124184 VK BEd 08b.3: VK Cultural Studies for Language Teachers (2019W)
Artsy-fartsy? The "Teaching" of Fine Arts in British Film
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Do 12.09.2019 00:00 bis Mo 23.09.2019 23:59
- Abmeldung bis Do 31.10.2019 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 10.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 17.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 24.10. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 07.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 14.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 21.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 28.11. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 05.12. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 12.12. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 09.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 16.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 23.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Donnerstag 30.01. 16:00 - 18:00 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
In this class, we will explore how British film directors have incorporated (references to) art history in (biographical) feature films. This exploration will be preceded by a discussion of terms and definitions needed in order to talk about fine arts and film, especially in the context of the EFL classroom. In addition, students will craft a personal response to various directors’ approaches to capturing fine arts in film. Films scrutinised will include Ken Russell’s Dante’s Inferno (1967), Peter Watkins’s Edvard Munch (1974), Derek Jarman’s Caravaggio (1986), Peter Greenaway’s The Cook, the Thief, His Wife and Her Lover (1989), Christopher Hampton’s Carrington (1995), Peter Webber’s Girl with a Pearl Earring (2004), Mike Leigh’s Mr Turner (2014) as well as Dorota Kobiela and Hugh Welchman’s Loving Vincent (2017). Our readings will include several canonical art historians such as Svetlana Alpers and Hans Belting as well as theorists such as Laura Mulvey and Linda Hutcheon.
Art der Leistungskontrolle und erlaubte Hilfsmittel
active participation (regular attendance; participation in class discussions of set readings, being prepared, pre- and post-teaching peer presentations); class portfolio; BA research paper (should you decide upon it); in class written essay
Mindestanforderungen und Beurteilungsmaßstab
plus BA paper
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
active participation = 20%; class portfolio = 30%; in class written essay = 20%; research paper = 30%.
minus BA paper
active participation = 30%; class portfolio = 50%; in class written essay = 20%
all three components need to be passed in order to pass the whole class
Max. 100%; Pass rate: 60%
Grading scale:
100-90 Sehr Gut
91-80 Gut
81-70 Befriedigend
71-60 Genügend
59-0 Nicht Genügend
Prüfungsstoff
in class written essay: set readings
Literatur
Laura Mulvey, Visual Pleasure and Narrative Cinema (1975) plus set readings on the Moodle platform.
Zuordnung im Vorlesungsverzeichnis
Studium: BEd 046/407
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Code/Modul: BEd 08b.3
Lehrinhalt: 12-4686
Letzte Änderung: Di 08.09.2020 13:28