Universität Wien

120018 AR Theory (MA) (2010W)

Critical Theory: Subject and State

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 30 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Freitag 15.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 22.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 29.10. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 05.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 12.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 19.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 26.11. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 03.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 10.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 17.12. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 14.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 21.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Freitag 28.01. 10:00 - 12:00 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This course uses two popular texts and one contemporary cultural theory reader as a means to approach an understanding of modern cultural theory. The texts in question are: Philip K. Dick's science fiction novel Do Androids Dream of Electric Sheep? (1968); Ridley Scott's loosely based film of that novel, Blade Runner (Final Cut) (2007); and A Critical and Cultural Theory Reader edited by Antony Easthope and Kate McGowan. There are reasonably priced copies of this text available through Amazon. As many of the extracts in the Reader are dense and difficult, students should make every effort to have as many as possible of them read before the commencement of the course. Week by week we shall be addressing the primary text in terms of a range of theoretical issues, including Ideology (Marx, Althusser, Fanon, Said, Bhabha); Subjectivity (Freud, Lacan, Kristeva, Foucault); Difference (Derrida); Gender (Freud, Cixous, Mulvey, Butler); and Postmodernism (Lyotard, Baudrillard, Derrida, Zizek).

Art der Leistungskontrolle und erlaubte Hilfsmittel

1 x Class Presentation (10 - 15 minutes) (20%)
1 x 3,000-Word Essay (80%)

Mindestanforderungen und Beurteilungsmaßstab

After completing the course the student should be able to:
1. Demonstrate a basic knowledge of a variety of theoretical and critical approaches to the study of culture;
2. Show an understanding of how texts can be read from such different perspectives;
3. Engage independently with concepts and ideas, and communicate them.

Prüfungsstoff

1. To introduce students to the major theoretical discourses that have shaped the study of literature and culture in the twentieth and twentieth-first centuries;
2. To explore and evaluate such perspectives with reference to specific texts which, in different ways, interrogate disciplinary assumptions associated with the study of culture;
3. To foster an interdisciplinary methodology which facilitates study in other courses which are period-based or thematic in character.

Literatur

Philip K. Dick, Do Androids Dream of Electric Sheep? (1968; London: Gollancz, 2007)
Antony Easthope and Kate McGowan (eds), A Critical and Cultural Theory Reader, 2nd Edition (Maidenhead: Open University Press, 2007)
Ridley Scott (dir.), Blade Runner (Final Cut) (2007)

Zuordnung im Vorlesungsverzeichnis

Studium: Diplom 343, UF 344, MA 844;
Code/Modul: 721-723, MA3;
Lehrinhalt: 12-0192

Letzte Änderung: Mo 07.09.2020 15:33