120128 AR 'Blockbuster Poetry': Britains's Best-Loved Lyrics (2008S)
Prüfungsimmanente Lehrveranstaltung
Labels
ECTS 343 Diplomstudium UniStG: 2.00
Details
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Mittwoch 02.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 09.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 16.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 23.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 30.04. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 07.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 14.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 21.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 28.05. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 04.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 11.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 18.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Mittwoch 25.06. 12:00 - 13:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Mindestanforderungen und Beurteilungsmaßstab
This course aims a) to give students a basic knowledge of core texts of the British lyric canon b) to enable students to communicate their reading experience c) to provide students with theoretical concepts (eg. Assmann's 'canon') to contextualise the notion of 'the canonical' d) to enable students to experience the fun involved in discussing poetry.
Prüfungsstoff
Group work, home study, classroom discussion, student presentation, short written report.
Literatur
Texts will be provided.
Zuordnung im Vorlesungsverzeichnis
323, 324
Letzte Änderung: Mi 09.09.2020 00:22
Every week, we will read and discuss one such 'blockbuster poem' and ask what exactly it is that makes it stand out from all the other less loved (or less hated) texts.
As a special treat, British avant garde poet Tony Trehy will join us later in the term to give us an insider view on market forces, publication strategies and the lyric taste of the nation.