Universität Wien FIND
Achtung! Das Lehrangebot ist noch nicht vollständig und wird bis Semesterbeginn laufend ergänzt.

340210 UE Mündliche Kommunikation: Englisch (2017W)

2.00 ECTS (1.00 SWS), SPL 34 - Translationswissenschaft
Prüfungsimmanente Lehrveranstaltung

An/Abmeldung

Details

max. 30 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

we will add 2 more sessions and will discuss when this is possible for all students

Freitag 13.10. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 20.10. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 27.10. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 03.11. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 10.11. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 17.11. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 24.11. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 01.12. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 15.12. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 12.01. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG
Freitag 19.01. 09:30 - 11:00 Hörsaal 3 ZfT Gymnasiumstraße 50 3.OG

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

In this class on f2f interaction you will experience a challenging but cooperative, collaborative and supportive environment in which you can experiment with your own individual communicative resources (metaphor of repertoire: whatever you bring to this class – let’s play with it, strengthen it, further develop it!). Classroom cohesion will be of vital importance because it contributes to reducing fear of embarrassment. We shall aim at group accomplishment – with regular peer reviews in and out of class. It is important to note that peer review does not aim at intervention and (immediate) change (i.e. we won’t discuss do’s and don’ts; no simple cause-effect relationships). Peer reviewing can help us to gain a more realistic assessment of our own embodied enactment (scenic/performative agency). It strengthens reflection on matters of choice, alternative and consequence (intended (actors) and experienced (audience) impact).

This class is no casting show. We won’t compare individual achievement. Students will come from various backgrounds and walks of life with highly varied communicative resources. A passing grade means that you have visibly reduced fear of doing something inappropriate or wrong (no linguistic policing) and strengthened or even widened your individual repertoire. Two maxims will guide our work in class: clarity & impact.

“There is no right language or wrong language any more than there are right or wrong clothes.” (Stephen Fry) In this class you won’t dance to somebody’s tune (standards, templates) but try to develop your own way(s) of speaking/performing (rhythm/sound; setting the stage). This, of course, does not mean disregarding or even countering socially recognized forms of speaking and their characteristics (typifying, e.g., textual elements/functions as descriptive, expository, assertive, directive, commissive, expressive, declarative, phatic, narrative, etc.). But our class will open up room for contrepoints (and contre-rôles).

“Language [and in our case: f2f interaction] isn’t about words, or information, or things.” (Cooke 2011) It’s always about us and those who join us (i.e. our audience).” You are never alone in a presentation … and it’s not about vis-à-vis one another but in-the-world with … Before we charge a presentation with a certain function we will need to create a story/performance that our audience would like to listen to in the first place. Connecting to others – drawing/grabbing/capturing attention, modulating attention processes, gaining back attention (triggers, stimuli); how to build trust? how to keep our listeners motivated?, how to keep them on track? – and making meaning are multidimensional phenomena. The impact of a f2f interaction is never simply due to the performance itself (its make-up, its dynamics) – meaning is never found in the spoken (i.e. performed) text alone. You (as speaker/actor/creator) can never ‘pull the trick’ on your own. We always need the other to come in … to join in in (mutually) making meaning. And, finally – mind you – any oral contribution is created/received against a background (or foreground) of other ones (confirmative, contrastive, disruptive …) or a structure of absence (everything that is left out or not done due to contextual constraints).

Put into practice, our story goes like this: ‘There and back again. A speaker’s tale.’ --- From nothingness to idea … character/letter, morpheme, word, collocation/expression/idiom, clause, sentence, paragraph, text (multisensual), (discourse), voice, sound, pronunciation, prosody, inclination, rhythm, pausing, bodywork, movement, clothes … … … to silence revisited. In your weekly assignments you will be dealing with f2f interaction in everyday life, academia, health, legal and business environments.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Time and again, our classroom work will take us from reflex to reflexion: ‘Know your audience!’ – is there really a way …? ‘Communicate effectively!’ – to whose benefit? ‘Act authentically!’ – how to when you have to tell somebody else’s story? This class will also raise awareness of the effects of the McDonaldization of linguistic action (Ritzer 1996, Cameron 2000, Moraru 2010) – the one and only (globalized) way of speaking.

Weekly assignments (group work: in and out of class)
Recordings and live performances

Mindestanforderungen und Beurteilungsmaßstab

Participation & attendance: 10 points
Assignments & reading responses: 30 points
Peer feedback: 30 points
F2F interaction in class (presentations, role plays, slams): 30 points
TOTAL 100 points (≥90 =1, ≥80=2, ≥70=3, ≥50=4)
In order to pass the course, students must attain a passing grade on at least two 'performances' in class. (Permitted materials and equipment: no restrictions.)

We can all create our own performance. There are many ways … of speaking … listening … Let’s be like foxes, making “more tracks than necessary, some in the wrong direction” (Berry 1991). If we all pull the same trick (templates and standards and text types; standardization = pre-empting choice and commodification of ways of speaking) we will be easily replaced. (A quick piece of advice: As soon as the marketeers can predict the motions of your mind, lose it!) So, let’s try and catch lightning in a bottle … I am sure you are all hungry for an edge. See. Think. Wonder.

Prüfungsstoff

As discussed and peer-reviewed in class.

Literatur

By understanding English as a pluricentric code (Global Englishes, Lingua Franca Englishes, Translingual Englishes) this class encourages rethinking deeply entrenched notions of language as quasi natural (and thus neutral) stable structures or entities (traceable, dissectable, measurable) that can be linked to similarly stable speech communities (with the idea of ‘native speakers’ as ‘ideal’ representatives).
Acknowledging pluricentricity immediately brings questions of language ideology, the politics of linguistics, and notions of prestige, authority, privilege and arrogance to the fore. If we hear many accents or pronunciations but ‘receive’ (and thus accept) just one of them (Received Pronunciation), then the implication is that others should be rejected or refused (and, by the by, who received it?). Acknowledging the pluricentricity of the English language continuum opens our classroom doors to all of its speakers, with their individual or group-related ways of speaking (and listening, or writing and reading). Here, working in Englishes means entering a continual process of variation.
There are many ways of how people in various walks of life negotiate meaning and co-construct their means of communication, accommodate to each other, and draw on their heteroglossic repertoires within the English-speaking continuum. Treating everything that is beyond Her Majesty’s or Uncle Sam’s grammar as exception (or even stigmatizing it as deviation/aberration: ‘defective’/‘bad’/‘broken’/‘terrible’/) also means reducing our scope of action to a minimum (self-confinement). This class will introduce you to varieties of English with which most of you probably have had little or no experience so far (but quite realistically might come across in professional life), thus countering deficit-orientation – memba? there are many ways! – and facilitating adaptation to variation.

Jacquemet, Marco. 2005. Transidiomatic practices: Language and power in the age of globalization. Language & Communication 25, 257-277.
Lebrun, Jean-Luc. 2010. When the Scientist Presents. An Audio & Video Guide to Science Talks. Singapore: World Scientific.
Mesthrie, Rajend & Rakesh M. Bhatt. 2008. World Englishes: The Study of new linguistic varieties. Cambridge: Cambridge University Press.
Pennycook, Alastair. 2008. Translingual English. Australian Review of Applied Linguistics 31 (3), 301-309.
Schneider, Edgar W. & Bernd Kortmann (eds.). 2008. Varieties of English. 4 Volumes. Berlin & Boston: De Gruyter.
Seidlhofer, Barbara. 2011. Understanding English as a Lingua Franca. Oxford: Oxford University Press.
Simo Bobda, Augustin. 1997. The phonologies of Nigerian English and Cameroon English. In Ayo Bamgbose, Ayo Banjo & Andrew Thomas (eds.), New Englishes – A West African perspective, 248–268. Trenton [NJ]: Africa World Press.
Thomas, Jaquie Mary. 2008. Presentations in English. Freiburg: Haufe.

Zuordnung im Vorlesungsverzeichnis

Letzte Änderung: Mo 18.12.2017 13:49