160065 VO Music and Book Culture in 16th-Century Europe (2018W)

Bernstein, Jane A. Chapters 1–5 from Print Culture and Music in Sixteenth-Century Venice. New York: Oxford University Press, 2001.

Boorman, Stanley. “Early Music Printing: Working for a Specialized Market.” In Print and Culture in the Renaissance: Essays on the Advent of Printing in Europe, ed. Gerald P. Tyson and Sylvia S. Wagonheim, pp. 222–45. Newark, DE: University of Delaware Press, 1986.

Dane, Joseph A. What is a Book? The Study of Early Printed Books. Notre Dame, IN: University of Notre Dame Press, 2012.

Fenlon, Iain, and Inga Mai Groote. “Heinrich Glarean’s World.” In Heinrich Glarean’s Books: The Intellectual World of a Sixteenth-Century Musical Humanist, ed. Iain Fenlon and Inga Mai Groote, pp. 1–37. Cambridge, UK: Cambridge University Press, 2013.

Heartz, Daniel. “Typography and Format in Early Music Printing: With Particular Reference to Attaingnant’s First Publications.” Notes, Second Series, 23/4 (1967): 702–6.

Judd, Cristle Collins. Part IV, “Gioseffo Zarlino’s Le istutioni harmoniche (1558),” pp. 179–261, from Reading Renaissance Music Theory: Hearing with the Eyes. Cambridge: Cambridge University Press, 2000.

Krummel, D. W. “Oblong Format in Early Music Books.” The Library, series 5, 36 (1971): 312–24.

Lewis, Mary S. “The Printed Music Book in Context: Observations on Some Sixteenth-Century Editions,” Music Library Association Notes, series 2, 46 (1990): 899–918.
Lindmayr Brandl, Andrea. “Early Music Prints and New Technology: Variants and Variant Editions.” Fontes Artis Musicae 64/3 (2017): 244–59.

Marsh, Christopher. “The Sound of Print in Early Modern England: The Broadside Ballad as Song.” In The Uses of Script and Print, 1300–1700, ed. Julia Crick and Alexandra Walsham, pp. 171–90. Cambridge: Cambridge University Press, 2004.

Pettegree, Andrew. Chapter 5, “Book Town Wittenberg,” pp. 91–106, from The Book in the Renaissance. New Haven and London: Yale University Press, 2010.

Stallybrass, Peter. “Little Jobs: Broadsides and the Printing Revolution.” In Agent of Change: Print Culture Studies after Elizabeth Eisenstein, ed. Sabrina Alcorn Bacon, Eric N. Lindquist, and Eleanor F. Shevlin, pp. 315–41. Amherst, MA and Boston: University of Massachusetts Press, 2007.

van Orden, Kate. Introduction and Chapters 1–2 from Music, Authorship, and the Book in the First Century of Print. Berkeley and Los Angeles: University of California Press, 2014.

–––––. Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. Oxford and New York: Oxford University Press, 2015.