120116 SE Literary Seminar (322) = Seminar Kulturwissenschaft / BA-Arbeit (2009W)
Cutting-Edge Irish Drama
Prüfungsimmanente Lehrveranstaltung
Labels
Diese LVA gilt für das Bachelorstudium nach UG2002, das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Di 15.09.2009 14:00 bis Mo 28.09.2009 14:00
- Anmeldung von Fr 02.10.2009 14:00 bis Do 08.10.2009 14:00
- Abmeldung bis Sa 31.10.2009 23:59
Details
max. 18 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 15.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 22.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 29.10. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 05.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 12.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 19.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 26.11. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 03.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 10.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 17.12. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 07.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 14.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 21.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Donnerstag 28.01. 09:00 - 11:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Requirements for credit: regular attendance, active participation in class, PowerPoint presentation, research paper (20-25 pp.), written final test.
Mindestanforderungen und Beurteilungsmaßstab
It is the aim of this course to introduce students to the rich variety of contemporary Irish drama as it reflects the Celtic Tiger Era. In a wider context intermedial connections between drama and film will also be explored as well as the parameters of contemporary 'In-Yer-Face Theatre'.
Prüfungsstoff
Class discussion of plays and selected scenes, student presentations on selected topics.Students wishing to register early and ready to take on one of the topics for oral presentations indicated below are kindly asked to get into contact with Prof. Huber via e-mail wern.huber@univie.ac.at ASAP.Preliminary Course Outline (Early Registration)topic to be presented byOctober 15 General IntroductionOctober 22 (1) Contemporary Irish Drama (Survey)
(2) Contemporary Irish Cinema (Survey)October 29 (3) The Kings of the Kilburn High
(Summary: Characters, Main Themes)November 5 (4) The Kings of the Kilburn High
(Summary: Structure, Style)
(2) Contemporary Irish Cinema (Survey)October 29 (3) The Kings of the Kilburn High
(Summary: Characters, Main Themes)November 5 (4) The Kings of the Kilburn High
(Summary: Structure, Style)
Literatur
A customised anthology will be available from StudienServiceStelle from 15 July onwards. Additional material will be provided on an e-learning platform. Therefore, students are asked to familiarise themselves in advance with the FRONTER platform. For introduction and self-guided tour, please see
https://www.univie.ac.at/ZID/elearning-infos-studierende/
https://www.univie.ac.at/ZID/elearning-infos-studierende/
Zuordnung im Vorlesungsverzeichnis
Diplom 343, UF 344, BA 612
Letzte Änderung: Mo 07.09.2020 15:33
"I could live a long and happy life without seeing another play set in a Connemara kitchen, or a country pub. I think it's significant that in contemporary theatre and cinema, so much attention gets paid to the nineteen fifties, the decade before Ireland opened for business, the time when we were a 'special little enclave'." [Theatre Stuff, ed. Eamonn Jordan (Dublin: Carysfort Press, 2000), p. 13].
Such pessimism regarding the representation of contemporary Ireland is obviously exaggerated. There is quite sufficient evidence for the engagement of Irish drama (and Irish film) with the phenomenon of the Celtic Tiger, esp. with the darker sides of its 'underbelly.' The Connemara kitchen -- and the Quiet Man's cottage, for that matter -- have indeed become obsolete and have been replaced by alternative locations such as the mean streets of Dublin or council flats in North London.
Texts to be studied include: Jimmy Murphy, The Kings of the Kilburn High; Enda Walsh, The Walworth Farce; Abbie Spallen, Pumpgirl; Martin McDonagh, In Bruges.