124260 KO Critical Media Analysis (2024W)
Retelling Greek Myth in Comics and Games
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 09.09.2024 12:00 bis Mo 23.09.2024 12:00
- Abmeldung bis Do 31.10.2024 23:59
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Dienstag 08.10. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 15.10. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 22.10. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 29.10. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 05.11. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 12.11. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Samstag 16.11. 08:15 - 19:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 19.11. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 26.11. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Samstag 30.11. 08:15 - 19:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 03.12. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 10.12. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- N Dienstag 17.12. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 14.01. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 21.01. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 28.01. 14:15 - 15:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Students are expected to prepare the material for each session and to actively participate in the classroom discussions. These discussions can take on various forms of work, from debates over group work to creative engagements with the texts.
Each student has to fulfil one expert task. This may include reading and/or researching additional material as well as presenting your findings orally in class.
The creative and reflective portfolio will consist of various smaller creative tasks as well as written reflections thereof. Please note that your creative output may be made available to your fellow students.
The comparative essay will allow you to make a close reading of two distinct representations of one character/myth/aspect.Creative tasks will be assessed on a passed/failed basis. All other tasks will be graded according to the grids presented in the first session.
Each student has to fulfil one expert task. This may include reading and/or researching additional material as well as presenting your findings orally in class.
The creative and reflective portfolio will consist of various smaller creative tasks as well as written reflections thereof. Please note that your creative output may be made available to your fellow students.
The comparative essay will allow you to make a close reading of two distinct representations of one character/myth/aspect.Creative tasks will be assessed on a passed/failed basis. All other tasks will be graded according to the grids presented in the first session.
Mindestanforderungen und Beurteilungsmaßstab
Active Participation: 10%
Expert Task: 20%
Creative and Reflective Portfolio: 40%
Comparative Essay (ca. 1500 words): 30%Students must fulfil and pass each of the course requirements and score at least 60 % altogether in order to pass this course.
Grading Scale:
1: 100-90%
2: 89-80%
3: 79-70%
4: 69-60%
5: 59-0%You may miss a maximum of two classes (i.e., two times 90 minutes).The plagiarism detection software Turnitin will be used on written assignments.The use of generative AI is not allowed in this course.
Expert Task: 20%
Creative and Reflective Portfolio: 40%
Comparative Essay (ca. 1500 words): 30%Students must fulfil and pass each of the course requirements and score at least 60 % altogether in order to pass this course.
Grading Scale:
1: 100-90%
2: 89-80%
3: 79-70%
4: 69-60%
5: 59-0%You may miss a maximum of two classes (i.e., two times 90 minutes).The plagiarism detection software Turnitin will be used on written assignments.The use of generative AI is not allowed in this course.
Prüfungsstoff
Participants are expected to study set materials and additional secondary/theory sources, take active part in the discussions, and fulfil all tasks.
Literatur
Primary Material:
Comics
Jenkinson-Brown, L. E. Greek Myth Comix, 2014-present, https://greekmythcomix.com/.
Smythe, Rachel. Lore Olympus. Webtoon / Del Rey, 2018-2024.Games
Elliot, Paul, and Olivier Legrand, et al. Mazes & Minotaurs. Silver Jubilee Edition, Legendary Games Studio, 2012. (TTRPG)
Hades. Supergiant Games, 2020. (Video Game)
Stray Gods: The Roleplaying Musical. Summerfall Studios / Humble Games, 2023. (Video Game)Secondary Literature:
Blom, Joleen. Video Game Characters and Transmedia Storytelling. Amsterdam UP, 2023.
Dowden, Ken, and Niall Livingstone, eds. A Companion to Greek Mythology. Wiley-Blackwell, 2011.
Hutcheon, Linda. A Theory of Adaptation. 2nd ed., Routledge, 2013.
McCloud, Scott. Understanding Comics. HarperPerennial, 1993.All literary material (primary and secondary) will be made available via Moodle and/or the Semesterapparat in the university library. Access to the video games will be discussed in the first session. Owning a gaming console is NOT a requirement for this course.Please be advised that (since we are dealing with Greek mythology) we will be discussing narrative and graphic instances of violence (including sexual) and death (including suicide).The list above may be subject to changes.
Comics
Jenkinson-Brown, L. E. Greek Myth Comix, 2014-present, https://greekmythcomix.com/.
Smythe, Rachel. Lore Olympus. Webtoon / Del Rey, 2018-2024.Games
Elliot, Paul, and Olivier Legrand, et al. Mazes & Minotaurs. Silver Jubilee Edition, Legendary Games Studio, 2012. (TTRPG)
Hades. Supergiant Games, 2020. (Video Game)
Stray Gods: The Roleplaying Musical. Summerfall Studios / Humble Games, 2023. (Video Game)Secondary Literature:
Blom, Joleen. Video Game Characters and Transmedia Storytelling. Amsterdam UP, 2023.
Dowden, Ken, and Niall Livingstone, eds. A Companion to Greek Mythology. Wiley-Blackwell, 2011.
Hutcheon, Linda. A Theory of Adaptation. 2nd ed., Routledge, 2013.
McCloud, Scott. Understanding Comics. HarperPerennial, 1993.All literary material (primary and secondary) will be made available via Moodle and/or the Semesterapparat in the university library. Access to the video games will be discussed in the first session. Owning a gaming console is NOT a requirement for this course.Please be advised that (since we are dealing with Greek mythology) we will be discussing narrative and graphic instances of violence (including sexual) and death (including suicide).The list above may be subject to changes.
Zuordnung im Vorlesungsverzeichnis
Studium: BA 612, BEd 046/407
Code/Modul: BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Code/Modul: BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Letzte Änderung: Mi 02.10.2024 13:45
We will look at a variety of comics and games: analogue and digital, highly stylized and simplistic, action and drama. We will analyse the creators’ adaptation choices according to Linda Hutcheon’s approach: how and to what effect do these ‘texts’ (in the broader sense of the term) rewrite their chosen myths? Since games are interactive by design and the empty space of a comic’s gutter has to be filled by us as well, we will also analyse our own narrative choices: how and to what effect does the player/reader’s agency work in these texts? And how do both questions relate back to the malleability of (Greek) myths?Close readings of the primary texts will be supplemented by secondary literature on (Greek) myth and the discussed media. Students will use a variety of analytical methods and theoretical approaches, and will gain basic theoretical tools for the critical analysis and interpretation of comics and games.By the end of the course, students will be able to …
… recognize and analyse media-specific mechanisms.
… reflect creatively on their own role as co-creator within the given media.
… contribute to the discourses surrounding myth and its relevance today.
... write shorter analytical and reflective texts according to the rules of literary and cultural studies.