124081 VK BEd 08a.3: VK Literature and Language Education (2025S)
Call Me Back, Ishmael: Teaching U.S.-American Literary Classics Today
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 10.02.2025 00:00 bis Mo 24.02.2025 12:00
- Abmeldung bis Mo 31.03.2025 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 06.03. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 13.03. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 20.03. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 27.03. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 03.04. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 10.04. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 08.05. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 15.05. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 22.05. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- N Donnerstag 05.06. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 12.06. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
- Donnerstag 26.06. 16:15 - 17:45 Raum 3 Anglistik UniCampus Hof 8 3E-EG-13
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
From the perspective of 21st century learners, U.S. literary classics are inextricably intertwined with popular culture, social media, and other commercialized spaces. This seminar explores the intertextual presence of fictional and poetic works as dealt with in other media, viewing them not only as “creative and interpretive act[s]” (Hutcheon 8; see also Leitch 2017) but also as “a negotiation that takes place across the preliminary borders of two (or more) works involved in the process” (Bruhn 76). Students will deepen their understanding of U.S. literature in the context of transmedia storytelling and digital culture. By way of teaching input and discussions, portfolios, and final papers, we will explore key concepts such as literariness, mediatization, convergence culture, retelling, performance, spin-offs, spoofs, remediation, repurposing, remakes, novelization, black-out literature, memes, fanfiction, biopics of famous authors, to name but a few. By analyzing contemporary media adaptations of U.S.-American literary classics for new audiences, students will develop critical media literacy skills, gaining insights into modes of popularizing literature, its exploitation as entertainment franchise and its role in the EFL classroom. As early as possible in the semester, students are asked to choose an adaptation, a biopic, a TV series; poetry film, a literature podcast, advertisements, songs or concept albums, a graphic novel, a webcomic, fanfiction etc., that draws on a U.S. literary classic so they can start collecting ideas for their B.Ed. thesis or final term paper.All texts will be provided via MOODLE or assigned for viewing.
Art der Leistungskontrolle und erlaubte Hilfsmittel
Attendance is obligatory; no more than two classes can be missed. You need to complete and pass all requirements to complete the course. Any instance of plagiarism will result in a failing grade for the assignment, and possibly for the course. It is mandatory to include a signed and dated anti-plagiarism statement. Submit your work according to the due dates in our syllabus.10% Active Participation
20% Creative Portfolio, Learning activity
20 % Research Portfolio (glossary entry, term paper plan)
50% BEd thesis (6500-7000 words; excluding bibliography and appendix)
OR
50% Final paper (3500 words; excluding bibliography and appendix)Points must be collected in all of these categories. Students must obtain at least 60% for each element to pass this course.
20% Creative Portfolio, Learning activity
20 % Research Portfolio (glossary entry, term paper plan)
50% BEd thesis (6500-7000 words; excluding bibliography and appendix)
OR
50% Final paper (3500 words; excluding bibliography and appendix)Points must be collected in all of these categories. Students must obtain at least 60% for each element to pass this course.
Mindestanforderungen und Beurteilungsmaßstab
Grades in %:
1 (very good): 90-100%
2 (good): 80-89%
3 (satisfactory): 70-79%
4 (pass): 60-69%
5 (fail): 0-59%
1 (very good): 90-100%
2 (good): 80-89%
3 (satisfactory): 70-79%
4 (pass): 60-69%
5 (fail): 0-59%
Prüfungsstoff
Continuous internal assessment. Students will be expected to read and watch the materials provided in MOODLE and conduct research for their BEd thesis or final research paper. No written exam.
Literatur
Please note that this list is in progress and subject to change
Bruhn, Jørgen, et al. “There and Back Again: New Challenges and New Directions in Adaptation Studies.” Adaptation Studies: New Challenges, New Directions, edited by Jørgen Bruhn et al., Bloomsbury, 2013, pp. 1-16.
Edwards, Alexandra. "Literature Fandom and Literary Fans." In A Companion to Media Fandom and Fan Studies, Ed. Paul Booth. Wiley, 2018.
Hutcheon, Linda. A Theory of Adaptation. Routledge, 2012. [excerpts]
Insko, Jeffrey. “‘All of Us Are Ahabs’: Moby-Dick in Contemporary Public Discourse.” The Journal of the Midwest Modern Language Association, Special Convention Issue: High&Low/Culture, vol. 40, no. 2, Fall 2007, pp. 19–37.
Jenkins, Henry, and Wyn Kelley, eds. Reading in a Participatory Culture. Remixing Moby-Dick in the English
Classroom. Teachers College Press, 2013. [excerpts]
Leitch, Thomas. “Adaptation and Intertextuality.” Blackwell Companion to Literature, Film, and Adaptation, edited by Deborah Cartmell. John Wiley & Sons, 2012.
Stein, Luisa. "Of Spinoffs and Spinning Off". In A Companion to Media Fandom and Fan Studies, Paul Booth . Wiley, 2018.
Storey, John. Inventing Popular Culture. From Folklore to Globalization. Blackwell, 2003. [excerpts]
Spengler, Birgit. Literary Spinoffs. Rewriting the Classics – Reimagining the Community. Campus Verlag, 2015. [excerpts]
Bruhn, Jørgen, et al. “There and Back Again: New Challenges and New Directions in Adaptation Studies.” Adaptation Studies: New Challenges, New Directions, edited by Jørgen Bruhn et al., Bloomsbury, 2013, pp. 1-16.
Edwards, Alexandra. "Literature Fandom and Literary Fans." In A Companion to Media Fandom and Fan Studies, Ed. Paul Booth. Wiley, 2018.
Hutcheon, Linda. A Theory of Adaptation. Routledge, 2012. [excerpts]
Insko, Jeffrey. “‘All of Us Are Ahabs’: Moby-Dick in Contemporary Public Discourse.” The Journal of the Midwest Modern Language Association, Special Convention Issue: High&Low/Culture, vol. 40, no. 2, Fall 2007, pp. 19–37.
Jenkins, Henry, and Wyn Kelley, eds. Reading in a Participatory Culture. Remixing Moby-Dick in the English
Classroom. Teachers College Press, 2013. [excerpts]
Leitch, Thomas. “Adaptation and Intertextuality.” Blackwell Companion to Literature, Film, and Adaptation, edited by Deborah Cartmell. John Wiley & Sons, 2012.
Stein, Luisa. "Of Spinoffs and Spinning Off". In A Companion to Media Fandom and Fan Studies, Paul Booth . Wiley, 2018.
Storey, John. Inventing Popular Culture. From Folklore to Globalization. Blackwell, 2003. [excerpts]
Spengler, Birgit. Literary Spinoffs. Rewriting the Classics – Reimagining the Community. Campus Verlag, 2015. [excerpts]
Zuordnung im Vorlesungsverzeichnis
Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Letzte Änderung: Do 13.02.2025 00:02