120094 SE Literary & Cultural Studies Seminar / BA-Arbeit / MA British/Irish/New English (2010W)
Irish Literature in/and Irish Film
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 13.09.2010 00:00 bis So 26.09.2010 23:59
- Anmeldung von Mi 29.09.2010 00:00 bis Di 05.10.2010 23:59
- Abmeldung bis So 31.10.2010 23:59
Details
max. 18 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 14.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 21.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 28.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 04.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 11.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 18.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 25.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 02.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 09.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 16.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 13.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 20.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 27.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Requirements for credit: regular attendance, active participation in class, PowerPoint presentation, research paper (20-25 pp.), written final test.
Mindestanforderungen und Beurteilungsmaßstab
It is the aim of this course to introduce students to some of the classics of Irish cinema (as based on famous texts from the Irish literary canon) and explore the intermedial connections between literature and film.
Prüfungsstoff
Class discussion of literary texts and their cinematic counterparts (esp. selected scenes), student presentations on selected topics.
NB: Students wishing to register early and ready to take on one of the topics for oral presentations indicated below are kindly asked to contact Prof. Huber via e-mail wern.huber@univie.ac.at ASAP.Preliminary Course Outline (Early Registration):
October 14: General Introduction
October 21: (1) How to Read a Film (Survey)
October 28: (2) Adaptation, Intermediality (definitions, terminology), (3) History of Irish Cinema (Survey)
November 4: (4) M. Walsh, 'The Quiet Man' (presenting the story: character, theme, structure, style)
NB: Students wishing to register early and ready to take on one of the topics for oral presentations indicated below are kindly asked to contact Prof. Huber via e-mail wern.huber@univie.ac.at ASAP.Preliminary Course Outline (Early Registration):
October 14: General Introduction
October 21: (1) How to Read a Film (Survey)
October 28: (2) Adaptation, Intermediality (definitions, terminology), (3) History of Irish Cinema (Survey)
November 4: (4) M. Walsh, 'The Quiet Man' (presenting the story: character, theme, structure, style)
Literatur
A customised anthology will be available at StudienServiceStelle from 15 September onwards. Additional material will be provided on an e-learning platform. Therefore, students are asked to familiarise themselves in advance with the FRONTER platform. For introduction and self-guided tour, please see https://www.univie.ac.at/ZID/elearning-infos-studierende/
Zuordnung im Vorlesungsverzeichnis
Studium: Diplom 343, UF 344, BA 612, MA 844;
Code/Modul: 322, 326/328, 336/338, 426/428, 436/438, 526/528, 536/538, 721-723, 821, BA12, BA14, MA4, MA6, MA7;
Lehrinhalt: 12-0265
Code/Modul: 322, 326/328, 336/338, 426/428, 436/438, 526/528, 536/538, 721-723, 821, BA12, BA14, MA4, MA6, MA7;
Lehrinhalt: 12-0265
Letzte Änderung: Mo 07.09.2020 15:33
The following films (plus the corresponding 'literary' texts) are proposed for close scrutiny:
- 'The Quiet Man' (1952; dir. John Ford; based on short story by Maurice Walsh)
- 'The Dead' (1987; dir. John Huston; based on short story by James Joyce)
- 'The Field' (1990; dir. Jim Sheridan; based on play by John Keane)
- 'Korea' (1995; dir. Cathal Black; based on short story by John McGahern)
- 'Man of Aran' (1934; dir. Robert Flaherty; referenced in Martin McDonagh's play 'The Cripple of Inishmaan')