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080026 UE Course: From Malerfürst to Genitalpanik. Current Perspectives on the Art of Viennese Modernism (2024S)
Continuous assessment of course work
Labels
zusammen mit Dr. Thomas Moser (TU)
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from We 14.02.2024 10:00 to We 21.02.2024 10:00
- Deregistration possible until Fr 08.03.2024 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Friday 08.03. 14:00 - 17:00 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 10.05. 10:00 - 16:00 Ort in u:find Details
- Friday 24.05. 10:00 - 16:00 Ort in u:find Details
- Friday 07.06. 10:00 - 16:00 Ort in u:find Details
- Friday 21.06. 10:00 - 16:00 Ort in u:find Details
Information
Aims, contents and method of the course
Assessment and permitted materials
Exercises are courses with immanent examinations in which active participation is assessed in the form of the following oral and written contributions:
- prepared participation
- participation in discussion
- preparation and presentation of an oral contribution (individually or in groups)
- written submission of a proposal (1-2 pages) for a (fictitious) textBy registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions submitted in moodle.
- prepared participation
- participation in discussion
- preparation and presentation of an oral contribution (individually or in groups)
- written submission of a proposal (1-2 pages) for a (fictitious) textBy registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions submitted in moodle.
Minimum requirements and assessment criteria
Minimum requirement:
- Compulsory attendance. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- For a positive completion of the course, all partial performances must be completed.
Assessment criteria:
- prepared oral contribution 30%
- active participation in discussions 30%
- written submission 40%
- Compulsory attendance. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- For a positive completion of the course, all partial performances must be completed.
Assessment criteria:
- prepared oral contribution 30%
- active participation in discussions 30%
- written submission 40%
Examination topics
Prüfungsstoff ist der Inhalt der Lehrveranstaltung.
Reading list
Anne D'Alleva/Michael W. Cothren, Methods & Theories of Art History, London 2021 (2005).
Carolin Overhoff Ferreira, Dekoloniale Kunstgeschichte. Eine methodische Einführung, Berlin 2022.
Ulrich Pfisterer, Kunstgeschichte zur Einführung, Hamburg 2020, insb. S. 151-208.
Eric Fernie (Hg.), Art history and its methods. A critical anthology, London 1995.
Anja Zimmermann (Hg.) Kunstgeschichte und Gender. Eine Einführung, Berlin 2006.
Carolin Overhoff Ferreira, Dekoloniale Kunstgeschichte. Eine methodische Einführung, Berlin 2022.
Ulrich Pfisterer, Kunstgeschichte zur Einführung, Hamburg 2020, insb. S. 151-208.
Eric Fernie (Hg.), Art history and its methods. A critical anthology, London 1995.
Anja Zimmermann (Hg.) Kunstgeschichte und Gender. Eine Einführung, Berlin 2006.
Association in the course directory
Last modified: Th 29.02.2024 17:25
The challenge should be twofold: On the one hand, we want to acquire knowledge about art and architecture in Vienna from historicism to the Secession to the post-war period and postmodernism. On the other hand, we want to gain an insight into the current diversity of methods in the field and discuss the approaches proposed by the participants on a wide range of works from Hans Makart to VALIE EXPORT.
This examination of Viennese Modernism is to take place on site in the museums as well as in the urban space, which is why the course is divided into four extensive excursion units (May-June), preceded by a preliminary discussion (March).
Participants will prepare, present and discuss oral contributions in individual or group work. An individually prepared written contribution (1-2 pages) in the form of a methodically well-reflected proposal for a (fictional) text is to be submitted at the end of the semester.
Personal initiative, self-organization, willingness to read and discuss on the part of the participants are essential for the success of the course.Costs for museum admission: We endeavor to ensure that admission to the museums is as free as possible, but unfortunately a cost of 25-30 euros is still to be expected.