1. Alternative Required Modules (APM)
M01 APM 1
-
Gasch, Mo 14:15-15:45 (12×)
-
Gasch, Th 09:00-10:30 (13×)
-
Leßmann, We 16:00-17:30 (15×)
-
Leßmann, We 17:45-19:15 (6×)
-
Lodes, We 16:00-17:30 (15×)
-
Haas, Mo 12:30-14:00 (12×)
-
160031 VO 4 ECTS Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th CenturiesGlüxam, Tu 14:15-15:45 (13×)
-
160035 SE 7 ECTS Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motetSeifert, Fr 10:30-13:30 (7×)
-
Wilfing, Tu 14:15-15:45 (14×)
-
Lodes, Mo 16:00-17:45 (10×)
-
Gruber, Fr 07.04. 14:00-17:30, Fr 05.05. 10:45-14:15, Fr 09:00-12:30 (3×)
-
160063 SE 7 ECTS The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.Hilscher, Fr 16:00-17:30 (2×), Th 23.03. 16:00-17:30
-
160065 UE 5 ECTS Introduction to historically informed performance practice (opera of the 17th and 18th century)Marcaletti, We 10:45-12:15 (16×)
-
Brooks, Tu 16:00-17:30 (14×)
M02 APM 2
-
Schmidhofer, Fr 10.03. 18:00-19:30, Fr 23.06. 17:00-19:00
-
Schmidhofer, Mo 10:45-12:15 (11×)
-
Kubik, Fr 09:00-10:30 (15×)
-
Saary
-
160041 UE 5 ECTS Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identitiesAnzenbacher, Fr 14:00-17:30 (7×)
-
Cohrdes, Fr 11:00-17:30 (2×), Sa 10:00-15:30 (2×)
-
Hagleitner, Tu 16:00-17:30 (13×)
-
160052 VO 4 ECTS "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.Stanicek, We 09:00-10:30 (14×)
-
Brabec de Mori, Tu 12:30-14:00 (14×)
-
Brooks, Tu 16:00-17:30 (14×)
M03 APM 3
-
Gasch, Th 09:00-10:30 (13×)
-
Leßmann, We 16:00-17:30 (15×)
-
Leßmann, We 17:45-19:15 (6×)
-
Lodes, We 16:00-17:30 (15×)
-
160020 SE 7 ECTS What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)Reuter, Th 12:30-14:00 (14×)
-
Schmidhofer, Mo 10:45-12:15 (11×)
-
Elschek, Th 10:45-12:15 (8×), Th 14:15-15:45 (7×)
-
Haas, Mo 12:30-14:00 (12×)
-
160031 VO 4 ECTS Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th CenturiesGlüxam, Tu 14:15-15:45 (13×)
-
Kubik, Fr 09:00-10:30 (15×)
-
Saary
-
160035 SE 7 ECTS Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motetSeifert, Fr 10:30-13:30 (7×)
-
160041 UE 5 ECTS Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identitiesAnzenbacher, Fr 14:00-17:30 (7×)
-
Cohrdes, Fr 11:00-17:30 (2×), Sa 10:00-15:30 (2×)
-
Hagleitner, Tu 16:00-17:30 (13×)
-
Nusseck, Fr 24.03. 16:00-20:00, Sa 10:00-17:00 (2×), Fr 23.06. 15:00-20:00
-
160052 VO 4 ECTS "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.Stanicek, We 09:00-10:30 (14×)
-
Wilfing, Tu 14:15-15:45 (14×)
-
Brabec de Mori, Tu 12:30-14:00 (14×)
-
Gruber, Fr 07.04. 14:00-17:30, Fr 05.05. 10:45-14:15, Fr 09:00-12:30 (3×)
-
160063 SE 7 ECTS The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.Hilscher, Fr 16:00-17:30 (2×), Th 23.03. 16:00-17:30
-
160065 UE 5 ECTS Introduction to historically informed performance practice (opera of the 17th and 18th century)Marcaletti, We 10:45-12:15 (16×)
-
Brooks, Tu 16:00-17:30 (14×)
M04 APM 4
-
Gasch, Mo 14:15-15:45 (12×)
-
Gasch, Th 09:00-10:30 (13×)
-
Leßmann, We 16:00-17:30 (15×)
-
Leßmann, We 17:45-19:15 (6×)
-
Lodes, We 16:00-17:30 (15×)
-
Schmidhofer, Mo 10:45-12:15 (11×)
-
Weber, Th 10:45-12:15 (12×)
-
Haas, Mo 12:30-14:00 (12×)
-
160031 VO 4 ECTS Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th CenturiesGlüxam, Tu 14:15-15:45 (13×)
-
Kubik, Fr 09:00-10:30 (15×)
-
Saary
-
160035 SE 7 ECTS Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motetSeifert, Fr 10:30-13:30 (7×)
-
160041 UE 5 ECTS Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identitiesAnzenbacher, Fr 14:00-17:30 (7×)
-
Cohrdes, Fr 11:00-17:30 (2×), Sa 10:00-15:30 (2×)
-
Hagleitner, Tu 16:00-17:30 (13×)
-
160052 VO 4 ECTS "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.Stanicek, We 09:00-10:30 (14×)
-
Wilfing, Tu 14:15-15:45 (14×)
-
Brabec de Mori, Tu 12:30-14:00 (14×)
-
Lodes, Mo 16:00-17:45 (10×)
-
Gruber, Fr 07.04. 14:00-17:30, Fr 05.05. 10:45-14:15, Fr 09:00-12:30 (3×)
-
160063 SE 7 ECTS The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.Hilscher, Fr 16:00-17:30 (2×), Th 23.03. 16:00-17:30
-
160065 UE 5 ECTS Introduction to historically informed performance practice (opera of the 17th and 18th century)Marcaletti, We 10:45-12:15 (16×)
-
Brooks, Tu 16:00-17:30 (14×)
M05 APM 5
-
Gasch, Mo 14:15-15:45 (12×)
-
Gasch, Th 09:00-10:30 (13×)
-
Leßmann, We 16:00-17:30 (15×)
-
Leßmann, We 17:45-19:15 (6×)
-
Lodes, We 16:00-17:30 (15×)
-
160020 SE 7 ECTS What do we hear when we are listening to music? The miracle of auditory perception (Psychoacoustics)Reuter, Th 12:30-14:00 (14×)
-
Schmidhofer, Mo 10:45-12:15 (11×)
-
Weber, Th 10:45-12:15 (12×)
-
Elschek, Th 10:45-12:15 (8×), Th 14:15-15:45 (7×)
-
Haas, Mo 12:30-14:00 (12×)
-
160031 VO 4 ECTS Musical Rhetorical Figures and the Affect Theory in the Music of the 17th and 18th CenturiesGlüxam, Tu 14:15-15:45 (13×)
-
Kubik, Fr 09:00-10:30 (15×)
-
Saary
-
160035 SE 7 ECTS Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motetSeifert, Fr 10:30-13:30 (7×)
-
160041 UE 5 ECTS Sound follows function - Use and effect of music and sound in a branding context. - An inventory of sound identitiesAnzenbacher, Fr 14:00-17:30 (7×)
-
Cohrdes, Fr 11:00-17:30 (2×), Sa 10:00-15:30 (2×)
-
Nusseck, Fr 24.03. 16:00-20:00, Sa 10:00-17:00 (2×), Fr 23.06. 15:00-20:00
-
160052 VO 4 ECTS "Deutscher Schlager" Vol. 2 - nice and sexy. From Caterina Valentine to Helene Fischer, from Bully Buhlan to Andreas Gabalier.Stanicek, We 09:00-10:30 (14×)
-
Wilfing, Tu 14:15-15:45 (14×)
-
Brabec de Mori, Tu 12:30-14:00 (14×)
-
Lodes, Mo 16:00-17:45 (10×)
-
Gruber, Fr 07.04. 14:00-17:30, Fr 05.05. 10:45-14:15, Fr 09:00-12:30 (3×)
-
160063 SE 7 ECTS The "Parnassus musicus Ferdinandaeus" (1615) in context of the early Baroque few voiced motet.Hilscher, Fr 16:00-17:30 (2×), Th 23.03. 16:00-17:30
-
160065 UE 5 ECTS Introduction to historically informed performance practice (opera of the 17th and 18th century)Marcaletti, We 10:45-12:15 (16×)
-
Brooks, Tu 16:00-17:30 (14×)
Last modified: Tu 12.06.2018 13:33