Universität Wien

124081 VK BEd 08a.3: VK Literature and Language Education (2025W)

Ecopoetry and Ecoliteracy

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

NOTE – PLEASE READ BEFORE REGISTERING!

1. Format: This course will most likely be held every other week in 3hr sessions (180 mins, including short breaks). Exact dates/times will be announced here as soon as possible.

2. Off-campus event: In preparation for one of the assignments (“poetry in public,” see below), students are encouraged to attend an off-campus event on November 3, 2025 (Monday), 5:00 pm at the Austrian Academy of Sciences. This assignment is worth 10% of your final grade. Please take this date into account while scheduling your classes.

  • Wednesday 08.10. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 15.10. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 05.11. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 12.11. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 03.12. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 10.12. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Wednesday 07.01. 16:45 - 20:00 Besprechungsraum Anglistik UniCampus Hof 8 3E-O2-07
  • Wednesday 14.01. 16:45 - 20:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Aims, contents and method of the course

How many trees that you see on your way from home to campus can you identify? In fact, how often do you notice them at all? If you were to describe your neighborhood, would you be able to recount its flora and fauna in as much detail as its shops, services, and public transportation options? What comes to your mind when you hear the words “nature” and “environment”? What does it mean for something – or someone – to be “(un)natural”? And why should it matter?

This course proposes that asking these questions matters because they push us to (re)consider how we think of ourselves in relation to the world we live in: a world that is human and nonhuman, natural as well as social, cultural, and political. The climate crisis has its roots in the same social systems of value and power that discourage us from paying close, daily attention to the world around us. It is, in the words of ecocritic Lawrence Buell, a “crisis of the imagination,” of our cultural reluctance to see ourselves as a part of, rather than apart from, the natural world. When we fail to understand, care about, or even see our immediate environment, we also fail to do so at a planetary level.

Poetry, perhaps more than any other literary genre, asks us to look and listen carefully, respond emotionally, and understand afresh. By challenging our habits of reading and meaning-making, it invites us to expand our imagination. Thus, it will be through the lens of poetry that we will explore our relationship to the more-than-human world in this class. We will be learning eco-literacy from what the poems say about nature and environment and from how they say it, examining poetic language, form, and technique. We will practice the skills of paying attention, asking questions, and making connections by reading poetry as well as “reading” place, creative reflection, and effective communication of our insights. We will not be focusing on didactics; rather, will be developing our own literacy in poetry and environment through a range of assignments that bring the two together. We will, however, reflect on our pedagogical principles and consider the possibilities of integrating poetry and eco-literacy into our teaching practice.

Assessment and permitted materials

Regular attendance and active participation throughout the course (a maximum of 2 unexcused absences allowed), other requirements as listed below.

Minimum requirements and assessment criteria

The total percentage of each student’s final grade will be determined according to the following:

• 30% Class participation & preparation (incl. in-class activities & small home assignments)
• 10% “poetry in public” proposal (min. 500 words + visuals, group project informed by “The Uses of Poetry in Public Spaces” lecture on 03/11)
• 10% Close-reading essay (600-800 words)
• 10% Final reflection essay (min. 600 words or 4 mins video/audio)
• 40% Creative portfolio, including:
• 10% “Arts of Noticing” walk (poster + reflection)
• 10% research-based poem (individual or collaborative)
• 10% ecopoem + reflection on process
• 10% collaborative “recycled” poem

To earn a passing final grade for this course, you need to obtain at least 60% (passing threshold) for each element listed above and complete each one of them in a timely manner. Any instance of plagiarism detected will automatically result in a failing grade for the assignment, and possibly for the course.
Grade scale (in %): 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%.

B.Ed. thesis
To write your B.Ed. thesis in this course, you need to meet all requirements listed above plus:
(1) make an appointment for thesis consultation by 9 Jan. 26;
(2) submit a short thesis proposal (incl. intro paragraph ending in thesis statement, informal outline, and a bibliography of 5 proposed sources) (due date varies, see below);
(3) submit the B.Ed. thesis (6,500-7,000 words) for a separate grade by 27 Jan. 2026 (to register for M.Ed. in February) or by a date agreed upon with the instructor.

Examination topics

There will be no written exam. The oral and written assignments will require the students to display their familiarity with (1) all readings covered in the course up to the assignment date; (2) additional materials as provided by the instructor; and (3) content covered and ideas presented during class discussions, as well as their skills in (4) academic writing, research, and learning from feedback.

Reading list

Students are recommended to get their own copy of the following book:
• You Are Here: Poetry in the Natural World, edited by Ada Limón (https://milkweed.org/book/you-are-here;)
• The Blackbird's Song and Other Wonders of Nature, by Miles Richardson (https://newriverbooks.co.uk/book/the-blackbirds-song/)

All other materials will be posted on Moodle unless otherwise indicated in the syllabus/announced in class. The following reading list is tentative and subject to changes at the instructor’s discretion:
• You Are Here: Poetry in the Natural World, edited by Ada Limón
• Miles Richardson, The Blackbird's Song and Other Wonders of Nature
• Harryette Mullen, from Urban Tumbleweed: Notes from a Tanka Diary
• Craig Santos Perez, "Recycling Poetry in a Time of Climate Change," "Teaching Poetry in a Time of Climate Change," and selected poems
• Short prose by Aimee Nezhukumatathil, Camille Dungy, Robin Wall Kimmerer, and others
• Selected scholarship by David Orr, Sarah Jaquette Ray and Jennifer Atkinson, Rob Nixon, Greg Garrard, and others
• Poems by Danez Smith, Ross Gay, Mary Oliver, Franny Choi, Emily Dickinson, June Jordan, and others
• Selections from Ghost Fishing: An Eco-Justice Poetry Anthology (edited by Melissa Tuckey) and other poetry anthologies
• Selections from Madeleine Fuchs Holzer, Teach This Poem, Volume I: The Natural World

Association in the course directory

Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683

Last modified: Fr 19.12.2025 21:46