080028 PS Fallstudie II/III: Sino-Islamica: Artistic Interactions Between the Islamic World & China (au.K.) (2016S)
in the Medieval Period
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Fr 19.02.2016 10:01 bis Do 25.02.2016 10:00
- Abmeldung bis Mo 14.03.2016 10:00
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Dienstag 01.03. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 08.03. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 15.03. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 05.04. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 12.04. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 19.04. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 26.04. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 03.05. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 10.05. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 24.05. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 31.05. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 07.06. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 14.06. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 21.06. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
- Dienstag 28.06. 12:30 - 14:00 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Oral commentary on at least one reference from the bibliography. Oral presentation on a topic of your choice related to the theme of the case study. Written paper on the same topic.
Mindestanforderungen und Beurteilungsmaßstab
Much emphasis is placed on personal work, i. e. reading, critical thinking, active participation in discussions, genuine interest and research for the oral presentations. The written paper must integrate the feedback provided after the oral presentation.
Prüfungsstoff
Literatur
Selection: BRENTJES, Sonja, FIDORA, Alexander, TISCHLER, Matthias M., Towards a New Approach to Medieval Cross-Cultural Exchanges, JTMS 2014; 1(1): 950.
CANEPA, Matthew P., Theorizing Cross-Cultural Interaction Among Ancient and Early Medieval Visual Cultures, Ars Orientalis, 38 (2010), pp. 7-29.
Chinese-Iranian relations, in Encyclopaedia Iranica, 5/4, pp. 424-448 and 5/5, pp. 449-460 (1991).
ALLSEN, Thomas T., Commodity and Exchange in the Mongol Empire. A Cultural History of Islamic Textiles (Cambridge, 1997) .
A full bibliography will be distributed at the first meeting.
CANEPA, Matthew P., Theorizing Cross-Cultural Interaction Among Ancient and Early Medieval Visual Cultures, Ars Orientalis, 38 (2010), pp. 7-29.
Chinese-Iranian relations, in Encyclopaedia Iranica, 5/4, pp. 424-448 and 5/5, pp. 449-460 (1991).
ALLSEN, Thomas T., Commodity and Exchange in the Mongol Empire. A Cultural History of Islamic Textiles (Cambridge, 1997) .
A full bibliography will be distributed at the first meeting.
Zuordnung im Vorlesungsverzeichnis
Letzte Änderung: Mo 07.09.2020 15:31
Contents: The artistic interactions between the Islamic world and China in the medieval period are a very interesting case study of global art history. The course will first address the conceptual and theoretical implications of notions such as exchange, influence or the so called global Middle Ages. It will then look at the historical contexts of artistic relations, from multi-cultural empires to land and sea trade routes (the so called silk, musk, paper, porcelain roads ). It will then focus on the main areas of artistic encounters between the Islamic world and China, i. e. textiles, ceramics, painting and iconography. There will also be a special focus on the Mongol period (13th-14th C.), which is marked by a much higher level of connection and a deeper mutual interest and knowledge. The course will end with an examination of Islamic art that is exported to or created in China (mosques, Quranic manuscripts ).
Methods: Reading, critical reading, confrontation of views, research, observation, description, analysis, comparison, discussion.