Universität Wien FIND
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160048 UE Introduction to Analysis of Tonal Music (2014W)

Continuous assessment of course work

The course starts only on 01.04.2014!

To catch up with the missing sessions, there will be a block session on :

- Sa, 10.05.2014; 10 a. m. - 3 p. m.

Place:

HS. 1 d. Inst. f. Musikwissenschaft UniCampus Hof 9 3G-EG-09

STUDENTS WHO ARE NOT ABLE TO ATTEND THE BLOCK SESSION ARE ASKED TO WRITE A SHORT ANALYTIC PAPER IN ACCORDANCE WITH THE COURSE TEACHER.

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: German

Lecturers

Classes

Dienstag, 16:00-17:30, HS 1, Institut für Musikwissenschaft
1. Termin: 07.10.2014
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Information

Aims, contents and method of the course

Musical analysis appears to many students as a mysterious and inaccessible world, or a dry desert. But if we regard music as the object of musicology, musical analysis opens up possibilities for a close reading of this object, especially in European art music. We will train analysis of musical pieces between 1790 and 1830, that is the music of Beethoven, Schubert, and their contemporaries. We will primarily focus on piano music, but also take chamber music and songs into account. Problems of harmony, motivic "Arbeit", form, text treatment etc. etc. will be investigated.

Assessment and permitted materials

Basically, engagement and discussion is required.

Minimum requirements and assessment criteria

Acquire a better understanding of musical analysis.

Examination topics

Interactive analysis, discussion, examples prepared and analytic essays written by students .

Reading list

Clemens Kühn, Analyse lernen.

Marie-Agnes Dittrich, Musikalische Formen: 20 Möglichkeiten, die man kennen sollte. Kassel: Bärenreiter, 2011 (Bärenreiter Basiswissen)

Association in the course directory

B03 (nach ca. 1600), B10, B17; M01, M05, M07, M14

Last modified: Mo 07.09.2020 15:35