Universität Wien

060095 VO Special Topic Art and Architecture: Guideline Systems in Ancient Egyptian Art (2024W)

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Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: English

Examination dates

Lecturers

Classes (iCal) - next class is marked with N

  • Thursday 17.10. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 24.10. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 31.10. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 07.11. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 14.11. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 21.11. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG
  • Thursday 28.11. 11:30 - 13:00 Seminarraum 3 ZfT Philippovichgasse 11, EG

Information

Aims, contents and method of the course

Guideline systems (e.g. auxiliary drafting lines and squared-grids) are fundamental utilitarian tools in the design and art-making process that have been used by practitioners across the globe since antiquity, with the earliest currently known examples of their use coming from ancient Egypt. This course focusses on the use of guideline systems by ancient Egyptian artists during the conception and creation of visual culture, along with how the employment of this technique has been discussed in modern Egyptological literature.

By drawing upon examples found on two- and three-dimensional media from a variety of contexts (i.e. primary sources), the course will demonstrate how guideline systems could be used by ancient Egyptian artists in each stage of the image production process, from the training of apprentices through to the preparation of monumental scenes and sculptures. Key secondary source material related to the topic will also be presented, with a focus on critically analysing how guideline systems have been discussed in the existing literature in conjunction with what more can still be learnt about this artistic practice.

Learning aims and outcomes:

On successful completion of this unit, participants will be able to:
- Outline the functions and purposes of guiding systems in relation to the conception and creation of imagery in ancient Egypt.
- Explain the methods employed by ancient Egyptian artists when constructing and applying visual guides.
- Describe and classify the development and evolution of ancient Egyptian guiding systems over time, including their connection to changes and/or continuity in aesthetics.
- Identify, analyse and critique primary and secondary source material pertaining to the study of ancient Egyptian artistic practice, especially in relation to the use of guideline systems.

Delivery:

The method of delivery will be lectures (face-to-face instruction) that will take place over a block period of 1.5 hours each week for seven weeks. Active participation in the form of questions and discussion is encouraged.

A copy of the lecture slides from each week will be made available via Moodle. Please note that lectures will not be recorded or live-streamed.

Students may only use the content provided in Moodle for private learning purposes and not for professional or commercial purposes (e.g. downloading, saving and printing). Passing on content to third parties is generally prohibited, also the passing on via upload to other platforms, via social media or cloud services or similar is not permitted from a copyright point of view.

Assessment and permitted materials

Assessment for the unit will be a written exam to be taken in-person. The exam content will be based on the material presented and skills developed in class (see “Examination topics” below).

Minimum requirements and assessment criteria

Participants will be assessed against successful demonstration of the learning outcomes listed in “Aims, contents and methods of the course” above.

A minimum overall grade of 50% must be achieved in order to receive a positive assessment. The grading scale for the unit is as followed:

88 - 100 % = 1
75 - 87,99 % = 2
62,51 - 74,99 % = 3
50 - 62,5 % = 4
0 - 49,99 % = 5

Examination topics

Exam schedule:

Four exam dates will be scheduled for the course. The first exam date: Monday 02.12.2024, 11:30am - 12:30pm, Seminarraum 3.
Dates for the remaining three exams will be made available via u:space once determined.

Exam content:

The exam content will be designed to assess the overarching learning outcomes listed in “Aims, contents and methods of the course” above. The questions and tasks will be based upon source material presented in class, and will require application of the knowledge and skills gained/developed throughout the semester in both short- and long-response format.

Reading list

Essential and recommended literature that will be referred to throughout the semester is listed below. Specific details regarding when to read each text (including which specific sections to refer to depending on the weekly topic) will be provided on the course’s Moodle page, along with additional material that may be beneficial or of interest throughout the semester.

Bryan, B. 2001. "Painting techniques and artisan organization in the Tomb of Suemniwet, Theban Tomb 92", in: Davies, W.V. (ed.), Colour and Painting in Ancient Egypt . London, pp. 63-72. (Accessible online via author's Academia profile; book also available in the library**)

Bryan, B. 2017. "The ABCs of Painting in Mid-Eighteenth Dynasty Terminology and Social Meaning", in: Ritner, R.K. (ed), Essays for the Library of Seshat: Studies Presented to Janet H. Johnson on the Occasion of Her 70th Birthday. Chicago, pp. 1-27. (Accessible online via author's Academia profile)

Davis, W. 2015. "Scale and Pictoriality in Ancient Egyptian Painting and Sculpture", Art History 38:2, pp. 268-285 (esp. pp. 273-280). https://doi.org/10.1111/1467-8365.12149 . (Accessible via u:search)

Iversen, E. 1955. Canon and Proportions in Egyptian Art (1st edn.). London.**

Iversen, E. 1975. Canon and Proportions in Egyptian Art (2nd edn.). Warminster.**

Mackay, E. 1917. "Proportion Squares on Tomb Walls in the Theban Necropolis", JEA 4:2/3, pp. 74-85. https://doi.org/10.2307/3853876 . (Accessible via u:search)

Robins, G. 1994. Proportion and Style in Ancient Egyptian Art. London. (Accessible via u:search)

Robins, G. 2001. "The use of the squared grid as a technical aid for artists in the Eighteenth Dynasty", in: Davies, W.V. (ed.), Colour and Painting in Ancient Egypt . London, pp. 60-62.**

Unknown, 2008. “Squaring Up”, in: Ward, G. (ed.), The Grove Encyclopedia of Materials and Techniques in Art. Oxford. https://doi.org/10.1093/acref/9780195313918.001.0001 . (Accessible via u:search)

Yasuoka, Y. 2021. "A New Interpretation of the Grid System Reform in the Late Period", JEA 107: 1-2, pp. 265-280. https://doi.org/10.1177/03075133211059209 . (Accessible via u:search)

Only available in German

Feucht, E. 1977. “Hilfslinien”, in: Helck and Westendorf (eds.), Lexikon der Ägyptologie Band II: Erntefest - Hordjedef. Wiesbaden, pp. 1202-1206.

Müller, H. W. 1973. "Der Kanon in der ägyptischen Kunst", in: Braunfels, S. et al., Der >>vermessene<< Mensch: Anthropometrie in Kunst und Wissenschaft. Munich.

Shedid, A.G. 1988. “Einsatz von Hilfslinien”, in: Stil der Grabmalereien in der Zeit Amenophis’ II: untersucht an den thebanischen Gräbern Nr. 104 und Nr. 80. Mainz am Rhein, pp. 24-38.**

Wenzel, G. 2007. "Die Funktion der Hilfslinien im Grab des Pepi-anch Heni-Kem (Meir A2)", Mitteilungen des Deutschen Archäologischen Instituts Abteilung Kairo (MDAIK) 63, pp. 337-358.

Note: Physical copies of the texts marked with a double asterisk (**) are available in the library.

Association in the course directory

Last modified: Mo 28.10.2024 11:06