Universität Wien

123220 SE Literary Seminar / BA-Arbeit / MA American/North American Lit./Studies (2023W)

African American Literature from the Middle Passage to #BLM

11.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 20 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Mittwoch 11.10. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 18.10. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 25.10. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Donnerstag 09.11. 18:15 - 19:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Mittwoch 15.11. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 22.11. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 29.11. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 06.12. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 13.12. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 10.01. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 17.01. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 24.01. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Mittwoch 31.01. 18:15 - 19:45 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

COURSE DESCRIPTION
In 1619, the first shipment of enslaved Africans arrived to the shores of continental North America, completing the first voyage in what was later to become known as the transatlantic slave trade. This event lay the foundations for the historically unprecedented socioeconomic system of chattel slavery that was only to be abolished over two centuries later, in 1865. In 2013, the acquittal of George Zimmerman of manslaughter in the death of unarmed Black teenager Trayvon Martin caused the hashtag of #BlackLivesMatter to trend on Twitter. Within a couple of years, the phrase became a rallying cry of mass protests against systemic and state-sanctioned anti-Black racism in the United States and across the globe. In the 400 years that separate these two events, Black people in the U.S. and across the diaspora responded to the shifting landscapes of systemic exploitation, subjugation, and injustice in a myriad of ways, from political organizing and direct action through cultural and artistic expression. The Black literary tradition, too, has been shaped by both the difficult circumstances of its creation and the writers’ creative responses to and visions of liberation from the forces of oppression and injustice. The history of African American and Black diasporic literature has thus been a history of writing for liberation, guided by a fervent desire for legal enfranchisement, civic equality, cultural independence, and full recognition and expression of Black humanity. In this course, we will explore a representative selection of works from African American literary tradition. We will look into poetry, prose, drama, and nonfiction from the 17th century until today. Throughout the course, students will also be working on their academic writing skills, including development and support of original and debatable arguments, structure and format of the academic essay, academic writing style, research and source evaluation, and integrating and documenting primary and secondary sources.

LEARNING OUTCOMES
Upon completion of this course, students should:
- be familiar with and able to critically and analytically discuss selected literary works by African American authors, as well as the chronological development of African American literary tradition;
- be able to situate the authors discussed in this class in their respective sociohistorical and cultural context, and to identify the historical events, sociopolitical circumstances, and cultural and literary movements that have shaped the thematic and formal qualities of their literary work;
- be able to define selected historical, theoretical, and critical terms and concepts in African American (literary) studies such as the Middle Passage, chattel slavery, abolition and emancipation, Jim Crow, the Civil Rights Movement, the Black Radical Tradition, Black nationalism, Afrocentricity, slave narrative, the Harlem Renaissance, the Black Arts Movement, Afrofuturism, double-consciousness, vernacular tradition, signifyin(g), call-and-response, and the blues, among others;
- display a nuanced and critical understanding of and appreciation for literary texts of various genres (poetry, prose, drama, nonfiction);
- display an increased fluency in academic research, critical thinking, and academic writing, including skills such as conducting library and database research, critical engagement with and close reading of literary and cultural texts, formulation and support of original and debatable arguments, structure and format of the academic essay, academic writing style, research and source evaluation, and integrating and documenting primary and secondary sources.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Regular attendance and active participation throughout the course (a maximum of 2 unexcused absences allowed), other requirements as listed below.

Mindestanforderungen und Beurteilungsmaßstab

The total percentage of each student’s final grade will be determined according to the following:
15% class participation, including short writing tasks
10% in-class text workshop (discussion starter and guided close reading)
15% short essay (400-500 words) + peer review
20% final essay proposal and annotated bibliography
50% final essay/seminar paper (6,500-8,000 words)

To earn a passing final grade for this course, you need to obtain at least 60% (passing threshold) for each element listed above and complete each one of them in a timely manner. Any instance of plagiarism detected will automatically result in a failing grade for the assignment, and possibly for the course.

Grade scale (in %): 1 (very good): 90-100%, 2 (good): 80-89.99%, 3 (satisfactory): 70-79.99%, 4 (pass): 60-69.99%, 5 (fail): 0-59.99%.

Prüfungsstoff

There will be no written exam. The oral and written assignments will require the students to display their familiarity with (1) all readings covered in the course up to the assignment date; (2) additional materials as provided by the instructor; and (3) content covered and ideas presented during class discussions, as well as (4) their academic writing skills, particularly in the seminar paper.

Literatur

The following reading list is subject to changes at the instructor’s discretion. All materials will be available on Moodle unless otherwise indicated in the syllabus/announced in first meeting:

- Ellen and William Craft, from Running a Thousand Miles for Freedom
- Richard Wright, from Native Son
- Octavia Butler, from Parable of the Sower
- Toni Morrison, The Bluest Eye
- Junot Diaz, from The Brief and Wondrous Life of Oscar Wao
- Short stories and nonfiction by Olaudah Equiano, Zora Neale Hurston, W.E.B DuBois, James Baldwin, Ralph Ellison, Toni Cade Bambara, and Nnedi Okorafor
- Selected poems by Phillis Wheatley, Langston Hughes, Gwendolyn Brooks, Amiri Baraka, Nikki Giovanni, Claudia Rankine, Danez Smith, and others
- Patterns for College Writing: A Rhetorical Reader and Guide (brief edition), edited by Laurie G. Kirszner and Stephen R. Mandell

Zuordnung im Vorlesungsverzeichnis

Studium: BA 612, MA 844(2)
Code/Modul: BA10.2, MA 4.1, 4.2
Lehrinhalt: 12-0375

Letzte Änderung: Mi 18.10.2023 10:47