080016 PS Case Study I: Medieval Iconography and Biblical Typology (2022S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Tu 15.02.2022 10:00 to Mo 21.02.2022 10:00
- Deregistration possible until Mo 07.03.2022 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
The accompanying tutorial led by Nora Mészáros will take place before the seminar 9:00-10:30 (participation is mandatory).
Wednesday
02.03.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
09.03.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
16.03.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
23.03.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
30.03.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
06.04.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
27.04.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
04.05.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
11.05.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
18.05.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
25.05.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
01.06.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
08.06.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
15.06.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
22.06.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Wednesday
29.06.
10:45 - 12:15
Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Information
Aims, contents and method of the course
Assessment and permitted materials
- aktive Beteiligung an Diskussionen- Referat und Präsentation- Vertiefung in Form einer schriftlichen Hausarbeit (15.000-20.000 Zeichen Fließtext)- Mit der Anmeldung zu dieser LV stimmen Sie zu, dass die automatisierte Plagiatsprüfungs-Software Turnitin alle von Ihnen in moodle eingereichten schriftlichen Teilleistungen prüft.
Minimum requirements and assessment criteria
The minimum requirement is attendance at both the seminar and the accompanying tutorial. The grade will be based on active participation in discussions (10%), the quality of the paper and answers to questions on the paper (30%), as well as the quality of the final paper (60%). Presentation of the paper during the course is a condition for acceptance of the final paper for assessment.
Examination topics
The course will be evaluated continuously and on the basis of the submission of the final thesis. The final grade will result from active participation in the seminar, presentation of a short paper and performance in the subsequent discussion, as well as from the elaboration of the resulting written work. Appropriate visual resources and secondary literature will be recommended by the instructor. Systematic help will be provided by the tutor.
Reading list
Boreczky, Anna: The Budapest Concordantiae Caritatis. The medieval universe of a Cistercian abbot in the picture book of a Viennese councilman. [Szekszárd]: Schöck ArtPrint Kft., 2017
Telesko, Werner: In Bildern denken. Die Typologie in der bildenden Kunst der Vormoderne. Wien/Köln/Weimar : Böhlau Verlag, 2016
Wirth, Karl-August [Herausgeber]: Pictor in Carmine. Ein Handbuch der Typologie aus der Zeit um 1200 ; nach MS 300 des Corpus Christi College in Cambridge. Berlin : Mann, 2006
Mohnhaupt, Bernd: Beziehungsgeflechte. Typologische Kunst des Mittelalters. Bern [u.a.] : Lang, 2000
Roland, Martin: Die Lilienfelder Concordantiae caritatis : (Stiftsbibliothek Lilienfeld CLi 151). Graz : Akad. Dr.- u. Verl.-Anst., 2002
Telesko, Werner: In Bildern denken. Die Typologie in der bildenden Kunst der Vormoderne. Wien/Köln/Weimar : Böhlau Verlag, 2016
Wirth, Karl-August [Herausgeber]: Pictor in Carmine. Ein Handbuch der Typologie aus der Zeit um 1200 ; nach MS 300 des Corpus Christi College in Cambridge. Berlin : Mann, 2006
Mohnhaupt, Bernd: Beziehungsgeflechte. Typologische Kunst des Mittelalters. Bern [u.a.] : Lang, 2000
Roland, Martin: Die Lilienfelder Concordantiae caritatis : (Stiftsbibliothek Lilienfeld CLi 151). Graz : Akad. Dr.- u. Verl.-Anst., 2002
Association in the course directory
Last modified: Th 03.03.2022 15:48
During the course, students will produce a written interpretation of a selected New Testament scene and its Old Testament antecedents based on illuminated Bibles (bible moraliseé, Armenbibel), manuscripts of the Concordantiae caritatis, and other appropriate sources. In written work, they will compare textual sources with their visual interpretation in individual manuscripts, citing both primary sources and secondary literature.