080044 PS Fallstudie II/III: Across the Strait of Gibraltar: Western Islamic Art in the Middle Ages (m./au.K.) (2015W)
Late Antiquity and the Rise of Islamic Art
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mi 16.09.2015 10:00 bis Mi 23.09.2015 10:00
- Abmeldung bis Do 15.10.2015 10:00
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Mittwoch 07.10. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 14.10. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 21.10. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 28.10. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 04.11. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 11.11. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 18.11. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 25.11. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 02.12. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 09.12. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 16.12. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 13.01. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 20.01. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Mittwoch 27.01. 12:30 - 14:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Participation, oral presentation and written paper.
Mindestanforderungen und Beurteilungsmaßstab
The course aims at providing students with the adequate tools in order to describe, analyze and research the art produced in southern Spain and Morocco during the Middle Ages.
Prüfungsstoff
The course will be divided into 13/14 seminars devoted to specific topics. Each seminar will consist of a general discussion (in which students are expexted to participate) on the theme of the seminar, 1 or 2 oral presentation(s) by the students on specific themes related to the seminar and a final frontal lecture by the instructor to sum up the main themes and issues related to the topic of the seminar.
Literatur
Al-Andalus: the art of Islamic Spain, edited by Jerrilynn D. Dodds, 1992.
Die Mudejar-Kunst: islamische Ästhetik in christlicher Kunst, edited by Eva Schubert and Jamila Binous, 2006.
The Alhambra, by Oleg Grabar, 1978.
Morocco: 5000 years of culture, edited by Vincent Boele, 2005
Die Mudejar-Kunst: islamische Ästhetik in christlicher Kunst, edited by Eva Schubert and Jamila Binous, 2006.
The Alhambra, by Oleg Grabar, 1978.
Morocco: 5000 years of culture, edited by Vincent Boele, 2005
Zuordnung im Vorlesungsverzeichnis
Letzte Änderung: Mo 07.09.2020 15:31
1) Intro #1: The Islamic civilization: Introduction
a. Introduction of the course: program, tasks and evaluation
b. Religious and historical outline
c. Masterpieces of Islamic art
2) Intro #2: The rise of Islamic art
a. Mosques
b. Palaces
c. decoration
3) The mosque of Cordoba #1
a. History of the origins / relation with Damascus
b. Structure
c. conversions of churches into mosques
4) The mosque of Cordoba #2
a. The mosque in the 10th century
b. The mihrab and its mosaics
c. The maqsura
5) Madinat al-Zahra
a. A satellite palace / city (the tradition from the Islamic world)
b. Structure
c. Palace decoration
6) Cordoban Ivories
a. Material
b. Technique
c. Iconography
7) The minbar of the mosque of Kutubiyya, Marrakesh
a. The object: history and function
b. The material and the technique
c. The arabesque: description and definition
8) Mosques and madrasas in medieval north Africa
a. History
b. Structures and models
c. Ibn Tumart and the mosque of Tinmal
9) Spolia across the strait of Gibraltar
a. Meaning of spolia
b. Capitals and bells
10) The Alhambra #1
a. History
b. Structure
c. Water and architecture
11) The Alhambra #2
a. Architectural decoration
b. Epigraphy and poetry
12) The Mudejar #1
a. Definition
b. Mudejar churches
c. Mudejar style across the Ocean: Christian architecture in the America
13) The Mudejar #2
a. Mudejar palaces
b. Mudejar synagogues
c. A 15th century international style?
14) Post-Islamic art in the Iberian peninsula
a. Ceramics
b. Historiography
c. Summary of the course