16.01. Musicology
A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
-
Reisigl
-
Calella
B01.2 StEOP: Introduction to Musicology
-
Fuhrmann
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
-
Boenke
-
Brauneiss
-
Boenke
-
Rosner
B02.2 Module - Music Theory and Musical Structures II
-
Hecht
-
Sterzer
B03 Basic Module - History of European Music before and after 1600
-
Gasch
-
Lodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
Mayeda
-
Horz
-
160059 UE 4 ECTS The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurdeKrahn
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
Bosi
-
Calella
-
Gasch
-
Handlos
-
Grempler
B04 Basic Module - Ethnomusicology
-
Allgayer-Kaufmann
-
Schmidhofer
-
Kubik
-
Fujita
-
Yang
-
Schmidhofer
-
Sterzer
-
Bachmann-Geiser
B05 Basic Module - Systematic Musicology
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Cohrdes
-
Lubej
-
Lubej
-
Reuter
-
Schmidhofer
-
Egger
-
Lubej
B06 Basic Module - Contemporary Music and Popular Music
-
Weberberger
-
Handlos
-
Lubej
-
Schmidhofer
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Haas
-
Hecht
B07 Basic Module - Source Study, Source Work and Source Criticism
-
Schmidhofer
-
Scheideler
-
Horz
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
Bosi
-
Grempler
B08 Final Module
-
Allgayer-Kaufmann
-
Calella
-
Gasch
-
Handlos
-
Handlos
-
Lubej
-
Reuter
-
Reuter
-
Schmidhofer
-
Urbanek
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
Seifert
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Bosi
-
Raykoff
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
-
Gasch
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Barzilai, Tu 10:30-12:00 (14×)
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
Horz
-
Bosi
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
B10 VM History of European Music after 1600
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Barzilai, Tu 10:30-12:00 (14×)
-
Calella
-
Gasch
-
Handlos
-
Handlos
-
Lodes
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Seifert
-
Mayeda
-
Grempler
-
160059 UE 4 ECTS The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurdeKrahn
-
170120 UE 5 ECTS Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe VerdisSchmid-Reiter, Tu 09:45-11:15 (13×), Th 28.05. 09:45-11:15
-
170127 UE 5 ECTS Practical Course "Performance and Staging Analysis" - Lesarten. Zur Rezeption der Opern Giuseppe VerdisSchmid-Reiter, Th 10:15-11:45 (10×), Th 28.05. 09:45-11:15
B11 VM Ethnomusicology
-
Allgayer-Kaufmann
-
Schmidhofer
-
Kubik
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Fujita
-
Yang
-
Barzilai, Tu 10:30-12:00 (14×)
-
Sterzer
-
Thalwitzer
-
Schmidhofer
-
Bachmann-Geiser
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Allgayer-Kaufmann
-
Schmidhofer
B12 VM Systematic Musicology
-
Lubej
-
Lubej
-
Lubej
-
Reuter
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Schmidhofer
-
Cohrdes
-
160053 UE 4 ECTS Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher IdentitätenAnzenbacher
-
Egger
B13 VM Contemporary Music
-
Weberberger
-
Handlos
-
Handlos
-
Haas
-
Seifert
B14 VM Popular Music
-
Lubej
-
Schmidhofer
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Hecht
-
Thalwitzer
B15 VM Source Study, Source Work and Source Criticism
-
Schmidhofer
-
Scheideler
-
Horz
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
Bosi
-
Grempler
B16 EM Music and Society
-
Vuletic, Mo 10:00-13:00 (11×)
-
Gasch
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Schmidhofer
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Seifert
-
Fujita
-
Yang
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
160059 UE 4 ECTS The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurdeKrahn
-
Kager
B17 EM Analysis and Theoretical Interpretation of Music
-
Allgayer-Kaufmann
-
Schmidhofer
-
Calella
-
Handlos
-
Handlos
-
Kubik
-
Seifert
-
Mayeda
-
Hecht
-
Sterzer
-
Thalwitzer
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
-
Allgayer-Kaufmann
-
Calella
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Kubik
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
160059 UE 4 ECTS The Manufacture of Music History: How 19th-century Vienna Became a Metropolis of Austro-German Music - Wie Wien im "langen 19. Jahrhundert" zu einer dt.-österr. Musikhauptstadt wurdeKrahn
-
Kager
B19 EM Current Musicology
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Calella
-
Calella
-
Grempler
-
Egger
B20 EM Applied Musicology I
-
Weberberger
-
Lubej
-
Lubej
-
Scheideler
-
Egger
-
Grempler
-
Kager
-
Vossoughi
-
Klugseder
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Allgayer-Kaufmann
-
Gasch
-
Lodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Urbanek
-
Scheideler
-
Haas
-
Seifert
-
Mayeda
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Grempler
-
Weberberger
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
M02 APM 2
-
Allgayer-Kaufmann
-
Allgayer-Kaufmann
-
Schmidhofer
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Kubik
-
Seifert
-
Fujita
-
Hecht
-
Thalwitzer
-
Yang
-
Raykoff
M03 APM 3
-
Allgayer-Kaufmann
-
Allgayer-Kaufmann
-
Schmidhofer
-
Gasch
-
Lodes
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
Lubej
-
Reuter
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Haas
-
Kubik
-
Seifert
-
Mayeda
-
Fujita
-
Hecht
-
Thalwitzer
-
Yang
-
Cohrdes
-
160053 UE 4 ECTS Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher IdentitätenAnzenbacher
-
Egger
-
Grempler
-
Raykoff
-
Vossoughi
M04 APM 4
-
Allgayer-Kaufmann
-
Allgayer-Kaufmann
-
Schmidhofer
-
Weberberger
-
Gasch
-
Lodes
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Haas
-
Kubik
-
Seifert
-
Mayeda
-
Fujita
-
Hecht
-
Thalwitzer
-
Yang
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Grempler
-
Kager
-
Raykoff
M05 APM 5
-
Allgayer-Kaufmann
-
Allgayer-Kaufmann
-
Schmidhofer
-
Gasch
-
Lodes
-
Lubej
-
Reuter
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Urbanek
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
Scheideler
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Haas
-
Kubik
-
Seifert
-
Mayeda
-
Fujita
-
Hecht
-
Thalwitzer
-
Yang
-
Cohrdes
-
160053 UE 4 ECTS Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher IdentitätenAnzenbacher
-
Egger
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Grempler
-
Kager
-
Raykoff
-
Vossoughi
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Weberberger
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
2. Elective Modules (WM)
M06 WM History of European Music before 1600
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Barzilai, Tu 10:30-12:00 (14×)
-
Gasch
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
M07 WM History of European Music after 1600
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Barzilai, Tu 10:30-12:00 (14×)
-
Lodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Seifert
-
Mayeda
-
Grempler
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
M08 WM Ethnomusicology
-
Galadza, Tu 10.03. 16:45-18:15, Fr 15.05. 11:30-20:00, Sa 16.05. 09:45-18:15
-
Barzilai, Tu 10:30-12:00 (14×)
-
Allgayer-Kaufmann
-
Schmidhofer
-
Weber
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Fujita
-
Yang
M09 WM Systematic Musicology
-
Lubej
-
Reuter
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Cohrdes
-
160053 UE 4 ECTS Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher IdentitätenAnzenbacher
-
Egger
M10 WM Contemporary Music
-
Weberberger
-
Haas
-
Seifert
M11 WM Popular Music
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
Raykoff
M12 WM Source Study, Source Work and Source Criticism
-
Schmidhofer
-
Scheideler
-
160055 VO+UE 4 ECTS Late Josquin and late Alamire: Motets and Chansons in the Context of a Generational ShiftRifkin
-
Grempler
M13 WM Music and Society
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Weber
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Seifert
-
Fujita
-
Yang
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Kager
-
Raykoff
M14 WM Analysis and Theoretical Interpretation of Music
-
Allgayer-Kaufmann
-
Schmidhofer
-
Calella
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
Seifert
-
Mayeda
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
-
Calella
-
160015 UE 5 ECTS "Music in Words" - Music Criticism and Aesthetics in the first half of the 19th centuryLodes
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
Urbanek
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
160056 SE 7 ECTS Old Sounds and New Media - the Discourse of Early Music in the Second Half of the 20th CenturyBorghetti
-
Kager
M16 WM Current Musicology
-
Calella
-
160029 SE 7 ECTS Main persons in the field of popular music using the example of German Schlager and Popular ClassicsWeber
-
Calella
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Haas
-
Egger
-
Grempler
M17 WM Applied Musicology
-
Weberberger
-
Lubej
-
Scheideler
-
Egger
-
Grempler
-
Kager
-
Vossoughi
-
Klugseder
-
Meyer, Th 08:30-10:00 (11×)
3. M18 Master Seminar Module
-
Allgayer-Kaufmann
-
Lodes
-
Reuter
-
Elschek
-
Haas
-
Seifert
-
Gruber
D. Complementary Study Programmes/Minors
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
-
Barzilai, Tu 10:30-12:00 (14×)
-
Gasch
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Fuhrmann
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
-
Barzilai, Tu 10:30-12:00 (14×)
-
Lodes
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Haas
-
Fuhrmann
CSP World Music
Required Module 1: Introduction to Ethnomusicology
-
Allgayer-Kaufmann
-
Fuhrmann
Required Module 2: Survey of World Music
-
Barzilai, Tu 10:30-12:00 (14×)
-
Schmidhofer
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
-
Kubik
-
Fujita
-
Yang
EC Musical Acoustics and Auditory Perception
Compulsory Module (EC Musical Acoustics and Auditory Perception)
-
160022 VO 3 ECTS Springs, barrels and transmission gear: History and functionality of selfplaying musical instrumentsReuter
-
Cohrdes
-
160053 UE 4 ECTS Sound follows function - Use and effect of music and sound in a branding context - Bestandsaufnahme klanglicher IdentitätenAnzenbacher
EC Popular Music
Compulsory Module (EC Popular Music)
-
Schmidhofer
-
160026 VO+UE 4 ECTS From Mozart to Madonna? On a Metahistory of Popular Music - Überlegungen zu einer Historik der PopmusikUrbanek
-
160033 VO 3 ECTS Interrelations between Popular-, Folk- and Art Music Today - Contradiction or Sociocultural Complementarities?Elschek
D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
Universität für Musik und darstellende Kunst Wien
Last modified: We 13.06.2018 00:39
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