Achtung! Das Lehrangebot ist noch nicht vollständig und wird bis Semesterbeginn laufend ergänzt.
160007 UE Music under Neoliberalism (2025S)
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Di 11.02.2025 09:00 bis Do 20.02.2025 14:00
- Anmeldung von Fr 21.02.2025 09:00 bis Di 25.02.2025 14:00
- Abmeldung bis Sa 15.03.2025 14:00
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Dienstag 04.03. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 11.03. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 18.03. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 25.03. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 01.04. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 08.04. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 29.04. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 06.05. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 13.05. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 20.05. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 27.05. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 03.06. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 10.06. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 17.06. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
- Dienstag 24.06. 15:00 - 16:30 Hörsaal 2 Musikwissenschaft UniCampus Hof 9, 3G-EG-01
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
YOU WILL HAVE TO READ ONE OR TWO TEXTS BEFORE EVERY CLASS AND THEN DISCUSS WHAT YOU HAVE READ----DO NOT TAKE THIS COURSE UNLESS YOU ARE PREPARED TO DO THIS!!!Assessment
Reading the texts and participating fully in class discussions: 15%
Presentation of your proposed topic for your final essay to the class: 15%
Final essay on a topic of your choice related to music under neoliberalism: 70%
Reading the texts and participating fully in class discussions: 15%
Presentation of your proposed topic for your final essay to the class: 15%
Final essay on a topic of your choice related to music under neoliberalism: 70%
Mindestanforderungen und Beurteilungsmaßstab
On successful completion of the course students will be able to:
- articulate the ways in which neoliberalism has shaped music and musical practices;
- pose a well-formed question about music under neoliberalism and answer it with reference to specific music examples or examples of music practices.
- articulate the ways in which neoliberalism has shaped music and musical practices;
- pose a well-formed question about music under neoliberalism and answer it with reference to specific music examples or examples of music practices.
Prüfungsstoff
Literatur
A comprehensive list will be uploaded to Moodle.Individual texts from the list will be set for each class—these will be indicated on Moodle.
Zuordnung im Vorlesungsverzeichnis
BA: HIS-V2, INT, POP-V, FRE
MA: E.ETH, E.HIN, E.INT, E.POP, H.ETH, H.HIN, H.INT, H.POP, S.ETH, S.HIN, S.INT, S.POP
MA: E.ETH, E.HIN, E.INT, E.POP, H.ETH, H.HIN, H.INT, H.POP, S.ETH, S.HIN, S.INT, S.POP
Letzte Änderung: Di 04.02.2025 07:06
- The impact of neoliberal policies on music-making, education, and labour
- Shifts in music marketing, streaming, and the digital economy
- The role of globalism and free-market capitalism in shaping media and art music
- State policies on music institutions, museums, festivals, and events
- Aesthetic consequences: how neoliberal logics manifest in sound and musical multimedia
- Strategies of resistance—from individual artists to collective movementsThe course is structured around close readings and in-depth discussions. Students are expected to engage actively with the material, developing their analytical skills and gaining insight into how economic structures shape musical life. By the end of the course, students will be able to critically assess contemporary and historical musical practices through the lens of neoliberal theory.