Universität Wien

120691 PS Proseminar Cultural and Media Studies (2024W)

Performing Identity, Performing Poetry: Spoken Word in the UK

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

NB: *The class on 08.01.2025 will be moved to Raum 1 Anglistik UniCampus Hof 8 3E-EG-05*

  • Mittwoch 09.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 16.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 23.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 30.10. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 06.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 13.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 20.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 27.11. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 04.12. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 11.12. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 15.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 22.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 29.01. 14:15 - 15:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

You may have encountered a spoken word poem on the internet, you may also be familiar with poetry slams, and you might have vaguely heard of the term “identity poem". A criticism often leveraged against spoken word poets’ performance of identity in their work is that it is employed as a strategy to win audience approval, sympathy, or points at a slam. But can this performance of identity be merely reduced to a performative gimmick, a winning tactic?

“Spoken word has often been hailed as a powerful platform for sharing one’s personal stories through verse. From these stages activists protest social inequality, marginalised and oppressed people assert the legitimacy of their identities, and those who have experienced trauma share their stories and are witnessed as survivors”, writes poet and scholar Katie Ailes. In this regard, how do poets highlight the politics of identity in their work? Do poets merely perform their own identity on stage? What role does the visibility of a marginalised identity on stage, in the spotlight, play in poetry performance? We will answer these questions, while briefly tracing the history of poetry performance in the UK in this course. We will explore poetry performances, poetry films, spoken word theatre shows, and other formats to investigate the various strands of identity at play in spoken word in the UK. Using theoretical lenses pertaining to race, gender, class, location, sexuality, disability, we will critically analyse poetry performances, and explore their cultural significance in the broader media studies context.

Close readings of the primary material will be supplemented by secondary literature on cultural studies and media analysis. In this course, students will have the chance to develop their analytical and academic writing skills, as well as gain basic theoretical tools for the critical analysis and interpretation of cultural texts.

By the end of the course, the students will
• Learn the historical context of spoken word in the UK
• Critically engage with and analyse poetry performance in different media
• Reflect upon the role and manifestation of identity in terms of race, gender, sexuality, class, disability, and other social identity markers in the performance of poetry, and apply relevant theoretical lenses
• Write both short and long analytical texts and develop their academic writing skills

Art der Leistungskontrolle und erlaubte Hilfsmittel

Regular attendance (a maximum of 2 unexcused absences allowed); active participation throughout the course; close reading essay; “Thesis in three” oral presentation; paper proposal; final paper.

Mindestanforderungen und Beurteilungsmaßstab

1. Class participation – 10%
2. Close reading essay – 10%
3. Thesis in three/Oral presentation – 10%
4. Research Proposal – 20%
5. Final paper – 50%

Students must fulfil and pass each of the course requirements and obtain a 60% overall grade to pass the course. The plagiarism detection software Turnitin will be used on the written assignments. The use of generative AI is not allowed in this course.

Class participation: Students should engage with primary and secondary materials provided on Moodle and are expected to come prepared for class.

Close reading: A short close reading essay (approx.500 words) analysing a poetry performance discussed in class is due early in the semester.

Thesis in Three (Oral presentation or Video essay): The “Thesis in Three” comprises of an oral presentation, presenting one’s argument in three minutes with three slides. Students can either deliver the presentation “live” in class or submit a pre-recorded presentation/video essay which will then be played out in class. The presentation will be followed by a peer feedback exercise and discussion.

Research proposal: A 2-page research proposal with bibliography providing the basis of the final paper is required. The proposal should contain the research question, thesis statement, and a literature review consisting of engagement with at least two critical texts that students will use in their final paper.

Final paper: Students are required to submit a 3500-word (+/-10%) proseminar paper as the final task of the course. The paper should reflect student’s engagement with course material as well as their own independent research.

The research proposal and the final paper must adhere to the department’s style sheet.

Grade scale in %:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59

Prüfungsstoff

There will be no written exam. The assessment will be ongoing and comprises of the elements mentioned above, namely active participation; close reading essay; “Thesis in three” oral presentation; research proposal; final paper.

Literatur

The following is a tentative list and is subject to change. All course material will be made available on Moodle.

We will discuss poems by Kevin P Gilday, Joelle Taylor, Malaika Kegode, Hanan Issa, Jasmine Gardosi, Roger Robinson, Suhaiymah Mansoor-Khan, Repeat Beat Poet, Abby Oliveira, Jay Mitra, and others.

We will be reading extracts or chapters from –

1. English, Lucy, and Jack McGowan. Spoken Word in the UK. Taylor & Francis Group, 2021.
2. Johnson, Javon. Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities. Rutgers University Press, 2017.
3. Korecka, Magdalena Elisabeth, and Wiebke Vorrath, editors. Poetry and contemporary visual culture. De Gruyter, 2023.
4. Morra, Joanne. Visual Culture: Critical Concepts in Media and Cultural Studies. 3, Spaces of Visual Culture. 1. publ., Routledge, 2006.
5. ---. Visual Culture: Critical Concepts in Media and Cultural Studies. 4, Experiences in Visual Culture. 1. publ., Routledge, 2006.
6. Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. 1st ed.., BRILL, 2011.
7. Somers-Willett, Susan B. A. The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. University of Michigan Press, 2009.


Zuordnung im Vorlesungsverzeichnis

Studium: BA 612;
Code/Modul: BA09.1;
Lehrinhalt: 12-4040

Letzte Änderung: Mo 02.12.2024 14:06