080005 VU B620 Society: The Queer-Feminist Body Politics of Makeup: (2024W)
Aesthetic Labour, Submission or Subversion?
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 02.09.2024 07:00 to Th 26.09.2024 23:59
- Deregistration possible until Mo 14.10.2024 23:59
Details
max. 50 participants
Language: German, English
Lecturers
Classes (iCal) - next class is marked with N
- Monday 07.10. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 14.10. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 21.10. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 28.10. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 04.11. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 11.11. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 18.11. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 25.11. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 02.12. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 09.12. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 16.12. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 13.01. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 20.01. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Monday 27.01. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Information
Aims, contents and method of the course
Assessment and permitted materials
Assessment will consist of weekly participation (20%),
a presentation of their reflections on makeup (40%)
and a position paper summarising these reflections (40%)
a presentation of their reflections on makeup (40%)
and a position paper summarising these reflections (40%)
Minimum requirements and assessment criteria
Die Gesamtpunktzahl (100% = 100 Punkte) setzt sich aus der Bewertung der Teilleistungen zusammen.
Für den erfolgreichen Abschluss der LV sind 51 von 100 möglichen Punkten nötig.
Notenskala:
> = 92 sehr gut (1)
> = 80 gut (2)
> = 65 befriedigend (3)
> = 51 genügend (4)
< 51 nicht genügend (5)
Für den erfolgreichen Abschluss der LV sind 51 von 100 möglichen Punkten nötig.
Notenskala:
> = 92 sehr gut (1)
> = 80 gut (2)
> = 65 befriedigend (3)
> = 51 genügend (4)
< 51 nicht genügend (5)
Examination topics
Reading list
Daems, J. (ed.) (2014) The makeup of RuPaul’s drag race: essays on the queen of reality shows.
Jefferson, North Carolina: McFarland & Company, Inc., Publishers.Davis, W. (2010) Queer beauty: sexuality and aesthetics from Winckelmann to Freud and
beyond. New York: Columbia University Press (Columbia themes in philosophy, social
criticism, and the arts).hooks, bell (2015) Black looks: race and representation. New York: Routledge.Jones, G. (2010) Beauty Imagined: A History of the Global Beauty Industry. OUP.moore, madison (2018) Fabulous: The Rise of the Beautiful Eccentric. Yale University Press.Wolf, N. (2015) The beauty myth: how images of beauty are used against women. London:
Vintage Books.
Jefferson, North Carolina: McFarland & Company, Inc., Publishers.Davis, W. (2010) Queer beauty: sexuality and aesthetics from Winckelmann to Freud and
beyond. New York: Columbia University Press (Columbia themes in philosophy, social
criticism, and the arts).hooks, bell (2015) Black looks: race and representation. New York: Routledge.Jones, G. (2010) Beauty Imagined: A History of the Global Beauty Industry. OUP.moore, madison (2018) Fabulous: The Rise of the Beautiful Eccentric. Yale University Press.Wolf, N. (2015) The beauty myth: how images of beauty are used against women. London:
Vintage Books.
Association in the course directory
EC Kulturanalysen des Alltags
Last modified: Tu 01.10.2024 16:05
The history of make-up has evolved in parallel with societal boundaries of what is right or wrong for which gender. The norms that govern makeup are and have always been culturally and historically specific, meaning that they are constructed and maintained according to specific axes of power. This course explores what can be gained from thinking about make-up using Foucault's concepts of productive power, the panopticon, as well as later feminist concepts such as aesthetic labour.
The course briefly explores the history of make-up in relation to the development of gender norms. It then focuses on women's experiences of make-up. On the one hand, we will discuss the male gaze, aesthetic labour and the internalisation of beauty standards. On the other hand, we will discuss the subversive elements of make-up, for example through the experiences of lesbian femmes, who are usually scolded for supposedly trying to satisfy the male gaze.
Learning from the queer community as well as from drag, the class will conclude with an exploration of what makeup can do and mean when decoupled from norms of gender and sexuality. We will discuss processes of self-discovery, bodily autonomy and self-expression in
relation to power and the norm.Erwartete Lernziele
Students will be familiar with the cultural, social and political implications of makeup practices and the ways in which makeup functions as a tool for self-expression, conformity, resistance and identity construction. They will be familiar with interdisciplinary perspectives helpful in delving into the complexities of makeup, its historical, sociological and gendered dimensions, with a particular focus on queer makeup practices. Students will be able to analyse
the ways in which makeup intersects with power, identity, beauty standards and notions of agency in different cultural contexts.Lehrmethoden:
Students will be required to read texts or extracts for each of the sessions. The sessions will start with students discussing the texts in groups based on prompts. These insights will be shared in the group to achieve a deeper understanding.
Students will be invited to keep a diary of what they learn in class, the types of make-up they encounter, how they feel about make-up, how their own experiences with make-up feel or change, from the beginning of the class to the last class. This includes the feelings they
experience during the make-up workshop. The last block is for them to present their ideas for a final paper.The class will be conducted primarily in English, although students may contribute to the discussion in German. The presentations and papers may also be in German.