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123041 PS PS Literary Studies (2024W)
Once Upon A Time Revisited: Fairytales Across Cultures and Identities
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 09.09.2024 12:00 bis Mo 23.09.2024 12:00
- Abmeldung bis Do 31.10.2024 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- N Mittwoch 09.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 16.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 23.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 30.10. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 06.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 13.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 20.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 27.11. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 04.12. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 11.12. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 08.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 15.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 22.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
- Mittwoch 29.01. 12:15 - 13:45 Raum 2 Anglistik UniCampus Hof 8 3E-EG-09
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
- Active participation in classroom discussion: 10 points
- Five in-class quizzes (each worth 2pts): 10 points
- Expert input during one session: 15 points
- Research proposal (700 words) and annotated bibliography: 15 points
- Proseminar paper (3500 words, +/- 10%): 50 pointsOverall score: 100 points max.
Pass-mark: 60 points
- Five in-class quizzes (each worth 2pts): 10 points
- Expert input during one session: 15 points
- Research proposal (700 words) and annotated bibliography: 15 points
- Proseminar paper (3500 words, +/- 10%): 50 pointsOverall score: 100 points max.
Pass-mark: 60 points
Mindestanforderungen und Beurteilungsmaßstab
Students must fulfil and pass each of the course requirements and score at least 60 points in order to pass this course. You may miss a maximum of two classes.
Grading scale:
1 (very good): 100-90 points
2 (good): 89-80 points
3 (satisfactory): 79-70 points
4 (pass): 69-60 points
5 (fail): 59-0 points
The course requirements will be discussed in detail during the first session. The plagiarism detection software Turnitin will be used on the written assignments. AI tools may not be used for your research proposal and proseminar paper.
Grading scale:
1 (very good): 100-90 points
2 (good): 89-80 points
3 (satisfactory): 79-70 points
4 (pass): 69-60 points
5 (fail): 59-0 points
The course requirements will be discussed in detail during the first session. The plagiarism detection software Turnitin will be used on the written assignments. AI tools may not be used for your research proposal and proseminar paper.
Prüfungsstoff
This is an interactive course with continuous assessment (“prüfungsimmanente Lehrveranstaltung”). In addition to handing in a research proposal, annotated bibliography and proseminar paper, participants are expected to be an expert during one session, pass the quizzes, read all texts and actively participate in class throughout the semester. Participants are also expected to hand in all tasks and assignments on time.
There will be no written exam.
There will be no written exam.
Literatur
Primary Literature: Please purchase all books in bold. Other primary texts will be provided on Moodle.
Tales from Charles Perrault's Mother Goose Tales
Tales from Grimm's Fairy Tales
Tales from The Thousand and One Nights
The Bloody Chamber and Other Stories by Angela Carter (1981)
"Snow, Glass, Apples" by Neil Gaiman (1998)
Selected Stories from Angela Carter's Book of Fairy Tales (2005)
Cinder by Marissa Meyer (2012)
Uprooted by Naomi Novik (2015)
A Thousand Nights by E.K. Johnston (2015)
Selected Stories from Fierce Fairytales & Other Stories to Stir Your Soul by Nikita Gill (2018)
Selected Stories from Mermaids Never Drown - Tales to Dive for edited by Zoraida Cordova and Natalie C. Parker (2023) Secondary Literature:(excerpts)
The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim (1976)
Don't Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England edited by Jack Zipes (1986)
The Fairy Tale: The Magic Mirror of Imagination by Steven Swann Jones (1995)
Postmodern Fairy Tales: Gender and Narrative Strategies by Cristina Bacchilega (1999)
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales by Jack Zipes (2002)
Why Fairy Tales Stick: The Evolution and Relevance of a Genre by Jack Zipes (2006)All secondary literature will be provided on Moodle.
Tales from Charles Perrault's Mother Goose Tales
Tales from Grimm's Fairy Tales
Tales from The Thousand and One Nights
The Bloody Chamber and Other Stories by Angela Carter (1981)
"Snow, Glass, Apples" by Neil Gaiman (1998)
Selected Stories from Angela Carter's Book of Fairy Tales (2005)
Cinder by Marissa Meyer (2012)
Uprooted by Naomi Novik (2015)
A Thousand Nights by E.K. Johnston (2015)
Selected Stories from Fierce Fairytales & Other Stories to Stir Your Soul by Nikita Gill (2018)
Selected Stories from Mermaids Never Drown - Tales to Dive for edited by Zoraida Cordova and Natalie C. Parker (2023) Secondary Literature:(excerpts)
The Uses of Enchantment: The Meaning and Importance of Fairy Tales by Bruno Bettelheim (1976)
Don't Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England edited by Jack Zipes (1986)
The Fairy Tale: The Magic Mirror of Imagination by Steven Swann Jones (1995)
Postmodern Fairy Tales: Gender and Narrative Strategies by Cristina Bacchilega (1999)
Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales by Jack Zipes (2002)
Why Fairy Tales Stick: The Evolution and Relevance of a Genre by Jack Zipes (2006)All secondary literature will be provided on Moodle.
Zuordnung im Vorlesungsverzeichnis
Studium: BA 612; BEd 046 / 407
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Letzte Änderung: Do 05.09.2024 17:06
- Students will demonstrate a comprehensive understanding of the historical and cultural contexts of fairytales across cultures.
- Students will be able to analyse how gender, class, and other social identities are represented and reimagined in fairytales and their retellings.
- Students will get an understanding of the evolution of the genre from oral and written forms to its contemporary manifestations in film and television.
- Students will develop their practical skills in the analysis of literary texts and academic writing. Content Warning: This course will explore mature themes, including violence, assault and death. The texts we will engage with may be disturbing or upsetting. Trigger warnings will be provided, but students should be aware of the course content before enrolling.
Please take care of yourselves and remember to prioritise your well-being. If you need support, please do not hesitate to reach out to the university’s counselling services : https://www.studierendenberatung.at/en/