Universität Wien

16.01. Musicology

Information and instructions for course registration can be found at:
http://musikwissenschaft.univie.ac.at/studium/anmeldung-zu-lehrveranstaltungen/
bzw. http://studentpoint.univie.ac.at/durchs-studium/anmeldesystem/

A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
160057 VO Work Techniques in Musicology
160073 VO Principles of Music
B01.2 StEOP: Introduction to Musicology
160112 VO Introduction to Musicology I-V
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
160069 UE Harmony
160072 UE Hearing and Recognition of Musical Structures
160074 UE Hearing and Recognition of Musical Structures
B02.2 Module - Music Theory and Musical Structures II
160070 UE Compositional Techniques in the 20th Century Music
160075 UE Exercises in Ethnomusicological Transcription
B03 Basic Module - History of European Music before and after 1600
160033 PS The Myth of Carmen
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160038 PS Composition and Compositional Strategies around 1970
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160045 VO Music History II (1300-1600)
160046 PS The Organ Works of Johann Sebastian Bach
160055 PS Mozart and the World of the 18th-Century Symphony
160070 UE Compositional Techniques in the 20th Century Music
160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
B04 Basic Module - Ethnomusicology
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
160052 VO Music of the World - Overview II
160066 VO African Music in the 20th Century
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B05 Basic Module - Systematic Musicology
160042 PS New Media & Music Technologies
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160047 PS Basics and Research Fields in Acoustics
160048 VO Limits and Capabilities of Human Auditory Perception
160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
160082 UE Research Methods and Statistics in Musicology
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160087 VO+UE Introduction to the Physiology of Hearing
B06 Basic Module - Contemporary Music and Popular Music
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
160038 PS Composition and Compositional Strategies around 1970
160052 VO Music of the World - Overview II
160058 PS German "Schlager" and Folklike Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160070 UE Compositional Techniques in the 20th Century Music
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
B07 Basic Module - Source Study, Source Work and Source Criticism
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160076 PR Information Processing in Archives and Libraries
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
B08 Final Module
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160029 SE French Piano Music around 1900
160033 PS The Myth of Carmen
160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
160037 SE Female roles in the Music Theatre ca. 1900
160038 PS Composition and Compositional Strategies around 1970
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160042 PS New Media & Music Technologies
160046 PS The Organ Works of Johann Sebastian Bach
160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160055 PS Mozart and the World of the 18th-Century Symphony
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160058 PS German "Schlager" and Folklike Music
160059 SE Popular Classic Music
160068 SE String Quintets between Boccherini and Sessions
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160085 SE The Beginnings of Polyphony (9th-11th Century)
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160045 VO Music History II (1300-1600)
160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
160085 SE The Beginnings of Polyphony (9th-11th Century)
B10 VM History of European Music after 1600
160033 PS The Myth of Carmen
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160040 VO Ludwig van Beethoven
160046 PS The Organ Works of Johann Sebastian Bach
160055 PS Mozart and the World of the 18th-Century Symphony
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160070 UE Compositional Techniques in the 20th Century Music
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
170517 VU Rossini - Bellini - Donizetti
B11 VM Ethnomusicology
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
160052 VO Music of the World - Overview II
160066 VO African Music in the 20th Century
160075 UE Exercises in Ethnomusicological Transcription
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
B12 VM Systematic Musicology
160042 PS New Media & Music Technologies
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160047 PS Basics and Research Fields in Acoustics
160048 VO Limits and Capabilities of Human Auditory Perception
160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160082 UE Research Methods and Statistics in Musicology
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
160087 VO+UE Introduction to the Physiology of Hearing
B13 VM Contemporary Music
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
160038 PS Composition and Compositional Strategies around 1970
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160070 UE Compositional Techniques in the 20th Century Music
B14 VM Popular Music
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160052 VO Music of the World - Overview II
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160058 PS German "Schlager" and Folklike Music
160059 SE Popular Classic Music
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
130076 VO [de en] Global Pop Music in Local Cultural Contexts
B15 VM Source Study, Source Work and Source Criticism
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160068 SE String Quintets between Boccherini and Sessions
160076 PR Information Processing in Archives and Libraries
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
160085 SE The Beginnings of Polyphony (9th-11th Century)
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
B16 EM Music and Society
160033 PS The Myth of Carmen
160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
160052 VO Music of the World - Overview II
160055 PS Mozart and the World of the 18th-Century Symphony
160058 PS German "Schlager" and Folklike Music
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
170517 VU Rossini - Bellini - Donizetti
130076 VO [de en] Global Pop Music in Local Cultural Contexts
B17 EM Analysis and Theoretical Interpretation of Music
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160028 VO Introduction to the Musicological Music Film Studies
160033 PS The Myth of Carmen
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160038 PS Composition and Compositional Strategies around 1970
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160046 PS The Organ Works of Johann Sebastian Bach
160055 PS Mozart and the World of the 18th-Century Symphony
160068 SE String Quintets between Boccherini and Sessions
160070 UE Compositional Techniques in the 20th Century Music
160075 UE Exercises in Ethnomusicological Transcription
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160085 SE The Beginnings of Polyphony (9th-11th Century)
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160015 VO History and Methods in Ethnomusicology (introductory course)
160028 VO Introduction to the Musicological Music Film Studies
160033 PS The Myth of Carmen
160038 PS Composition and Compositional Strategies around 1970
160046 PS The Organ Works of Johann Sebastian Bach
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160055 PS Mozart and the World of the 18th-Century Symphony
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
160085 SE The Beginnings of Polyphony (9th-11th Century)
B19 EM Current Musicology
160018 KO World Music Studies (conversatorium)
160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
160037 SE Female roles in the Music Theatre ca. 1900
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
130076 VO [de en] Global Pop Music in Local Cultural Contexts
B20 EM Applied Musicology I
160042 PS New Media & Music Technologies
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160047 PS Basics and Research Fields in Acoustics
160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
160076 PR Information Processing in Archives and Libraries
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160045 VO Music History II (1300-1600)
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160085 SE The Beginnings of Polyphony (9th-11th Century)
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
170517 VU Rossini - Bellini - Donizetti
M02 APM 2
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
160085 SE The Beginnings of Polyphony (9th-11th Century)
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
130076 VO [de en] Global Pop Music in Local Cultural Contexts
M03 APM 3
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160048 VO Limits and Capabilities of Human Auditory Perception
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160082 UE Research Methods and Statistics in Musicology
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
M04 APM 4
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160045 VO Music History II (1300-1600)
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160085 SE The Beginnings of Polyphony (9th-11th Century)
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
M05 APM 5
160015 VO History and Methods in Ethnomusicology (introductory course)
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160045 VO Music History II (1300-1600)
160048 VO Limits and Capabilities of Human Auditory Perception
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160082 UE Research Methods and Statistics in Musicology
160085 SE The Beginnings of Polyphony (9th-11th Century)
170514 VU Traces in the Unknown
170517 VU Rossini - Bellini - Donizetti
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
2. Elective Modules (WM)
M06 WM History of European Music before 1600
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160085 SE The Beginnings of Polyphony (9th-11th Century)
M07 WM History of European Music after 1600
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160037 SE Female roles in the Music Theatre ca. 1900
160040 VO Ludwig van Beethoven
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160067 VO Media Music between 1930 and 1950 in a political context
160068 SE String Quintets between Boccherini and Sessions
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
170517 VU Rossini - Bellini - Donizetti
170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013
M08 WM Ethnomusicology
160018 KO World Music Studies (conversatorium)
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160027 VO World Music Studies (lecture series)
160066 VO African Music in the 20th Century
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
M09 WM Systematic Musicology
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160048 VO Limits and Capabilities of Human Auditory Perception
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160082 UE Research Methods and Statistics in Musicology
M10 WM Contemporary Music
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170514 VU Traces in the Unknown
M11 WM Popular Music
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160028 VO Introduction to the Musicological Music Film Studies
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
130076 VO [de en] Global Pop Music in Local Cultural Contexts
M12 WM Source Study, Source Work and Source Criticism
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160068 SE String Quintets between Boccherini and Sessions
160076 PR Information Processing in Archives and Libraries
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160085 SE The Beginnings of Polyphony (9th-11th Century)
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
M13 WM Music and Society
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
170517 VU Rossini - Bellini - Donizetti
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
M14 WM Analysis and Theoretical Interpretation of Music
160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
160028 VO Introduction to the Musicological Music Film Studies
160029 SE French Piano Music around 1900
160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160068 SE String Quintets between Boccherini and Sessions
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160085 SE The Beginnings of Polyphony (9th-11th Century)
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
160028 VO Introduction to the Musicological Music Film Studies
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
160061 VO The Aesthetic Model of Explaining Music
160085 SE The Beginnings of Polyphony (9th-11th Century)
170508 UE Musik in-szenieren: Macbeth
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013
M16 WM Current Musicology
160018 KO World Music Studies (conversatorium)
160027 VO World Music Studies (lecture series)
160037 SE Female roles in the Music Theatre ca. 1900
160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
160059 SE Popular Classic Music
130076 VO [de en] Global Pop Music in Local Cultural Contexts
170508 UE Musik in-szenieren: Macbeth
170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
M17 WM Applied Musicology
160043 UE Acoustic Labor Practical Course IV: Live Recording
160044 KO Conversatorium in Musical-Acoustic Issues
160076 PR Information Processing in Archives and Libraries
160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
160081 EX Music Traditions of the Mediterranean Island of Crete
170508 UE Musik in-szenieren: Macbeth
170527 UE Management of Music Theatre
3. M18 Master Seminar Module
160032 MA Research Seminar for Master Candidates
160051 MA Research Seminar for Master and Doctoral Candidates
160062 MA Research Seminar for Master and Doctoral Candidates
160063 MA Research Seminar for Master and Doctoral Candidates
160065 MA Research Seminar for Master and Doctoral Candidates
160090 MA Research Seminar for Master and Doctoral Candidates
C. Diploma Degree Programme in Musicology
First Stage of the Degree Programme
First and Second Stage of the Degree Programme
Second Stage of the Degree Programme
Courses for Diploma and Doctoral Candidates
D. Complementary Study Programmes/Minors
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
160045 VO Music History II (1300-1600)
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
160028 VO Introduction to the Musicological Music Film Studies
160040 VO Ludwig van Beethoven
160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
160067 VO Media Music between 1930 and 1950 in a political context
160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
CSP World Music
Required Module 1: Introduction to Ethnomusicology
160015 VO History and Methods in Ethnomusicology (introductory course)
Required Module 2: Survey of World Music
160027 VO World Music Studies (lecture series)
160052 VO Music of the World - Overview II
160066 VO African Music in the 20th Century
160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
EC Musical Acoustics and Auditory Perception
Compulsory Module (EC Musical Acoustics and Auditory Perception)
160048 VO Limits and Capabilities of Human Auditory Perception
160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
160087 VO+UE Introduction to the Physiology of Hearing
EC Popular Music
Compulsory Module (EC Popular Music)
160028 VO Introduction to the Musicological Music Film Studies
160052 VO Music of the World - Overview II
160066 VO African Music in the 20th Century
160067 VO Media Music between 1930 and 1950 in a political context
160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
130076 VO [de en] Global Pop Music in Local Cultural Contexts
E. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
Universität für Musik und darstellende Kunst Wien

Last modified: We 13.06.2018 00:38