1. Required Modules
Schiefelbein
Reisigl
Lodes
Calella
Schmidhofer
Reuter
Schmidhofer
Boenke
Boenke
Sterzer
Brauneiss
160091 UE 4 ECTS Harmony 2 - Introduction to Compositional Techniques and Contrapuntal Forms since the 16th Century
Pütz
Calella
160047 VO 3 ECTS Autumn of the Middle Ages or Spring of the Renaissance? - A Cultural History of Music in the Fifteenth Century
Fuhrmann
Fuhrmann
Handlos
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Tiemeyer
Glüxam
Calella
Weber
Kubik
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Sterzer
160092 UE 5 ECTS Music Traditions of the Mediterranean Island of Crete 2 - Bearbeitung und Archivierung der Aufnahmen der Exkursion
Hagleitner
Lubej
Lubej
Mühlhans
Reuter
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
Elschek
Von Georgi
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Lorenz-Kierakiewitz
Siddiq
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Lubej
Weber
Weber
Weber
Kubik
Brooks
Hecht
160075 VO 3 ECTS Schmettermessing and Tschingderassabum - Symbolic noise and expensive noise: Comments for interpretation of German military music in past and present
Heidler
Laury
160080 UE 5 ECTS [de en] Musical instruments of Southeast Africa - Construction, playing techniques and creativity
Malamusi
Allgayer-Kaufmann
160070 PR 5 ECTS Preliminary work for a thematic-bibliographic catalogue of the works of Carl Goldmark
Aigner
160077 PR 5 ECTS Gregorian Chant practical course: Medieval historiae (offices) of saints - Schola, composition techniques and publication skills.
Klugseder
Motnik
160082 UE 4 ECTS Operatic Practices at German Courts in the Age of ‘Viennese Classicism’ - current research methods and perspectives
Reisinger
Lorenz
160096 VO+UE 4 ECTS Audiovisual documents for musicology II - critical evaluation of sources and long-term availability of AV sourcesSource critical approaches and long-term accessibility
Schüller
Allgayer-Kaufmann
Calella
Handlos
Handlos
Lodes
Lubej
160057 PS 5 ECTS Wonderful World of Electronical Musical Instruments: Synthesizers, Samplers and Sound Effects - How do they work and where did they come from?
Reuter
Weber
Elschek
160065 SE 7 ECTS "Breeches Role": Gender-Swapping Roles as a Central Plot Device in Opera, Theater, and Film - Rollentausch der Geschlechter als zentrales Handlungselement in Oper, Schauspiel und Film.
Haas
Seifert
160072 SE 7 ECTS Instrumental Music of the Baroque Era in Austrian and South German Regions: Schmelzer, Biber, Muffat
Gasch
160095 SE 7 ECTS Music and Speech - Current methods and results in the light of modern phonetics and phonology
Schöpf
160097 SE 7 ECTS The Relationship between musical analysis and performance - current debates and new perspectives
Utz
Last modified: We 13.06.2018 00:39