Universität Wien

124080 VK BEd 08a.3: VK Literature and Language Education (2023S)

Poetry Off the Page (=spoken word poetry & song lyrics)

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

  • Freitag 10.03. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 17.03. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 24.03. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 31.03. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 21.04. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 28.04. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 05.05. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 26.05. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 02.06. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 09.06. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Samstag 17.06. 09:00 - 16:00 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 23.06. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
  • Freitag 30.06. 10:15 - 11:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

Poetry readings, performances, pop songs. We often encounter poetry not in books but spoken or sung, on the radio, at public ceremonies, concerts, open mics and poetry slams, or on social media. Events such as Bob Dylan’s 2016 winning of the Nobel Prize for literature and Amanda Gorman’s much-noted performance at Joe Biden’s presidential inauguration in 2021 have demonstrated once again that poetry is an art of the voice. This course will explore these ‘other’ media of poetry that are often neglected in literary studies but which are immensely popular with young people and hence, also, a valuable resource in the EFL classroom.
Paying close attention to the medial specificities of oral poetry performance, we will critically interrogate ideas around the ‘authenticity’ of the performing voice in relation to the generic conventions of lyric poetry and the dramatic monologue. We will further examine the identity politics enacted by poetry performances, which can often be understood as forms of socio-political activism, resonating, for instance, with #MeToo and the Black Lives Matter movement.

The course will include visits by award-winning Irish poet Paul Muldoon and by spoken word poet Ty'rone Haughton, as well as two guest appearances by Mag. Claire Palzer, who will guide students’ didactic work on poetry performance and song lyrics.

AIMS:
Students will become familiar with a range of spoken word texts and audiotext formats (partly of their own choosing). They will learn to apply various critical perspectives to these texts, such as media studies, multi-modality, genre theory, gender studies, life writing studies, and postcolonial criticism. Students will also become familiar with a range of methods for incorporating spoken word poetry and song lyrics in the EFL classroom and will have the opportunity to implement, and reflect on, some of these methods.

METHODS:
Short lectures, classroom discussions, group work, presentations, individual research/writing/teaching assignments.
-- Students are expected to present a short paper at a mini conference on 17 June, 9:30am – 3:30pm. Participation in the mini conference is obligatory!
-- The course further includes one teaching session at a school of your choice (contacts will be provided, if required), between 2 May 2023 and 2 June 2023. These sessions must be arranged individually, and you are advised to schedule your session as soon as possible (the date, school and age group must be submitted by 31 March)!

Art der Leistungskontrolle und erlaubte Hilfsmittel

Active participation (regular attendance; participation in class discussions of set readings); written tasks (bibliography, abstract, lesson plans, reflection task), oral presentation at mini conference; BEd thesis or term paper;

Mindestanforderungen und Beurteilungsmaßstab

Active participation = 15%
Oral presentation (mini conf.) = 15%
Lesson plans & reflection task = 15%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%

You need to complete and pass all individual requirements to complete the course.

Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59

Prüfungsstoff

There will be no written exam. Participants are expected to study set materials and additional secondary/theory sources, take active part in class discussions, produce a ppt presentation for the mini conference, and hand in assignments on time.

Literatur

Poetry and songs by
- Billie Holiday, Adrian Mitchell, Paul Muldoon, John Hegley, U2, Patricia Smith, Kat Francois, Ray Antrobus, Brenna Twohy, Ty’rone Haughton, and others.
Extracts from theory and critical literature, including
- Eckstein, Lars. Reading Song Lyrics. Rodopi, 2010.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Tegge, Friederike. “Pop Songs in the Classroom: Time-Filler or Teaching Tool?” ELT Journal 72.3 (2018): 274-284.
- Thaler, Engelbert. Singer-Songwriters: Music and Poetry in Language Teaching. Narr-Francke, 2018.

Zuordnung im Vorlesungsverzeichnis

Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683

Letzte Änderung: Fr 10.03.2023 19:48