Universität Wien

140248 VO Nollywood: Nigerian Video Films - From Rags to Riches (2014W)

Details

Sprache: Englisch

Prüfungstermine

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

Prüfungstermin: 30.01.2015, 13.00 Uhr, Seminarraum 1

Freitag 17.10. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 24.10. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 31.10. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 14.11. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 21.11. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 28.11. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 05.12. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 12.12. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 09.01. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 16.01. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 23.01. 15:00 - 17:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03
Freitag 30.01. 13:00 - 15:00 Inst. f. Afrikawissenschaften, Seminarraum 1 UniCampus Hof 5 2M-O1-03

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

The proposed course will trace the phenomenon of self-financed African produced video films in Nigeria tracing an arc from the late 1980s to the present. The African film industry has undergone radical changes that reflect an increasingly globalized economy, technological innovations and rapid developments in patterns of cultural production and consumption. This revolution is characterized by the low-budget video camera made films commonly referred to as Nollywood. While these films have come under criticism for their low production value and popularization of negative cultural stereotypes, the Nigerian video industry has risen to enormous proportions and has risen far beyond its initial local audience focus to reach all of Africa and beyond. The purpose of this course is to examine the rise of Nollywood and the genesis of a popular African art form. Through a combination of films and readings, students will explore how Nollywood, in comparison with the established FESPACO film industry and Hollywood, depicts the society and culture of Nigeria, and Africa as a whole. In addition, the course will engage students in debates on how popular films affect historical imaginations and memory. This course will introduce Nollywood and provide students with the necessary theoretical tools to understand and decode this phenomenon.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Written exam during the final lecture date.

Mindestanforderungen und Beurteilungsmaßstab

- To gain a broad overview of the history and developments in Nollywood video film production.
- To obtain a broad understanding of theoretical approaches to popular cultural production.
- To undertake ideological analyses of film.
- To obtain an in-depth understanding of the current state affairs in the Nigerian film industry.

Prüfungsstoff

Primarily lectures, film viewings with tutorial format for short discussions.

Literatur

Mandatory reading:
Selected extracts from:
Harrow, Kenneth W. Trash: African Cinema from Below. Bloomington: Indiana UP, 2013.
Saul, Mahir and Ralph A. Austin (eds.). Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution.
Barrot, Pierre (ed.). Nollywood: The Video Phenonemon in Nigeria. Bloomington: Indiana UP, 2008.
Emenyonu, Ernest.N. (ed) Film in African Literature Today 28. Suffolk, UK: James Currey, 2010.
Galt, Rosalind and Karl Schoonover (eds.). Global Art Cinema: New Theories and Histories. Oxford: Oxford UP, 2010.

Films: Following Nollywood films.
The Apple (Lancelot Oduwa Imasuen)
Hit the Street (Chico Ejiro)
The Mourning After (Jimi Odumosu)
Jealous Lovers (Adim Williams)
Khusufi (Ali Nuhu)
Claws of the Lion (Francis Onwochei)
Osufia in London (Kingsley Ogoro)
Disguise of Sin (Kyei Baffour)

Zuordnung im Vorlesungsverzeichnis

SAL, EC-148; M-07 der SPL-12

Letzte Änderung: Mo 07.09.2020 15:34