Universität Wien

240019 VO Introduction to Visual Anthropology (3.2.6) (2022W)

VOR-ORT

The lecturer can invite students to a grade-relevant discussion about partial achievements. Partial achievements that are obtained by fraud or plagiarized result in the non-evaluation of the course (entry 'X' in certificate). The plagiarism software 'Turnitin' will be used.

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

Sprache: Englisch

Prüfungstermine

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

If possible, the course is to be conducted in presence. Due to the respective applicable distance regulations and other measures, adjustments may be made.

  • Dienstag 04.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 11.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 18.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 25.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 08.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 15.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 22.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 29.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 06.12. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 13.12. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 10.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 17.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
  • Dienstag 24.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

Aims, contents and method of the course:
This lecture series offers an introduction to Visual Anthropology. Visual Anthropology is a subfield of anthropology that does not only study visual culture but also integrates practices of visual media production (especially filmmaking) within anthropological research and reporting. Despite its consolidation as a subdiscipline with its own institutions and discussion forums, Visual Anthropology has always remained a highly dynamic field, and its practitioners have formulated varied and sometimes opposing interpretations of what visual anthropology is or should be. The recent renaming of the subdiscipline as ‘Multimodal Anthropology’ is an example of this. Students will learn about these different ideas and practices by studying relevant literature, films, and media projects that will be discussed in the lectures. Students will arrive at an in-depth understanding of the field in order to eventually formulate interpretations of their own.

The following topics will be discussed:
• Visual Anthropology and Multimodal Anthropology
• Camera-based ethnography
• Montage and theory construction
• Distribution, audiences, and reception
• Shared anthropology, reflexivity, and decolonizing anthropology

Learning goals:
At the end of the course, students will have substantiated knowledge about:
• key ideas and practices in the field of visual anthropology, and important debates in the field;
• how visual anthropology approaches have responded to changing technological and social-political conditions, and to shifting theoretical frameworks in the history of the broader discipline of anthropology;
• through their comparative viewings of anthropological films: how certain cinematographic choices (e.g., in camera work, sound, and editing) express certain theoretical or methodological approaches.

By gaining this knowledge, students will be challenged to:
• start formulating their own view on the role of (audio)visual media practices in anthropological research;
• to envision implementing such practices in the future.

Set-up:
Each week, students study a film or other media work alongside literature. In the accompanying lectures, the lecturer highlights key ideas and backgrounds to deepen students' understanding of the literature and media works.

Optional film viewing club:
If students have an interest in watching the compulsory films together in the department (rather than alone at home), a time/space can be arranged for this outside of classroom hours. This optional student-led film viewing club will be set up only if there is sufficient interest among students - to be discussed in the first class.

Art der Leistungskontrolle und erlaubte Hilfsmittel

There will be a final exam for this class worth 100% of the final grade.

This exam will include 25 multiple choice questions (overall 25 points) and two essay questions (overall 75 points), based on the assigned study materials (both readings and films).

The exam is planned in presence, on paper, in the classroom. Students will not be allowed to bring reading materials or digital equipment to the exam. A dictionary is allowed.

A maximum of 10% bonus points can be credited upon successful completion of a multimodal mid-term assignment that reflects on students’ participation in an academic event organised by the Vienna Visual Anthropology Lab during the semester.

Mindestanforderungen und Beurteilungsmaßstab

A = 1 (Very Good): 87 - 100%
B = 2 (Good): 75 - 86,99%
C = 3 (Satisfactory): 63 - 74,99%
D = 4 (Enough): 50 - 62,99%
F = 5 (Not Enough): 00 - 49,99%

Prüfungsstoff

Readings, films, and media projects, to be studied weekly. Links will be made available on Moodle.

The lectures are designed to help students understand how to look at the films and interpret the readings. While the lectures as such are not part of the examination, regular lecture attendance is strongly recommended for students who wish to pass the exam. The lectures will take in presence and will not be recorded.

Literatur

The readings for this course are interlinked with audio-visual materials that should be studied jointly, in advance of each class. The short list below is included to give an indication; a complete list for all classes will be distributed during the first class.

Visual and multimodal anthropology
Reading: S. Collins, M. Durington, and H. Gill. 2017. Multimodality: An Invitation. American Anthropologist 119 (1): 142-153.
Reading: M. Westmoreland. 2022. Multimodality: Reshaping Anthropology. Annual Review of Anthropology, 51 (online pre-publication).

Observational cinema (part of the section on camera-based ethnography)
Reading: Grimshaw, A., and A. Ravetz. 2009. Observational Cinema. Anthropology, Film, and the Exploration of Social Life, Bloomington & Indianapolis: Indiana University Press.
Film: MacDougall, D. 2000. Doon School Chronicles, Part I. Berkeley Media (1 hr. 8 mins).

Montage and theory construction
Reading: C. Suhr & R. Willerslev. 2012. Can Film Show the Invisible?: The Work of Montage in Ethnographic Filmmaking. Current Anthropology, 53(3), 282-301.
Film: T. Asch & N. Chagnon. 1975. The Ax Fight. Documentary Educational Resources (DER). 30 minutes.

Shared anthropology
Reading: De Groof, M. 2013. Rouch’s Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film. Visual Anthropology 26 (2): 109-131.
Film: Meyknecht, S., D. Nijland and J. Verhey. 1998. Rouch’s Gang. Documentary Educational Resources (DER). 70".

Zuordnung im Vorlesungsverzeichnis

Letzte Änderung: Di 31.01.2023 11:10