Universität Wien

128110 VO Popular and Media Cultures VO / Cultural Studies - MA M01 (2026S)

Visual Culture, Photography and Medicine: Bodies, Technologies and the Politics of Seeing

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik

Please note: prerequisites apply in order to participate in the corresponding lecture exam. The modules/study programmes with which you can sign up for the exam are indicated at the bottom of the page. For questions that arise after reading through these prerequisites, please contact the SSS Anglistik directly.

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: English

Examination dates

Lecturers

Classes (iCal) - next class is marked with N

The majority of this lecture's sessions are held onsite, with no streaming or recording made available.
Guest lectures may be online, but will not be recorded.

Lectures on 03.06. and 17.06.2026 take place at Foto Arsenal Wien (Arsenal Objekt 19A, 1030 Vienna) - note the *different time slots* of these lectures!

  • Wednesday 11.03. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 25.03. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 22.04. 18:30 - 20:00 Digital
  • Wednesday 29.04. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 06.05. 18:30 - 20:00 Digital
  • Wednesday 13.05. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 20.05. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 27.05. 18:30 - 20:00 Digital
  • Wednesday 03.06. 17:30 - 19:00 Ort in u:find Details
  • Wednesday 10.06. 18:30 - 20:00 Hörsaal C1 UniCampus Hof 2 2G-O1-03
  • Wednesday 17.06. 15:00 - 19:00 Ort in u:find Details

Information

Aims, contents and method of the course

Stemming out of a close cooperation between University of Vienna and FOTO ARSENAL WIEN, this lecture series equips MA students with a theoretically grounded, media-literate understanding of how medicine operates as a cultural system of images, spaces, and narratives - and how these shape lived realities in powerful, often invisible ways.

Medicine has never been a purely scientific enterprise. It is deeply embedded in cultural imaginaries, visual regimes, and aesthetic practices: from anatomical atlases, hospital architecture, and early medical photography to contemporary imaging technologies, and artistic engagements with illness and care. This lecture asks how visual culture does not merely represent medicine, but actively produces medical knowledge, norms of the body, and ideas of health, normality, risk, and deviance.

Students will be introduced to key theoretical approaches from Cultural Studies, Visual Culture Studies, and Medical Humanities (e.g. Foucault, Sontag, Mirzoeff, Haraway, Garland-Thomson, Gilman). Through case studies drawn from photography, film, exhibition culture, architecture, and digital media, the course will examine:
- the medical gaze and regimes of visibility
- photography as a tool of diagnosis, classification, and control
- visualisations of illness, pain, and vulnerability
- race, gender, class, and disability in medical imagery
- hospitals, sanatoria, and psychiatric institutions as cultural spaces
- art as critique, care practice, and alternative knowledge
- contemporary visual cultures of health (self-tracking, social media, AI, imaging technologies)

A distinctive feature of the course is its engagement with Viennese institutions as living archives of medical and visual culture. These include, where possible, Foto Arsenal Wien, the Josephinum (Museum of the History of Medicine), Gugging (Art/Brut and psychiatry), and Steinhof / Otto Wagner Hospital. These sites allow students to connect theory with material, architectural, and curatorial practices and to understand medicine as a historically and culturally situated system of knowledge.

The lecture format combines theoretically grounded input with close readings of images, films, exhibitions, and architectural spaces. Students will acquire the conceptual tools needed to analyse visual material critically, to recognise processes of naturalisation and stereotyping, and to reflect on the ethical and political implications of seeing bodies in medical contexts. Particular emphasis is placed on the relevance of these questions for future teachers and cultural mediators.

Assessment and permitted materials

End-of-term, take-home exam covering the required reading and the issues discussed in class. For information on exam registration and procedure see Moodle!

The teacher reserves the right to conduct a personal interview with any student whose written work has a doubtful status, in relation to plagiarism, ghost-writing or illegitimate AI-use.

Minimum requirements and assessment criteria

All content covered in the lecture series is relevant for the final exam, which constitutes 100% of the grade. The benchmark for passing is 60%.

Marks in %:
1 (very good): 90,00-100,00 %
2 (good): 80,00-89,99 %
3 (satisfactory): 70,00-79,99 %
4 (pass): 60,00-69,99 %
5 (fail): 0,00-59,99 %

Examination topics

The basis for the exam is:
- all lectures
- students' notes (including explanations and discussions during Q&A sessions)
- preparatory and supplementary materials provided on Moodle

Students are expected to:
- define and discuss key concepts from Medical Humanities and Visual Culture
- understand how visual media shape medical knowledge and social norms
- analyse visual material using theoretical frameworks
- critically reflect on ethical, political, and pedagogical implications

Reading list

Primary Texts
- Selected medical photographs (e.g. Charcot's hysteria studies; war injury photography; contemporary documentary projects)
- Exhibition materials from Foto Arsenal Wien
- Archival material from the Josephinum (anatomical models, atlases)
- Architectural case studies: Steinhof / Otto Wagner Hospital; sanatorium architecture

Secondary Texts
- Georges Didi-Huberman, The Invention of Hysteria, 2004 (French 1982, German 1997)
- Michel Foucault, The Birth of the Clinic (excerpts)
- Susan Sontag, "Illness as Metaphor"
- W. J. T. Mitchell, What Do Pictures Want? (excerpts)
- Nicholas Mirzoeff, An Introduction to Visual Culture (chapters on visual regimes)
- Rosemarie Garland-Thomson, "Staring: How We Look"
- Sander L. Gilman, Disease and Representation (excerpts)
- Donna Haraway, "Situated Knowledges"
- Lennard J. Davis, The End of Normal (excerpts)
- Lisa Cartwright, Screening the Body (excerpts)
- Julia Kristeva, Powers of Horror (excerpts)

Additional readings and visual materials will be provided on Moodle.

Association in the course directory

Studium: MA 812 (2); MA 844(2); UF MA 046
Code: MA (2) M3; MA 844(2) 1.2; UF MA 1B; 4A
Lehrinhalt: 12-5260

Last modified: Fr 06.03.2026 15:06