2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

160037 VO Venice: Musical Anatomy of a City
160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160035 UE Principles of Notation and Composition II
160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
160034 SE Pierre de la Rue
160015 SE Sources of the 15th and 16th Centuries in Eastern Europe

B10 VM History of European Music after 1600

160010 VO Music History V (1850-1950)
160061 VO Verismo and Exoticism in Music Theatre Around 1900
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160037 VO Venice: Musical Anatomy of a City
130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
160039 PS Erik Satie and the Groupe des Six
160017 SE The Fateful Backward Glance of a Lover
160053 SE Baroque opera in Austria
160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
160075 VO Music at the Hapsburg family

B11 VM Ethnomusicology

160025 VO The musics of the world at a glance 1st part
160045 VO African Music II
160051 VO [ en ] Using’anga (healing practice) and music in Malawi
160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160009 UE Reading and writing ethnomusicological texts
160054 UE Exercises in Ethnomusicological Transcription
160036 UE [ de en ] Afro-Brazilian Percussion
160023 PS Source study in ethnomusicology
160042 PS Romani music: theoretical reflection and active practice
160073 SE Dentô ongaku: Traditional Music in Japan
160044 SE Selected Topics in Organology and Instrument Classification
160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment

B12 VM Systematic Musicology

160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160062 VO+UE Foundations of Music Psychology
160020 UE Wonderful World of Musical Acoustics: Synthesis
160052 UE Wonderful World of Musical Acoustics: Analysis
160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160008 PS Physics and the Perception of Timbre - An Introduction
160049 SE Sound Design & Acoustic Measurement
160044 SE Selected Topics in Organology and Instrument Classification
160050 KO Conversatorium in Musical-Acoustic Issues
160047 PR Practical Introduction into Acoustical Measurement Techniques

B13 VM Contemporary Music

160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160037 VO Venice: Musical Anatomy of a City
130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
160039 PS Erik Satie and the Groupe des Six
160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
160059 PR Writing about New Music

B14 VM Popular Music

160025 VO The musics of the world at a glance 1st part
160057 VO History of popular music
160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160036 UE [ de en ] Afro-Brazilian Percussion
160041 UE Multimedial technologies in musicology
160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
160058 SE Analysis of popular music
160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan

B15 VM Source Study, Source Work and Source Criticism

160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
160009 UE Reading and writing ethnomusicological texts
160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
160035 UE Principles of Notation and Composition II
160055 UE History and Methods of Editing Early Music
160023 PS Source study in ethnomusicology
160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
160034 SE Pierre de la Rue
160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
160075 VO Music at the Hapsburg family

B16 EM Music and Society

160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
160025 VO The musics of the world at a glance 1st part
160037 VO Venice: Musical Anatomy of a City
160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160042 PS Romani music: theoretical reflection and active practice
160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
160017 SE The Fateful Backward Glance of a Lover
160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
160075 VO Music at the Hapsburg family

B17 EM Analysis and Theoretical Interpretation of Music

160045 VO African Music II
160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
160029 UE Harmony 2: Little history of the fuge technique (16th to 20th century)
160035 UE Principles of Notation and Composition II
160056 UE Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th century
160054 UE Exercises in Ethnomusicological Transcription
160039 PS Erik Satie and the Groupe des Six
160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
160053 SE Baroque opera in Austria
160058 SE Analysis of popular music
160034 SE Pierre de la Rue
160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form

B19 EM Current Musicology

160031 VO+UE Current Musicology - perspectives of research
160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
160020 UE Wonderful World of Musical Acoustics: Synthesis
160052 UE Wonderful World of Musical Acoustics: Analysis
160015 SE Sources of the 15th and 16th Centuries in Eastern Europe

B20 EM Applied Musicology I

160020 UE Wonderful World of Musical Acoustics: Synthesis
160052 UE Wonderful World of Musical Acoustics: Analysis
160055 UE History and Methods of Editing Early Music
160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
160041 UE Multimedial technologies in musicology
160042 PS Romani music: theoretical reflection and active practice
160049 SE Sound Design & Acoustic Measurement
160050 KO Conversatorium in Musical-Acoustic Issues
160043 PR Music programs on the radio
160059 PR Writing about New Music
160047 PR Practical Introduction into Acoustical Measurement Techniques
160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology

Last modified: We 13.06.2018 00:39