Universität Wien

123045 PS PS Literary Studies (2024S)

New Dimensions of Terror: Weird Fiction

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Montag 11.03. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 18.03. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 08.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 15.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 22.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 29.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 13.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 27.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 03.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 10.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 17.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Montag 24.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

Like the shapeless terrors and unseen forces it depicts, the speculative mode known as ‘weird fiction’ eludes simple classification. Uneasily distinguished from horror and science fiction, it lurked out of sight of literary criticism until the 1980s, after which time scholarly and popular interest has grown steadily. In this Proseminar, students will consider a mode that has been described as the ‘foundational aesthetic category […] of the new millennium’ (Greve and Zappe, 2021), but whose origins can be traced as far back as the nineteenth century.

This course is organized thematically and chronologically, tracing a line through late-Victorian stories of bodily transformation (The Great God Pan), early-twentieth-century investigations of extra-sensory perception (‘The Three Drugs’ and ‘The Five Senses’) and monstrous forms (‘The Wendigo’), to later-century documentations of otherworldly visitations (‘The Color out of Space’), maddeningly ancient civilizations (At the Mountains of Madness), and Cold War tales of domesticated weirdness (‘The Daemon Lover’ and ‘The Lovely House’).

The course will simultaneously address questions of literary form and genre; the relationship between literature and science; epistemology, strategies of representation, and perception; and period-specific historical contexts (fin-de-siècle spiritualism, Antarctic exploration, and mid-twentieth-century conceptions of femininity). We will also revise various analytical methods and theoretical approaches, and students will have the chance to further develop their analytical and academic writing skills, as well as gain basic theoretical tools for the critical analysis and interpretation of literary texts.

By the end of this course students will be able to
• Recognize core characteristics and examples of weird fiction, and be able to explain these in relation to genre, form, and period-specific contexts;
• Find and cite sources, formulate a research question, and structure a research paper, among other core academic skills;
• Apply close reading strategies with secondary sources to develop a written analysis of a case study.

Art der Leistungskontrolle und erlaubte Hilfsmittel

The assessment methods will consist of

• Active class participation (10%);
• Oral presentation (15%);
• Writing portfolio (close reading exercize and essay proposal) (25%);
• Final term paper (50%) (3,500 words and a +/- 10%-word allowance).

Active class participation: attend every session prepared to offer thoughts on the chosen texts, engage with group discussions, and pose questions to others.

Oral presentation: a secondary source evaluation, delivered as a 8-10 minute presentation to the class in groups of two, covering either a source listed for the week on which the presentation is being given or a new one of the group's choosing.

Writing portfolio: this comprises two parts: (i) a 500-word close reading exercize due 03.05 and (ii) a 2-page essay proposal due 07.06. The requirements and grading will be discussed in a session.

Final term paper: this is an argumentative essay of 3,500 words (with a +/- 10% limit) that engages with one or two of the primary texts. The requirements and grading will be discussed in the session.

NOTE: Assessment deadlines are final and extensions may only be granted under exceptional circumstances.

Mindestanforderungen und Beurteilungsmaßstab

Students must submit and pass each of the assessment requirements outlined above and obtain a 60% overall grade to pass the course.
Assessments must be submitted by the agreed deadline. Any instance of plagiarism or use of software such as ChatGPT in submitted assessments will result in an automatic fail grade.

Grade scale (%)

1. (very good) 90-100
2. (good) 80-89
3. (satisfactory) 70-79
4. (pass) 60-69
5. (fail) 0-59

Students cannot miss more than two sessions. De-registration from the class is possible until 31.03.

Prüfungsstoff

There is no written exam. This course is structured with ongoing assessment ("Prüfungsimmanent"), meaning that your final grade will be based on your performance throughout the course.

Literatur

The primary texts are available on Moodle, except for The Great God Pan and At the Mountains of Madness which require purchasing. To ensure consistency, please purchase the Oxford World's Classics edition of The Great God Pan and the Penguin English Library edition of At the Mountains of Madness; these are available at thalia.at and amazon.de if you cannot find them at a local bookshop.

Arthur Machen, The Great God Pan (1894) (novella)*
Edith Nesbit, ‘The Three Drugs’ (1908) and ‘The Five Senses’ (1909) (short stories)
Algernon Blackwood, ‘The Wendigo’ (1910) (short story)
H. P. Lovecraft, ‘The Colour Out of Space’ (1927) (short story)
H. P. Lovecraft, At the Mountains of Madness (1936) (novella)*
Shirley Jackson, ‘The Demon Lover’ (1945) and ‘The Lovely House’ (1950) (short stories)

Note: These texts contain imagery and themes that some students may find distressing. If this is a cause for concern, please email or see me in person to discuss possible accommodations.

Secondary sources will be made available on Moodle. These are copyrighted material and by accessing them you agree to use them for private study only (i.e., no circulation).

Zuordnung im Vorlesungsverzeichnis

Studium: BA 612; BEd 046 / 407
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041

Letzte Änderung: Do 04.04.2024 11:25