paying close attention to the medial specificities of oral poetry performance, we will critically interrogate ideas around the ‘authenticity’ of the performing voice in relation to the generic conventions of lyric poetry and the dramatic monologue. We will further examine the identity politics enacted by poetry performances, which can often be understood as forms of socio-political activism, resonating, for instance, with #MeToo and the Black Lives Matter movement.
The course will include an excursion to the Austrian Academy of Sciences for a lecture by Prof. Claudia Benthien (Mon 3 Nov, 5:00pm), which is integral to the course, as well as guest appearances by Prof. Deirdre Osborne and by Mag. Claire Palzer, who will guide students’ didactic work on poetry performance in two sessions.
AIMS:
Students will become familiar with a range of spoken word texts (partly of their own choosing). They will learn to apply various critical perspectives to these texts, such as media studies, performance analysis, genre theory, gender studies, life writing studies, and postcolonial criticism. Students will also become familiar with a range of methods for incorporating spoken word poetry in the EFL classroom and will have the opportunity to implement, and reflect on, some of these methods.
METHODS:
Short lectures, classroom discussions, group work, presentations, individual research/writing/teaching assignments.
-- The course further includes one observed session and one teaching session at a school of your choice (contacts can be provided, if required), between early November and Christmas. These sessions must be arranged by the students, and you are advised to schedule your session as soon as possible. You must have set the date, school and age group by 24 October!