Universität Wien

123046 PS PS Literary Studies (2024S)

Contemporary Irish Verse on Page and Stage

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Donnerstag 07.03. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 14.03. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 21.03. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 11.04. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 18.04. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 25.04. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 02.05. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 23.05. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 06.06. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 13.06. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 20.06. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Donnerstag 27.06. 18:15 - 19:45 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

The late great Irish poet Eavan Boland said in a 2018 interview: “Poetry has always changed with the changing world. If it doesn’t, it will run the risk of not being a living language.” Given the shifts in Irish life in the past three decades, such as impact of the Celtic Tiger and the economic crash of 2008 or the social justice movements of the 2010s, one must ask: What is this living language of poetry saying now? And who is saying – writing, composing, performing – Irish verse today? What media and forms are shaping Irish poetries? How is Irish poetry engaging with current political and societal issues, such as those mentioned above? How are poets negotiating questions of nation, gender, belonging, and identity?

We will try to answer these questions and more together in this proseminar. The focus will be on post-Celtic Tiger English-language verse (2008-), though examples from earlier decades will provide useful context. The semester will take us through various forms, exploring poetry on the page, verse dramas, spoken word shows, poetry performances, poetry films, songs, and extracts from verse novels. We will identify common themes in contemporary Irish verse and analyse how these are explored and expressed on the page or stage through language and performance.

In this course, students will familiarise themselves with contemporary Irish verse, its remit and questions as discussed above. Additionally, this course devotes significant time to the honing of students’ skills as academic communicators, in speech and in writing. Students will be introduced to various analytical methods and critical theories and learn how to engage with these in their own work. By the end of this course, students will be able to write a term paper, that means: find a topic, formulate a research question and a thesis, structure a research paper, and engage in textual analyses based on close reading/listening/viewing and supported by critical literature. Students will be able to use research methodology, follow the guidelines of a style sheet, and cite correctly. We will also reflect on good academic practices including plagiarism awareness and concerns around the use of AI in academic writing.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Regular attendance (a maximum of 2 unexcused absences allowed), active participation throughout the course including the handing-in of mini assignments and preparation of readings for each session, oral presentation, close reading essay, paper proposal, final paper.

Mindestanforderungen und Beurteilungsmaßstab

Active participation in and preparation for class: 12%
Close reading essay: 10%
Oral presentation: 12%
Paper proposal: 16%
Final paper: 50%

Students must fulfil and pass each of the course requirements and obtain a 60% overall grade to pass the course.

Active participation in and preparation for class: Students are expected to prepare thoroughly for each class, engaging with all assigned primary and secondary texts, as well as completing preparatory mini assignments.

Close reading essay: The close reading essay is a short text (ca. 500 words) due early in the semester.

Oral presentation: The short presentations (5 minutes) involve students presenting their scholarly engagement with an assigned text as well as preparing questions to discuss with their classmates.

Paper proposal: This 2-page paper proposal with an annotated bibliography should provide a basis for the final paper. Students will outline their intentions for their final paper, including their research questions and thesis statement, following the structure of the final paper itself. Additionally, they will annotate two secondary sources that they wish to use in the final paper to support their arguments.

Final paper: The proseminar paper consists of 3,500 words +/- 10%. The final paper should demonstrate the student’s engagement with the material of the course as well as their own independent research into their chosen research topic.

Assessments must be submitted by the agreed deadline. The plagiarism detection software Turnitin will be used on written assignments. Use of generative AI (e.g. ChatGPT) is not permitted.

Grading Scale (marks in %):
1 (sehr gut): 90-100
2 (gut): 80-89
3 (befriedigend): 70-79
4 (genügend): 60-69
5 (nicht genügend): 0-59

Prüfungsstoff

There will be no written exam. This course is structured with ongoing assessment ("Prüfungsimmanent"), meaning that your final grade will be based on your performance throughout the course. See above.

Literatur

The following reading list is subject to changes at the instructor’s discretion. All materials will be available on Moodle unless otherwise indicated in the syllabus/announced in first meeting.

Plays/shows (text & performance):
Solpadeine is My Boyfriend by Stefanie Preissner
Dublin Oldschool by Emmet Kirwan
Three Men Talking About Things They Kinda Know About by Colm Keegan, Kalle Ryan, and Stephen James Smith

Selected poems in print and/or audio-visual forms by Mel Bradley, Cat Brogan, Eiléan Ní Chuilleanáin, Sarah Clancy, FeliSpeaks, Colin Hassard, Seamus Heaney, Colm Keegan, William Keohane, Michael Longley, Chandrika Narayanan-Mohan, C. G. Moore, Alana Daly Mulligan, Carolann North, Stephen James Smith, Jessica Traynor, and more.

Selected songs by Hozier, Denise Chaila, TPM, and others.

Extracts from theory and critical literature, including Geraldine Meaney, Anne Mulhall, Kasia Lech, Scott Brewster, Cormac O’Brien, Eavan Boland, Julia Novak, Lars Eckstein, and others.

Zuordnung im Vorlesungsverzeichnis

Studium: BA 612; BEd 046 / 407
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041

Letzte Änderung: Mo 12.02.2024 17:45