150174 UE UE LK: Legends and landscapes: a survey of Chinese painting (2012S)
Prüfungsimmanente Lehrveranstaltung
Labels
Course begins on: 15.03.2012
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mi 15.02.2012 10:00 bis Mi 29.02.2012 10:00
- Anmeldung von Do 01.03.2012 10:00 bis Fr 09.03.2012 10:00
- Abmeldung bis Mi 21.03.2012 10:00
Details
max. 35 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 01.03. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 08.03. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 15.03. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 22.03. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 29.03. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 19.04. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 26.04. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 03.05. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 10.05. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 24.05. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 31.05. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 14.06. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 21.06. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
- Donnerstag 28.06. 13:30 - 15:00 Seminarraum Sinologie 1 UniCampus Hof 2 2F-O1-10
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Attendance, participation and class presentations: 60%; written examination: 40%.
Students are expected to attend the class regularly, to participate in class activities and discussions, to read the basic literature and the readings on specific topics suggested in classes. More than 3 unjustified absences will be evaluated as negative; attendance to the introductory lectures is highly recommended. The final written examination is compulsory for final marks.
Students are expected to attend the class regularly, to participate in class activities and discussions, to read the basic literature and the readings on specific topics suggested in classes. More than 3 unjustified absences will be evaluated as negative; attendance to the introductory lectures is highly recommended. The final written examination is compulsory for final marks.
Mindestanforderungen und Beurteilungsmaßstab
This course will acquaint students with pictorial art in China and theories of visual representation during the time span covering the period from Han to Song (3rd c. BCE-13th c. CE). While exploring the development of pictorial art in ancient and medieval China, students will deal with different related topics which will enable a broader understanding of the artistic production process during the period under examination.
Prüfungsstoff
The course is arranged in chronological units following the transformation of Chinese pictorial art from Han to Song Period. Two introductory lectures will provide the general background of the topic and the research methodology. In the following units class time will be devoted to the analysis of objects of art, supported by readings and visual material. In these units students are supposed to play an active role with short presentations and discussion on the specific themes.
The content of the single units (available on the e-learning platform together with visual material) will be relevant for the small written test at the end of the semester (planned on June 28th).
The content of the single units (available on the e-learning platform together with visual material) will be relevant for the small written test at the end of the semester (planned on June 28th).
Literatur
Ebrey, P. B. (ed.), Chinese civilization: a sourcebook (New York, 1993).
Turner, J. (ed.), The dictionary of art, vol. 6: China-Painting, pp. 772-826 (New York, 1996).
Clunas, C., Art in China (Oxford, 1997).
Further bibliography on specific topics will be provided during classes
Turner, J. (ed.), The dictionary of art, vol. 6: China-Painting, pp. 772-826 (New York, 1996).
Clunas, C., Art in China (Oxford, 1997).
Further bibliography on specific topics will be provided during classes
Zuordnung im Vorlesungsverzeichnis
LK 220
Letzte Änderung: Mo 07.09.2020 15:35
The course is a survey on the history of Chinese painting from the Han dynasty (206 BCE- 220 CE) through the Song dynasty (960-1279). While tracing the general development of pictorial art in China, attention will be paid to major themes such as narrative painting, landscape painting, the relationship between poetry and painting, devotional (particularly buddhist) and secular pictorial representations, theories on the use of the brush and the connection between painting and calligraphy.