Universität Wien

124182 VK BEd 08b.3: VK Cultural Studies and Language Education (2025W)

Literary and Media Hoaxes: Histories, Politics and Poetics of the Fake

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

N.B. Please note that there will be no sessions on the 27 October, 17 November, or 24 November. These missing sessions will be replaced by a supplementary block presentation session from 10:00-16:00 on Saturday 17.01.2026.

  • Monday 06.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
  • Monday 13.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 20.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 03.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 10.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 01.12. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 15.12. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 12.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Saturday 17.01. 10:00 - 16:00 Raum 1 Anglistik UniCampus Hof 8 3E-EG-05
  • Monday 19.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
  • Monday 26.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09

Information

Aims, contents and method of the course

The problem of ‘fake news’ stands at the forefront of contemporary cultural and philosophical anxieties about the misaligned incentives of politics, new media, and online identity. However, mistrust in the media is a perennial theme, constantly developed through the emergence of new technologies from the printing press and the camera to broadcasting and the Internet.

In this course, we will explore the historical intersection of new media technologies with the themes of trust, paranoia, propaganda, and hoaxes in the cultural and literary spheres in order to introduce students to some of the key concepts employed in cultural studies. In the rise of pamphlet and newspaper print culture in the 18th century (the so-called ‘Age of Disguise’), we will discuss the satirical use of media hoaxes to highlight a distinction between the ‘truth’ of a certain discourse and those who claim the authority to speak it. We will discuss how in the 19th century, ‘fake news’ develops from a form of satire – as exploited by Daniel Defoe’s insincere political pamphlets, Jonathan’s Swift’s faked astrological pamphlets, and Benjamin Franklin’s sham journalism – to a way of achieving literary effects (gothic, horror, terror, the Uncanny) upon the reader (e.g. Edgar Allan Poe’s ‘Balloon Hoax’, the Great Moon Hoax and the Petrified Man hoax). In the 20th century, we will analyse the rise of state and political propaganda media in its various forms (art, painting, radio, cinema, news reporting), but also the ways in which new technologies had changed the dynamics of truth and credulity in media spheres (such as Arthur Conan Doyle’s writing on the Cottingley Fairies photography fraud and Orson Welles’ infamous War of the Worlds radio broadcast). Finally we will turn to 21st century modes of online culture jamming and culture hacking, and explore the ethics of authorial mis-presentation in the cases of James Frey and JT Leroy. Together, we will learn theoretical and intersectional approaches to these themes which consider the role of propaganda, hoaxing, and trust in constructing and negotiating the social categories of gender, race, sexuality, class.

Attendance:
You may miss two lessons of this course. If a viable doctor's note is produced, you may miss a third but then need to compensate it at the teacher's discretion. If you miss more than three lessons, this will result in your failing the course, due to excessive absence.
This is an interactive course. It relies in large parts on flipped-class room methodologies and therefore requires students' regular in-person attendance.

Dates:
N.B. Please note that there will be no sessions on the 27 October, 17 November, or 24 November. These missing sessions will be replaced by a supplementary block presentation session from 10:00-16:00 on Saturday 17.01.2026.

Assessment and permitted materials

Students must fulfill and pass each of the 4 course requirements (term/B-Ed paper, presentation, portfolio, active participation) and score at least 60 points altogether in order to pass this course.

Grading scale:
1: 100-90 points
2: 89-80 points
3: 79-70 points
4: 69-60 points
5: 59-0 points

Minimum requirements and assessment criteria

• Active participation in class discussions: 20 points
• Presentation (teaching activity): 20 points
• Portfolio (3 tasks relating to the course sessions): 15 points
• Term paper/B-Ed paper: 45 points

Attendance:
You may miss two lessons of this course. If a viable doctor's note is produced, you may miss a third but then need to compensate it at the teacher's discretion. If you miss more than three lessons, this will result in your failing the course, due to excessive absence.
This is an interactive course. It relies in large parts on flipped-class room methodologies and therefore requires students' regular attendance.

Examination topics

This is an interactive course with continuous assessment ("prüfungsimmanente Lehrveranstaltung"). In addition to handing in the portfolio and term/B-Ed paper, participants are expected to read all set texts and actively participate in class throughout the semester as well as hand in tasks and assignments on time.

There will be no written exam.

Reading list

Jonathan Swift, Excerpts from "The Bickerstaff-Partridge Hoax", "A Modest Proposal", "Gulliver's Travels"
Daniel Defoe, Excerpts from "The Shortest Way With the Dissenters"
Benjamin Franklin, "The Witch Trial at Mount Holly", "The Speech of Miss Polly Baker"
James MacPherson, Excerpts from The Ossian Poems
Father Prout, "The Rogueries of Tom Moore"
Edgar Allan Poe, The "Great Moon Hoax of 1835" , “The Balloon Hoax”, "The Facts in the Case of M. Valdemar"
Orson Welles, "F For Fake" (film)
JT Leroy, "Sarah" (novel) [Trigger warning: sexual abuse, violence, self-harm, disturbing images]
Emma Donoghue, “The Last Rabbit”
Nick Groom, “Romanticism and Forgery”
Philip Mead, “Hoax-Poetry and Inauthenticity”
Brian McHale: “‘A Poet May Not Exist’: Mock-Hoaxes and the Construction of National Identity”
Jean Baudrillard: "The Precession of Simulacra" [Excerpt]

Association in the course directory

Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686

Last modified: Tu 25.11.2025 10:06