Universität Wien FIND

124184 VK BEd 08b.3: VK Cultural Studies for Language Teachers (2019W)

Artsy-fartsy? The "Teaching" of Fine Arts in British Film

5.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Details

max. 25 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Donnerstag 10.10. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 17.10. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 24.10. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 07.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 14.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 21.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 28.11. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 05.12. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 09.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 16.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 23.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21
Donnerstag 30.01. 16:00 - 18:00 Unterrichtsraum Anglistik UniCampus Hof 8 3G-EG-21

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

In this class, we will explore how British film directors have incorporated (references to) art history in (biographical) feature films. This exploration will be preceded by a discussion of terms and definitions needed in order to talk about fine arts and film, especially in the context of the EFL classroom. In addition, students will craft a personal response to various directors’ approaches to capturing fine arts in film. Films scrutinised will include Ken Russell’s Dante’s Inferno (1967), Peter Watkins’s Edvard Munch (1974), Derek Jarman’s Caravaggio (1986), Peter Greenaway’s The Cook, the Thief, His Wife and Her Lover (1989), Christopher Hampton’s Carrington (1995), Peter Webber’s Girl with a Pearl Earring (2004), Mike Leigh’s Mr Turner (2014) as well as Dorota Kobiela and Hugh Welchman’s Loving Vincent (2017). Our readings will include several canonical art historians such as Svetlana Alpers and Hans Belting as well as theorists such as Laura Mulvey and Linda Hutcheon.

Art der Leistungskontrolle und erlaubte Hilfsmittel

active participation (regular attendance; participation in class discussions of set readings, being prepared, pre- and post-teaching peer presentations); class portfolio; BA research paper (should you decide upon it); in class written essay

Mindestanforderungen und Beurteilungsmaßstab

plus BA paper
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend

Prüfungsstoff

in class written essay: set readings

Literatur

Laura Mulvey, Visual Pleasure and Narrative Cinema (1975) plus set readings on the Moodle platform.

Zuordnung im Vorlesungsverzeichnis

Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686

Letzte Änderung: Do 10.10.2019 12:48