Universität Wien FIND

124263 KO Critical Media Analysis (2018S)

Myth - Transformations and Interrelations of a Core-Concept in Cultural Theories. Theoretical Analysis and Practical Application to Cultural Representations

6.00 ECTS (2.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

Details

max. 30 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Mittwoch 14.03. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 21.03. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 11.04. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 18.04. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 25.04. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 02.05. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 09.05. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 16.05. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 23.05. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 30.05. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 06.06. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 13.06. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 20.06. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Mittwoch 27.06. 10:00 - 11:30 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

In this course, we will consider why the term “myth” is central to cultural theories and how it can be used as a tool for practical analysis of socio-ideological constructs and cultural representations.
Starting out with a consideration of the ancient Greek philosophical definition of “mythos” as synonymous with “falsehood” and “fabricated story”, we will see that this connotation resonates in the adaptations of “myth” as conceptual term in structuralist and poststructuralist theories. We will see how “myth” is (almost) consistently used
as a category for identifying and demystifying how dominant ideologies are naturalized in society as cultural meta-narratives representing “fact/norm/truth” and are internalized as such by a majority of people. “Myth” thus predominantly signifies for theorists a means of depoliticization which aims at eradicating the complexities of social relations, identities, subject-positions and functions as a concept to uncover invisible repressive mechanisms that govern the subject’s development in culture.

While analysing the specific meaning of “myth” in various theoretical contexts and attending to interrelations in conception, a further major aim of this course is show that these notions of “myth” MUST NOT be interchangeably used. The transformations in conceptual use of “myth” will be explained and clarified – on the one hand - by in-depth readings of theoretical texts and - on the other hand – by a practical application of each notion of “myth” to an analysis of a cultural text (film, literature, media examples).
In this context, students will learn how to use distinctive and diverse notions of “myth” as a tool for deconstructive reading strategies. We will see how the various films/ literary texts/ media examples under discussion e.g. either subversively re-interpret classical myths and mythological figures, critically interrogate cultural and economic myths like e.g. “the American dream”, interrogate the hyperrealities produced by media-saturated consumer-society, radically expose patriarchal and colonialist myths which legitimize gendered, sexualized, and racialized identities.
Theories addressed:

Marx & Engels: “demystification” of culture as dominant ideology; class-based myths & false consciousness
Barthes: semiotics - denotation/connotation/ “myth”
Foucault: genealogy - history as antidote to “myths of conformity” generated by regimes of “truth”
Psychoanalytical theory: use of myth/ology for psychosexual development:
Freud; Lacan: “myth of self” vs. French Feminism “deconstruction of phallo-logo-centric myths”
Beauvoir: “myths of femininity” – gender-power-dialectics
Butler: “myth of sexual integrity / gender & sexual stability” – queer-studies; performativ/ity
Bhabha: “myths of the origin” marking of the subject within racist practices and colonial discourses
Baudrillard: “media myth-making” of hyperrealities in capitalist social value systems

Art der Leistungskontrolle und erlaubte Hilfsmittel

Regular Participation
Participation in Plenum Discussions
Oral Presentation (max. 15.mins per presenter)
Short Written Reflections (300 words)
Final Paper (3000-3500 words)

Mindestanforderungen und Beurteilungsmaßstab

Prüfungsstoff

Literatur

TENTATIVE LIST OF TEXTS (a final shortened and revised list will appear end of February)
Woolf, V. Orlando. (1928)
Groening, M. The Simpsons. (1989 TV-series)
Baudrillard, J. The Gulf War did not take place. (1991)
Atwood, M. The Penelopiad.
Zeitlin, B. Beasts of the Southern Wild.(2012)
Anderson, W. The Darjeeling Limited. (2007)
Trier, L. Dogville. (2003)
Fincher, D. Fight Club. (Palahnuik, 1996/1999)
The Knife. "Full of Fire" (2013, Music Clip - short film)

Zuordnung im Vorlesungsverzeichnis

Studium: UF 344, BA 612, BEd 046/407
Code/Modul: UF 4.2.5-426, BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260

Letzte Änderung: Fr 31.08.2018 08:42