080051 SE Seminar: The Exhibition: A Spatialization of Knowledge, Politics, and Ideology (nst.K.) (2016S)
Prüfungsimmanente Lehrveranstaltung
Labels
This seminar will focus on the 'rise of the exhibition' as one of the primary forms of the 20th and 21st centuries and consider the strategies through which exhibitions construct and communicate knowledge. We will look at the variety of display methods within the language of exhibitions, diversity of subjects (historical, scientific, contemporary, research, and temporary pop-ups), and the relation of exhibitions to specific institutional agendas. We will also explore the relation between exhibitions and the construction of publics in diverse geopolitical, socio-historical and economic models and consider the parallel rise of the curator and shifting role of art criticism.
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Fr 19.02.2016 10:01 bis Do 25.02.2016 10:00
- Abmeldung bis Mo 14.03.2016 10:00
Details
max. 20 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Monday, 11am-2pm on the following dates:
March 14, April 4, April 11, April 25, May 2, May 30, June 13, June 20.
- Montag 14.03. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 11.04. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 25.04. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 09.05. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 23.05. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 06.06. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Montag 20.06. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Mindestanforderungen und Beurteilungsmaßstab
The aims of the course are to 1) situate aesthetic practices and narratives of modernity, modernism, and contemporary art in relation to the histories and theories surrounding the rise of the exhibition as a dominant frame/form ; 2) engage with the issues raised by exhibition practices along multidisciplinary pathways, including urban geography, sociology, cultural studies, feminist criticism and gender studies, postcolonial theories, and political philosophy; 3) introduce students to methods, models, and theories for the critical analysis of modern and contemporary art.
Prüfungsstoff
This is a conceptually and theoretically driven seminar that approaches the study of contemporary art as an expanded and entwined constellation of representational artifacts, discursive objects, and material practices. Within this multidisciplinary constellation, we will be attentive to the ways in which artistic production relates and responds to forces, techniques, and effects of power and is implicated in the constitution of new subjectivities.
Specific pedagogical methods include: Close textual and visual analysis; class discussions, oral and written components, field trips.
Specific pedagogical methods include: Close textual and visual analysis; class discussions, oral and written components, field trips.
Literatur
Syllabus will be distributed at first class meeting.
Zuordnung im Vorlesungsverzeichnis
Letzte Änderung: Mo 07.09.2020 15:31