Universität Wien

080066 SE Seminar: Contemporary Art and Globalization: Borders, Boundaries and Territoriality (nst.K.) (2014W)

Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 20 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Montag 06.10. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 13.10. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 20.10. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 27.10. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 03.11. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 10.11. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 17.11. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 24.11. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 01.12. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 15.12. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 12.01. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 19.01. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Montag 26.01. 11:00 - 14:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This seminar focuses on the particular ways in which contemporary aesthetic production has negotiated the role of borders, boundaries, and territoriality as sites of knowledge production within the complex processes and techniques of neoliberal global capitalism. We will analyze a wide spectrum of artistic practices and cultural artifacts in various national and cultural contexts in relation to these three conceptual categories as they have been developed in different disciplines.
Some questions that will motivate our study will be: 1)What is the relation between borders, boundaries, and territoriality and new techniques of governmentality and management of people and populations associated with the processes and effects of globalization? 2) How have experiences of exclusion and inclusion, often associated with these concepts, been distributed within diverse systems, sites, and subjects of contemporary life and what aesthetic techniques, forms and strategies have emerged to represent and critically interrogate such issues ? 3) Can these concepts help us reframe binaries such as ‘center’ and ‘periphery,’ ‘west’ and ‘non-west,’ and ‘here’ and ‘elsewhere’ along different axes and what would be the implications for both contemporary museological practices and curatorial projects outside the museum? 4) What is the relation between these concepts and broader debates surrounding race, migration, human rights, the status of migrants, refugees, and post-colonial subjects and the intensifying anxiety about religious, ethnic and cultural difference?

Art der Leistungskontrolle und erlaubte Hilfsmittel

The final grade consists of attendance and participation in class meetings and discussion (weighting of 10%), evaluation of the seminar presentation (weighting of 30 %) and the written paper (weighting of 60 %). In order to pass the seminar, all sections must receive a positive assessment.

Mindestanforderungen und Beurteilungsmaßstab

The goal of this seminar is to historicize and analyze the relationship between contemporary aesthetic practices and the concepts of borders, boundaries and territoriality in relation to the problematic of globalization.

Prüfungsstoff

This is a conceptually and theoretically driven seminar that approaches the study of contemporary art as an expanded and entwined constellation of representational artifacts, discursive objects, and material practices. Within this multidisciplinary constellation, we will be attentive to the ways in which artistic production relates and responds to forces, techniques, and effects of power and is implicated in the constitution of new subjectivities.

Literatur

A bibliography will be distributed at the initial session.

Zuordnung im Vorlesungsverzeichnis

Letzte Änderung: Mo 07.09.2020 15:31