123220 SE Literary Seminar / BA-Arbeit / MA American/North American Lit./Studies (2023W)
African American Literature from the Middle Passage to #BLM
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 11.09.2023 00:00 bis Mo 25.09.2023 12:00
- Abmeldung bis Di 31.10.2023 23:59
Details
max. 20 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Mittwoch
11.10.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
18.10.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
25.10.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Donnerstag
09.11.
18:15 - 19:45
Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Mittwoch
15.11.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
22.11.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
29.11.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
06.12.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
13.12.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
10.01.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
17.01.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
24.01.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch
31.01.
18:15 - 19:45
Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Regular attendance and active participation throughout the course (a maximum of 2 unexcused absences allowed), other requirements as listed below.
Mindestanforderungen und Beurteilungsmaßstab
The total percentage of each student’s final grade will be determined according to the following:
15% class participation, including short writing tasks
10% in-class text workshop (discussion starter and guided close reading)
15% short essay (400-500 words) + peer review
20% final essay proposal and annotated bibliography
50% final essay/seminar paper (6,500-8,000 words)To earn a passing final grade for this course, you need to obtain at least 60% (passing threshold) for each element listed above and complete each one of them in a timely manner. Any instance of plagiarism detected will automatically result in a failing grade for the assignment, and possibly for the course.Grade scale (in %): 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%.
15% class participation, including short writing tasks
10% in-class text workshop (discussion starter and guided close reading)
15% short essay (400-500 words) + peer review
20% final essay proposal and annotated bibliography
50% final essay/seminar paper (6,500-8,000 words)To earn a passing final grade for this course, you need to obtain at least 60% (passing threshold) for each element listed above and complete each one of them in a timely manner. Any instance of plagiarism detected will automatically result in a failing grade for the assignment, and possibly for the course.Grade scale (in %): 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%.
Prüfungsstoff
There will be no written exam. The oral and written assignments will require the students to display their familiarity with (1) all readings covered in the course up to the assignment date; (2) additional materials as provided by the instructor; and (3) content covered and ideas presented during class discussions, as well as (4) their academic writing skills, particularly in the seminar paper.
Literatur
The following reading list is subject to changes at the instructor’s discretion. All materials will be available on Moodle unless otherwise indicated in the syllabus/announced in first meeting:- Ellen and William Craft, from Running a Thousand Miles for Freedom
- Richard Wright, from Native Son
- Octavia Butler, from Parable of the Sower
- Toni Morrison, The Bluest Eye
- Junot Diaz, from The Brief and Wondrous Life of Oscar Wao
- Short stories and nonfiction by Olaudah Equiano, Zora Neale Hurston, W.E.B DuBois, James Baldwin, Ralph Ellison, Toni Cade Bambara, and Nnedi Okorafor
- Selected poems by Phillis Wheatley, Langston Hughes, Gwendolyn Brooks, Amiri Baraka, Nikki Giovanni, Claudia Rankine, Danez Smith, and others
- Patterns for College Writing: A Rhetorical Reader and Guide (brief edition), edited by Laurie G. Kirszner and Stephen R. Mandell
- Richard Wright, from Native Son
- Octavia Butler, from Parable of the Sower
- Toni Morrison, The Bluest Eye
- Junot Diaz, from The Brief and Wondrous Life of Oscar Wao
- Short stories and nonfiction by Olaudah Equiano, Zora Neale Hurston, W.E.B DuBois, James Baldwin, Ralph Ellison, Toni Cade Bambara, and Nnedi Okorafor
- Selected poems by Phillis Wheatley, Langston Hughes, Gwendolyn Brooks, Amiri Baraka, Nikki Giovanni, Claudia Rankine, Danez Smith, and others
- Patterns for College Writing: A Rhetorical Reader and Guide (brief edition), edited by Laurie G. Kirszner and Stephen R. Mandell
Zuordnung im Vorlesungsverzeichnis
Studium: BA 612, MA 844(2)
Code/Modul: BA10.2, MA 4.1, 4.2
Lehrinhalt: 12-0375
Code/Modul: BA10.2, MA 4.1, 4.2
Lehrinhalt: 12-0375
Letzte Änderung: Mi 18.10.2023 10:47
In 1619, the first shipment of enslaved Africans arrived to the shores of continental North America, completing the first voyage in what was later to become known as the transatlantic slave trade. This event lay the foundations for the historically unprecedented socioeconomic system of chattel slavery that was only to be abolished over two centuries later, in 1865. In 2013, the acquittal of George Zimmerman of manslaughter in the death of unarmed Black teenager Trayvon Martin caused the hashtag of #BlackLivesMatter to trend on Twitter. Within a couple of years, the phrase became a rallying cry of mass protests against systemic and state-sanctioned anti-Black racism in the United States and across the globe. In the 400 years that separate these two events, Black people in the U.S. and across the diaspora responded to the shifting landscapes of systemic exploitation, subjugation, and injustice in a myriad of ways, from political organizing and direct action through cultural and artistic expression. The Black literary tradition, too, has been shaped by both the difficult circumstances of its creation and the writers’ creative responses to and visions of liberation from the forces of oppression and injustice. The history of African American and Black diasporic literature has thus been a history of writing for liberation, guided by a fervent desire for legal enfranchisement, civic equality, cultural independence, and full recognition and expression of Black humanity. In this course, we will explore a representative selection of works from African American literary tradition. We will look into poetry, prose, drama, and nonfiction from the 17th century until today. Throughout the course, students will also be working on their academic writing skills, including development and support of original and debatable arguments, structure and format of the academic essay, academic writing style, research and source evaluation, and integrating and documenting primary and secondary sources.LEARNING OUTCOMES
Upon completion of this course, students should:
- be familiar with and able to critically and analytically discuss selected literary works by African American authors, as well as the chronological development of African American literary tradition;
- be able to situate the authors discussed in this class in their respective sociohistorical and cultural context, and to identify the historical events, sociopolitical circumstances, and cultural and literary movements that have shaped the thematic and formal qualities of their literary work;
- be able to define selected historical, theoretical, and critical terms and concepts in African American (literary) studies such as the Middle Passage, chattel slavery, abolition and emancipation, Jim Crow, the Civil Rights Movement, the Black Radical Tradition, Black nationalism, Afrocentricity, slave narrative, the Harlem Renaissance, the Black Arts Movement, Afrofuturism, double-consciousness, vernacular tradition, signifyin(g), call-and-response, and the blues, among others;
- display a nuanced and critical understanding of and appreciation for literary texts of various genres (poetry, prose, drama, nonfiction);
- display an increased fluency in academic research, critical thinking, and academic writing, including skills such as conducting library and database research, critical engagement with and close reading of literary and cultural texts, formulation and support of original and debatable arguments, structure and format of the academic essay, academic writing style, research and source evaluation, and integrating and documenting primary and secondary sources.