060095 VU Archaeomusicology (2017W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 01.09.2017 12:00 to Sa 30.09.2017 23:59
- Deregistration possible until Tu 31.10.2017 23:59
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Vorbesprechung: 03.10., 15 Uhr SR 13
- Tuesday 03.10. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 10.10. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 17.10. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 24.10. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 31.10. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 07.11. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 14.11. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 21.11. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 28.11. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 05.12. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 12.12. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 09.01. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 16.01. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 23.01. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
- Tuesday 30.01. 15:00 - 16:30 Seminarraum 13 Franz-Klein-Gasse 1 4.OG
Information
Aims, contents and method of the course
Assessment and permitted materials
Presentation (oral - 30%) - Power Point presentation, written assignment of the presentation (30%), including literature and bibliography.
Making of instruments & acoustic analyses (40%)
Compulsory attendance, max. 2 absences allowed,
Any additional absences are considered as non-cooperation and to be considered for marks. A predictable non-participation or absence is at least one day in advance to announce via email to 16:00
Cooperation and discussions during the lessons are welcome. Minimum requirement: topical research, proper addressing of the musical instrument, knowledge of playing.
The paper and PowerPoint presentations are to be transmitted digitally till the end of January. The construction of musical instruments, their acoustic analysis and active participation will be evaluated during the lessons.
Making of instruments & acoustic analyses (40%)
Compulsory attendance, max. 2 absences allowed,
Any additional absences are considered as non-cooperation and to be considered for marks. A predictable non-participation or absence is at least one day in advance to announce via email to 16:00
Cooperation and discussions during the lessons are welcome. Minimum requirement: topical research, proper addressing of the musical instrument, knowledge of playing.
The paper and PowerPoint presentations are to be transmitted digitally till the end of January. The construction of musical instruments, their acoustic analysis and active participation will be evaluated during the lessons.
Minimum requirements and assessment criteria
Paper oral and written, making of instruments, max. 2 absences allowed
Examination topics
Reading list
Literaturliste wird auf Moodle bereitgestellt
Association in the course directory
Last modified: Th 21.03.2024 00:10
The aim of the course is to convey a broad knowledge of prehistoric musical instruments, recognizing them, chronological, cultural and organological classifying, and the making of acoustical and craft statements.1.) Theory part-lecture (introduction to archaeomusicology, history of research, methods and ways of archeology, methods and ways of Musicology)
2.) practical part - Papers / identifying & research exercise of the students to individual musical instruments (oral presentation of 20 minutes (PowerPoint) and written work introducing one or several instruments, dating, cultural classification, findings, typology, classification of musical instruments, possibly calculating the eigenfrequenzy, focus: Central Europe
manual-musical-acoustic part (making of simple instruments, playing, acoustic analysis, musical examples / interpretations),