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060024 VO The Ufa stars and the Nazis - between Ingratiation and dissociation (2020W)

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first serve).

Details

Language: German

Examination dates

Lecturers

Classes (iCal) - next class is marked with N

Wednesday 28.10. 14:30 - 18:00 Hybride Lehre
Hörsaal 1 Judaistik UniCampus Hof 7 2L-EG-25
Wednesday 11.11. 14:30 - 18:00 Digital
Wednesday 18.11. 14:30 - 18:00 Digital
Wednesday 02.12. 14:30 - 18:00 Digital
Wednesday 13.01. 14:30 - 18:00 Digital
Wednesday 20.01. 14:30 - 18:00 Digital
Wednesday 27.01. 14:30 - 18:00 Digital

Information

Aims, contents and method of the course

This lecture focuses on actors, actresses, directors and their films for the Ufa pre- and during the NS-regime. The persecution of jewish artists will be looked at in this lecture as well as conformation and dissociation of those non-jewish Ufa-artists who lived in romantic relationships with jewish partners.

Central part of this lecture will be given to the listed films.

Assessment and permitted materials

Students taking part in this lecture will write on schedule a comparative, analytical essay on two listed films or an essay on one during the lecture discussed topics. Those who decide to write about two films will also examine one of the artists discussed in the lecture.

Minimum requirements and assessment criteria

The essays (9-12 pages) are neither film transcripts nor re-narrations and certainly no biographical texts.

In order to receive positive gradings students will, thanks to defined and upfront announced research question, give proof of their scientific approaches.

A intense examination of the listed literature is recommended.

Participating students can discuss with the lecturer their research question and the topic of choice. They will have time until December 2nd to announce their definite topic of choice with the inherent research question via Email.

Examination topics

1. Die im Laufe der Vorlesung zur Verfügung gestellten Folien.

2. Literatur

Aurich, Rolf und Jacobsen, Wolfgang: Theo Lingen. Das Spiel mit der Maske. Aufbau Verlag. Berlin

Blubacher, Thomas: Gustaf Gründgens. Biografie. Henschel Verlag 2013

Klöckner-Draga, Uwe: Renate Müller. Ihr Leben ein Drahtseilakt. Verlag Kern, Bayreuth

Körner, Thorsten: Ein guter Freund Heinz Rühmann. Aufbau Verlag, Berlin

Kracauer, Siegfried: Von Caligari zu Hitler. Eine psychologische Geschichte des deutschen Films. Suhrkamp Taschenbuch Wissenschaft. Frankfurt am Main

Krützen, Michaela: Hans Albers. Eine deutsche Karriere. Quadriga Verlag, Weinheim/Berlin

Liebe, Ulrich: Verehrt, Verfolgt, Vergessen Schauspieler als Naziopfer. Quadriga Verlag Weinheim/Berlin

Mann Klaus: Tagebücher 1931-1933 Edition Spangenberg. Berlin

Mann, Klaus: Mephisto. Roman einer Karriere. Rowohlt Verlag, Reinbek bei Hamburg.

Rathkolb, Oliver: Führertreu und gottbegnadet. Künstler-Eliten im Dritten Reich. ÖBV

Reich, Wilhelm: Die Massenpsychologie des Faschismus. KiWi Taschenbuch, Köln.

Rudolf, Ulrich: Österreicher in Hollywood. Verlag Filmarchiv Austria. Wien

Schrader, Bärbel: "Jederzeit widerruflich" Die Reichskulturkammer und ihre Sondergenehmigungen in Theater und Film des NS-Staates. Metropol Verlag

Schweikart, Hans: Es wird schon nicht so schlimm! Verbrecher Verlag, Berlin

Wenninger, Kay: Zwischen Bühne und Baracke. Lexikon der verfolgten Theater-, Film- und Musikkünstler 1933-1945. Metropol Verlag, Berlin

3. Filme:

Die Drei von der Tankstelle (1930)
M eine Stadt sucht einen Mörder (1931)
Der Kongress tanzt (1931)
Viktor und Viktoria (1933)
Glückskinder (1936)
Der Mann, der Sherlock Holmes war (1937)
Zu neuen Ufern (1937)
Tanz auf dem Vulkan (1938)
Münchhausen (1943)
Die Feuerzangenbowle (1944)
Große Freiheit Nr. 7 (1944)
Ehe im Schatten (1947)

Reading list

see "Prüfungsstoff"

Association in the course directory

Last modified: Tu 13.04.2021 10:48