16.01. Musicology
Schiefelbein
Reisigl
Lodes
Calella
Schmidhofer
Reuter
Schmidhofer
Boenke
Boenke
Sterzer
Brauneiss
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Tiemeyer
Glüxam
Calella
Weber
Kubik
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Sterzer
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lubej
Lubej
Mühlhans
Reuter
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
Elschek
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Lorenz-Kierakiewitz
Siddiq
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Lubej
Weber
Weber
Weber
Kubik
Brooks
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Allgayer-Kaufmann
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Allgayer-Kaufmann
Calella
Handlos
Handlos
Lodes
Lubej
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
Weber
Elschek
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Lodes
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
Calella
Fuhrmann
Handlos
Handlos
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Tiemeyer
Glüxam
Brauneiss
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
Calella
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Weber
Kubik
Hemetek
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Sterzer
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lubej
Lubej
Lubej
Mühlhans
Reuter
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
Elschek
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Lorenz-Kierakiewitz
Siddiq
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Weber
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Allgayer-Kaufmann
Lubej
Weber
Weber
Weber
Kubik
Brooks
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Allgayer-Kaufmann
Weber
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Allgayer-Kaufmann
Allgayer-Kaufmann
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Handlos
Handlos
Lodes
Weber
Weber
Weber
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Schraffl
Allgayer-Kaufmann
Allgayer-Kaufmann
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
Handlos
Lodes
Weber
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Motnik
Tiemeyer
Glüxam
Sterzer
Brauneiss
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Handlos
Weber
Schraffl
Glüxam
Mühlhans
Reuter
Weber
Weber
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Schraffl
Lubej
Lubej
Lubej
Mühlhans
Reuter
Von Georgi
Hecht
Hemetek
Lorenz-Kierakiewitz
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Calella
Allgayer-Kaufmann
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
Lodes
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Seifert
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Glüxam
Lorenz
Calella
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Lubej
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
Brooks
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
Calella
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Lubej
Lubej
Lubej
Mühlhans
Reuter
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
Brooks
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
Lorenz-Kierakiewitz
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Glüxam
Calella
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Calella
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Handlos
Lodes
Lubej
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
Seifert
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
Brooks
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Glüxam
Calella
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Calella
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
Lodes
Lubej
Lubej
Lubej
Mühlhans
Reuter
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
Seifert
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
Brooks
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
Lorenz-Kierakiewitz
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Glüxam
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lorenz
Calella
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Lodes
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
Calella
Calella
Fuhrmann
Handlos
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Glüxam
Calella
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
Schmid-Reiter, Fr 09:45-11:15 (12×)
Brandenburg, Th 13:15-16:30 (6×)
Marelli, Th 22.01. 09:45-16:30, Fr 23.01. 09:45-16:30, Mo 26.01. 09:45-16:30, Tu 27.01. 09:45-16:30
170517 VU 5 ECTS Music-Theatre in Baroque Europe - Voraussetzungen, Entstehung und Entwicklungen der Kunstform Oper
Comploi, Mo 16:45-18:15 (11×), Mo 17.11. 16:45-20:00
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Allgayer-Kaufmann
Kubik
Hemetek
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
Lubej
Lubej
Lubej
Mühlhans
Reuter
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Lorenz-Kierakiewitz
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Allgayer-Kaufmann
Lubej
Kubik
Brooks
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Allgayer-Kaufmann
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Allgayer-Kaufmann
Allgayer-Kaufmann
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Handlos
Lodes
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Kubik
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Hemetek
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Schraffl
Allgayer-Kaufmann
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
Lodes
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Motnik
Glüxam
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Handlos
Schraffl
Glüxam
Mühlhans
Reuter
Hemetek
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Schraffl
Lubej
Lubej
Lubej
Mühlhans
Reuter
Von Georgi
Hecht
Hemetek
Lorenz-Kierakiewitz
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
170120 UE 5 ECTS Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe Verdis
Schmid-Reiter, Tu 09:45-11:15 (12×)
Lang, Tu 11:30-13:00 (14×)
Marelli, Th 22.01. 09:45-16:30, Fr 23.01. 09:45-16:30, Mo 26.01. 09:45-16:30, Tu 27.01. 09:45-16:30
Holender, Tu 14.10. 09:45-16:30, We 09:45-16:30 (2×), We 12.11. 09:45-14:45
Calella
Reuter
Elschek
Gruber
Haas
Seifert
Calella
Lodes
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Calella
Brooks
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Calella
Schmidhofer
Allgayer-Kaufmann
Weber
Kubik
Reuter
Mühlhans
Reuter
Allgayer-Kaufmann
Weber
Weber
Kubik
Brooks
Hemetek
Last modified: We 13.06.2018 00:39
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