010094 VO Introducing East Asian Religious Arts (2019W)
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An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
Details
Sprache: Englisch
Prüfungstermine
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Due to Covid-19 and remote learning, essays can be submitted until June 30.
- Montag 13.01. 13:15 - 14:45 Seminarraum 7 Hauptgebäude, Tiefparterre Stiege 9 Hof 5
- Montag 13.01. 15:00 - 17:15 Seminarraum 8 Hauptgebäude, Tiefparterre Stiege 9 Hof 5
- Dienstag 14.01. 13:15 - 18:15 Seminarraum 1 (Kath) Schenkenstraße EG
- Mittwoch 15.01. 15:00 - 18:15 Seminarraum 8 Hauptgebäude, Tiefparterre Stiege 9 Hof 5
- Montag 20.01. 13:15 - 14:45 Seminarraum 7 Hauptgebäude, Tiefparterre Stiege 9 Hof 5
- Montag 20.01. 15:00 - 17:15 Seminarraum 8 Hauptgebäude, Tiefparterre Stiege 9 Hof 5
- Dienstag 21.01. 13:15 - 17:15 Seminarraum 1 (Kath) Schenkenstraße EG
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
One 3500 words essay: 100%
Mindestanforderungen und Beurteilungsmaßstab
Basic knowledge of the development of religious imagery in China, Korea, and Japan.
Ability to orientate oneself in scholarly literature on the topic and to sum up discussions on the subject.
Basic knowledge of requirements for designing and conducting research in this field of study.
Ability to orientate oneself in scholarly literature on the topic and to sum up discussions on the subject.
Basic knowledge of requirements for designing and conducting research in this field of study.
Prüfungsstoff
Presentations by teacher create an outline for selected readings and presentations of students. Presentations, as well as a selection of study literature, will be provided to the students electronically.
Literatur
Recommended Readings (selection):S. Addiss,The Art of Zen(New York, 1989).
H. Brinker and H. Kanazawa,Zen Masters of Meditation in Images and Writings(Zurich, 1996)
C. G. Kanda:Shinzô: Hachiman Imagery and its Development (Cambridge, MA, 1985)
Clunas, Craig, Art in China. Oxford History of Art (Oxford and New York: Oxford University Press 1997)
Grayson, James. Korea: A Religious History (London and New York: RoutledgeCurzon, 2000)
Kim Wonyong. Art and Archaeology of Ancient Korea (Taekwang publishing, 1986).
Mecsi, Beatrix, An Introduction to Korean Art. In: Mecsi, Beatrix and Fajcsák, Györgyi (eds.), Land of the Morning Calm. Korean Art in the 18-19th centuries (Budapest: Ferenc Hopp Museum of Eastern Asiatic Art, 2012), pp. 38-55
Mecsi, Beatrix, Bodhidharma in China, Korea and Japan: Models for Representations and Commercialization of the Legendary Founder of Chan Buddhism in East Asia. In: Rui Oliveira Lopes (ed.), FACE TO FACE, Global Art Monograph Series (University of Lisbon, 2014), pp.170-200
Pak Youngsook and Whitfield, Roderick, Buddhist Sculpture. Handbook of Korean Art (Ye-Gyeong Pub Co. 2002)
Smith, Judith (ed.). The Arts of Korea (New York: The Metropolitan Museum of Art, 1998)
Whitfield, Roderick (ed.). Treasures from Korea: art through 5000 years (London: British Museum Publications, 1984)
H. Brinker and H. Kanazawa,Zen Masters of Meditation in Images and Writings(Zurich, 1996)
C. G. Kanda:Shinzô: Hachiman Imagery and its Development (Cambridge, MA, 1985)
Clunas, Craig, Art in China. Oxford History of Art (Oxford and New York: Oxford University Press 1997)
Grayson, James. Korea: A Religious History (London and New York: RoutledgeCurzon, 2000)
Kim Wonyong. Art and Archaeology of Ancient Korea (Taekwang publishing, 1986).
Mecsi, Beatrix, An Introduction to Korean Art. In: Mecsi, Beatrix and Fajcsák, Györgyi (eds.), Land of the Morning Calm. Korean Art in the 18-19th centuries (Budapest: Ferenc Hopp Museum of Eastern Asiatic Art, 2012), pp. 38-55
Mecsi, Beatrix, Bodhidharma in China, Korea and Japan: Models for Representations and Commercialization of the Legendary Founder of Chan Buddhism in East Asia. In: Rui Oliveira Lopes (ed.), FACE TO FACE, Global Art Monograph Series (University of Lisbon, 2014), pp.170-200
Pak Youngsook and Whitfield, Roderick, Buddhist Sculpture. Handbook of Korean Art (Ye-Gyeong Pub Co. 2002)
Smith, Judith (ed.). The Arts of Korea (New York: The Metropolitan Museum of Art, 1998)
Whitfield, Roderick (ed.). Treasures from Korea: art through 5000 years (London: British Museum Publications, 1984)
Zuordnung im Vorlesungsverzeichnis
066 800 M7; M17
Letzte Änderung: Mi 15.12.2021 00:14
Its aim is to explore the visual aspects of the religious traditions of East Asia (Buddhism, Confucianism, Daoism, and the local and popular religions and their interactions with the greater traditions). The course also explores the special features, similarities, and differences of transmitting religious imagery between these cultures.After completing the course, the students will be able:
• To recognise the specific iconographical and contextual features of religious arts in East Asia
• To understand the relationship between visual forms and religious practices in East Asia
• To understand the differences between art forms produced in China, Korea, and Japan related to a given religion