Universität Wien

240529 UE Ethnographic Media Practices (P5) (2022W)

Prüfungsimmanente Lehrveranstaltung
VOR-ORT

Participation at first session is obligatory!

The lecturer can invite students to a grade-relevant discussion about partial achievements. Partial achievements that are obtained by fraud or plagiarized result in the non-evaluation of the course (entry 'X' in certificate). The plagiarism software 'Turnitin' will be used for courses with continuous assessment.

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 20 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

If possible, the course is to be conducted in presence. Due to the respective applicable distance regulations and other measures, adjustments may be made.

UPDATE 15.12.2022: additional slot on January 25th.

Mittwoch 12.10. 13:15 - 16:30 Seminarraum D, NIG 4. Stock
Mittwoch 19.10. 13:15 - 16:30 Übungsraum (A414) NIG 4. Stock
Mittwoch 09.11. 13:15 - 16:30 Übungsraum (A414) NIG 4. Stock
Mittwoch 23.11. 13:15 - 16:30 Seminarraum A, NIG 4. Stock
Übungsraum (A414) NIG 4. Stock
Mittwoch 07.12. 13:15 - 16:30 Übungsraum (A414) NIG 4. Stock
Mittwoch 11.01. 13:15 - 16:30 Übungsraum (A414) NIG 4. Stock
Mittwoch 25.01. 13:15 - 16:30 Übungsraum (A414) NIG 4. Stock
Mittwoch 25.01. 17:00 - 18:30 Übungsraum (A414) NIG 4. Stock

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This seminar is part of the methodological training for Master students in anthropology. It focusses on practices and principles of ethnographic research. Specifically, the course focusses on the implementation of media practices in ethnographic research: drawing, sound recording, and camera work, as well as writing. Going beyond mere technicalities, students will be challenged to treat media practices as a mode of learning and as a gateway to critically consider anthropological research agendas and fieldwork relations.

After completing this course, students will:
- have gained knowledge of the principles and practices of ethnographic research;
- have gained experience with the use of different media as methods in ethnographic research (drawing, sound recording, and camera work) - practices developed in the field of visual and multimodal anthropology;
- have critically reflected on the possible affordances and drawbacks of using these media practices in ethnographic research; including challenges related to research ethics.

The long-term aim of the course is to enable students to conduct ethnographic research independently, in the future.

Course set-up
The course challenges students to think about ethnographic research practices in relation with media practices, so that they can consider if, when, and how certain media practices can strengthen ethnographic research. During theoretical introduction seminars, students learn how anthropologists have employed different media as research methods in the past and present. During workshops, students participate in hands-on media work (e.g. drawing or sound recording), after which they conduct a fieldwork assignment to implement what they have learnt. In student-oriented seminars, students present their assignments and engage in peer-to-peer discussion about their challenges, while the lecturer links student experiences back to discussions in the (sub)discipline of visual and multimodal anthropology.

Art der Leistungskontrolle und erlaubte Hilfsmittel

The fieldwork project is divided into 5 assignments:
1. Conceptualisation: agenda setting (1 A4). 10%
2. Fieldwork visit 1: research plan and research ethics (1 A4). 10%
3. Fieldwork visit 2: participant observation with film, sound, or drawing, resulting in a written observation report (± 2.000 words) with selected visual and/or sonic materials. 30%
4. Fieldwork visit 3: elicitation/co-creation, resulting in a multimodal presentation in class. 10%.
5. Final research report, in written form (± 2.000 words) with selected visual or sonic materials. 40%

Mindestanforderungen und Beurteilungsmaßstab

Presence and participation is compulsory. Absences of one session (three hours) at maximum is tolerated, provided that
the lecturer is informed about the absence. Absences of up to six hours in total may be compensated by either a deduction of grading points or/and extra work agreed with the lecturer. Whether compensation is possible is decided by the lecturer.

Absences of more than eight hours in total cannot be compensated. In this case, or if the lecturer does not allow a student to compensate absences of more than three hours, the course cannot be completed and is graded as a ‘fail’ (5), unless there is a major and unpredictable reason for not being able to fulfil the attendance requirements on the student’s side (e.g. a longer illness). In such a case, the student may be de-registered from the course without grading. It is the student’s responsibility to communicate this in a timely manner, and to provide relevant evidence to their claims if necessary. Whether this exception applies is decided by the lecturer.

Conversion scheme for international students:
A = 1 (Very Good): 87 - 100%
B = 2 (Good): 75 - 86,99%
C = 3 (Satisfactory): 63 - 74,99%
D = 4 (Enough): 50 - 62,99%
F = 5 (Not Enough): 00 - 49,99%

Prüfungsstoff

Course readings combine general methodological literature with specialist literature from the field of visual and multimodal anthropology. In addition, some films, sound fragments, and drawings will need to be studied in advance of the classes.

Advanced Master students, who already have a supervisor and a first draft of their Ma research concept, can choose their own fieldwork location - as long as it closely relates to their Ma thesis concept. All other students conduct their fieldwork project in an education institution - this can be the university itself, or a sports or music school to which they have access, for example.

Literatur

Chapters of the following books are compulsory:
1. Bryman, Alan (2012). Social Research Methods. Oxford: Oxford University Press.
2. Causey, Andrew (2017). Drawn to See: Drawing as an Ethnographic Method. Toronto: University of Toronto Press.
3. Lawrence, Andy (2020). Filmmaking for Fieldwork: A Practical Handbook. Manchester: Manchester University Press.

In addition, some articles will be made available on Moodle.

The following 2 films are compulsory:
1. MacDougall, D. 2000. Doon School Chronicles, Part I. Berkeley Media (1 hr. 8 mins).
2. Verstappen, S., M. Rutten and Isabelle Makay. 2011. Living Like a Common Man. University of Amsterdam (1 hr. 5 mins).

Zuordnung im Vorlesungsverzeichnis

Letzte Änderung: Do 15.12.2022 09:08