170501 UE Choreographies of the non-human (2020W)
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 07.09.2020 09:00 bis So 20.09.2020 23:55
- Anmeldung von Do 24.09.2020 09:00 bis Do 01.10.2020 23:55
- Abmeldung bis Mo 26.10.2020 23:55
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Please note!! The class is taking place online due to the large number of participants. Please check emails and moodle for updates!
- Montag 05.10. 09:45 - 11:10 Digital
- Montag 12.10. 09:45 - 11:10 Digital
- Montag 19.10. 09:45 - 11:10 Digital
- Montag 09.11. 09:45 - 11:10 Digital
- Montag 16.11. 09:45 - 11:10 Digital
- Montag 23.11. 09:45 - 11:10 Digital
- Montag 30.11. 09:45 - 11:10 Digital
- Montag 07.12. 09:45 - 11:10 Digital
- Montag 14.12. 09:45 - 11:10 Digital
- Montag 11.01. 09:45 - 11:10 Digital
- Montag 18.01. 09:45 - 11:10 Digital
- Montag 25.01. 09:45 - 11:10 Digital
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Assessment and permitted materialsEvaluation will be based on:
- presence and participation in class, preparation of set reading (20%);
- one oral presentation in pairs (30%);
- three short written assignments (feedback will be given throughout the semester) (50%).
- presence and participation in class, preparation of set reading (20%);
- one oral presentation in pairs (30%);
- three short written assignments (feedback will be given throughout the semester) (50%).
Mindestanforderungen und Beurteilungsmaßstab
In order to participate in the class you need to
- have completed the STEOP courses;
- be comfortable understanding spoken and written English. (The classes will be conducted in English; participation and writing in German will be possible if needed.)In order to pass the class you need to
- not be absent more than once without justification;
- in case of more absences, complete a compensatory assignment;
- submit all evaluation assignments and receive a mark of 4 or above on average;
- contribute to group work and to peer-to-peer feedback when required;
- read the set texts and participate in discussion about them.
- have completed the STEOP courses;
- be comfortable understanding spoken and written English. (The classes will be conducted in English; participation and writing in German will be possible if needed.)In order to pass the class you need to
- not be absent more than once without justification;
- in case of more absences, complete a compensatory assignment;
- submit all evaluation assignments and receive a mark of 4 or above on average;
- contribute to group work and to peer-to-peer feedback when required;
- read the set texts and participate in discussion about them.
Prüfungsstoff
Literatur
Indicative bibliography:
- Bennet, Jane: Vibrant Matter. A Political Ecology of Things, 2010.
- Birringer, Johannes & Fenger, Josephine (eds): Tanz der Dinge / Things that Dance, 2019.
- Bleeker, Maaike: Media Draamturgies of the Mind: Ivana Müller’s Cinematic Choreographies, 2012 (Performance Research 17:5).
- Braidotti, Rosi: The Posthuman, 2013.
- Bryant, Levi R.: The Democracy of Objects, 2011.
- Haraway, Donna: Staying with the Trouble. Making Kin in the Chthulucene, 2016.
- Laermans, Rudi: ‘Dance in General’ or Choreographing the Public, Making Assemblages, 2008 (Performance Research 13:1)
- Lepecki, André: Moving as Thing. Choreographic Critiques of the Object, 2012 (October 140)
- Manning, Erin: Choreography as Mobile Architecture, 2013 (Performance Paradigm 9).
- Portanova, Stamatia: Moving Without a Body. Digital Philosophy and Choreographic Thoughts, 2013.
- Povinelli, Elizabth A.: Geontologies. A Requiem to Late Liberalism, 2016.
- Bennet, Jane: Vibrant Matter. A Political Ecology of Things, 2010.
- Birringer, Johannes & Fenger, Josephine (eds): Tanz der Dinge / Things that Dance, 2019.
- Bleeker, Maaike: Media Draamturgies of the Mind: Ivana Müller’s Cinematic Choreographies, 2012 (Performance Research 17:5).
- Braidotti, Rosi: The Posthuman, 2013.
- Bryant, Levi R.: The Democracy of Objects, 2011.
- Haraway, Donna: Staying with the Trouble. Making Kin in the Chthulucene, 2016.
- Laermans, Rudi: ‘Dance in General’ or Choreographing the Public, Making Assemblages, 2008 (Performance Research 13:1)
- Lepecki, André: Moving as Thing. Choreographic Critiques of the Object, 2012 (October 140)
- Manning, Erin: Choreography as Mobile Architecture, 2013 (Performance Paradigm 9).
- Portanova, Stamatia: Moving Without a Body. Digital Philosophy and Choreographic Thoughts, 2013.
- Povinelli, Elizabth A.: Geontologies. A Requiem to Late Liberalism, 2016.
Zuordnung im Vorlesungsverzeichnis
Letzte Änderung: Fr 12.05.2023 00:18
- be familiar with key works of 20th and 21st century dance history exemplifying different models of choreographic implication of non-human elements;
- be aware of historical variations in choreographic uses of non-human elements;
- have a critical understanding of relevant literature from Dance Studies, framed by wider readings;
- have an awareness of central arguments about the choreographic, aesthetic, artistic, and socio-political relevance of a focus on the non-human and be able to critically engage with them;
- be able to connect their reflections on the course’s case studies and theory with pertinent social and political contexts (both contemporary and historical);
- be capable of using relevant notions (e.g. agency, assemblage, anthropocentrism, object/thing) in discussion and writing and of applying them to the analysis of artistic works.METHODS
- Lecture format.
- Collective work: in-class discussion of texts, video excerpts and/or other practice-based primary sources (images, libretti, scores), mind mapping.
- Work in small teams: preparation of oral presentations.
- Individual work: short written assignments.A choreographer whose work touches upon the themes of the course will be invited towards the end of the semester for a practice/discussion session (tbc depending on covid-related situation).