Universität Wien

1. Required Modules

Schiefelbein
160040 VO 3 ECTS Principles of Music
Reisigl
Lodes
Calella
Schmidhofer
Reuter
Schmidhofer
160088 UE 4 ECTS Harmony 1
Boenke
160090 UE 4 ECTS Harmony 2 - Development of harmony in 19th century music
Brauneiss
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160081 UE 4 ECTS Introduction to notation & composition IV - Instrumental music up to 1600
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
160085 PS 5 ECTS Franz Schreker´s operas
Tiemeyer
160094 VO 3 ECTS Anton Bruckner
Calella
Kubik
160078 UE 4 ECTS [de en] Afro-Brazilian Percussion
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
160062 PS 5 ECTS Music and neuroscience
Elschek
Von Georgi
160074 UE 4 ECTS Applied Music Production
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Kubik
160074 UE 4 ECTS Applied Music Production
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
160078 UE 4 ECTS [de en] Afro-Brazilian Percussion
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Allgayer-Kaufmann
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
160081 UE 4 ECTS Introduction to notation & composition IV - Instrumental music up to 1600
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
160044 SE 7 ECTS Rhythm
Allgayer-Kaufmann
Calella
Handlos
160050 SE 7 ECTS Goethe settings
Handlos
160051 SE 7 ECTS Heinrich Isaac
Lodes
Lubej
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
160062 PS 5 ECTS Music and neuroscience
Elschek
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz

Last modified: We 13.06.2018 00:39